User manual CASIO CTK-200

[. . . ] However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: · Reorient or relocate the receiving antenna. · Increase the separation between the equipment and receiver. · Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. [. . . ] To stop recording, press the L-17 (START/ STOP) button. · After recording stops, the initial song sequencer mode screen appears on the display. (2) Use the dial or R-14 (­, +) buttons to configure the beat setting. You can specify a beat setting of 2/4 to 8/4, 2/8 to 16/8. (3) Use the R-17 (y) button to move the 0 to "Metronome" and then use the R-14 (­, +) buttons to turn the metronome on or off. Turning on the metronome causes it to sound a count during recording, but not during playback. · At this time you can press the L-17 (START/STOP) button to replay what you have just recorded. For details about playing back recorded content, see "Playing a Recorded Song" (page E-73). 6. To exit the song sequencer, press the C-3 (SONG SEQUENCER) button or the R-15 (EXIT) button. E-65 Using the Song Sequencer To use EASY REC to record a performance using a music preset 1. Perform steps 1 through 4 under "To perform using a music preset" (page E-50). What you can do with the song sequencer The simplest use of the song sequencer is to record a performance as you play it. For details, see "To use EASY REC to record" (page E-64). Virtually everything you play on the keyboard can be recorded by the song sequencer. You also can use the song sequencer to perform multi-track recording of 17 different tracks and assemble them into a final song. For example, you can first record a piano track, followed by a bass track, then a guitar track or tracks that feature other musical instruments. 2. · Only header settings can be changed after song recording is complete. For details, see "Using Panel Record to Rewrite Song Header Settings" (page E-72). E-67 Using the Song Sequencer Recording Individual Tracks This section explains how to record to the system track and how to record to Tracks 01 through 16. For details about track configuration and what is recorded to each track, see "What you can do with the song sequencer" (page E-66). 4. Use the R-17 (u, i) buttons to select the system track. · If the system track already contains recorded data, starting recording in step 7 below will cause the current system track data to be deleted. To record a performance to the system track 1. Press the C-3 (SONG SEQUENCER) button to enter the song sequencer mode. 5. Configure panel settings as required for your performance. Song area number · Configure the following settings: tone and rhythm selection, tempo, layer and split, synchro standby (when using Auto Accompaniment), mixer, etc. For details about settings that can be configured, see "Recording Start" under "System Track and Track 01 through 16 Common Recording Content" (page E-67) and "System Track Recording Content" (page E-67). For information about mixer settings, see "Mixer Settings in the Song Sequencer Mode" (page E-72). 6. Perform the following steps to configure beat · An asterisk (*) next to a song area number indicates that there is already data recorded in that area. · L in the level meter indicates that the system track is currently selected, while M indicates that another track (01 through 16) is selected. In the case of M, a pointer (e) indicates which track is selected. [. . . ] A larger number produces greater distortion. Raising the noise level while a note is not sounding will cause noise to sound, even if there is no input signal. Dual Type DSP Parameters Dual type DSPs are configured by combining two different single type DSPs. Use the procedure below to determine what parameters that can be configured for each dual type DSP, and the operation, and setting ranges of dual type DSPs. Example: Type number 29: Distortion-Wah 1. [. . . ]