User manual CASIO CTK-491

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[. . . ] ES USER'S GUIDE GUÍA DEL USUARIO CTK481/491-ES-1 CTK481_ES_cover1. p65 Page 1 03. 10. 7, 2:59 PM Adobe PageMaker 6. 5J/PPC GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U. S. A. (not applicable to other areas). NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. [. . . ] · The names of tone numbers 60 through 89 are not marked on the keyboard console. See the "Tone List" (page A-1) for details. · Sound effect tones such as 77 VEHICLE sound best when you keep a keyboard key depressed. 3. Play something on the keyboard. Selecting a Tone This keyboard comes with 100 built-in tones. Use the following procedure to select the tone you want to use. Combination tones The following describes the two types of combination tones that are available. Layered Tones (Tone Numbers: 80 through 89) To select a tone Example: 80 STR PIANO This tone layers a strings tone with a piano tone so they both sound when a keyboard key is pressed. 1. 2. Find the tone you want to use in the keyboard's tone list and note its tone number. Press the TONE button. Appears when TONE button is pressed Split Tones (Tone Numbers: 90 through 96) Example: 90 BASS/PIANO This tone splits the keyboard so one range is assigned a bass tone and another range is assigned a piano tone. BASS PIANO E-16 625A-E-018B CTK481_E08_17. p65 Page 16 03. 10. 7, 2:58 PM Adobe PageMaker 6. 5J/PPC Percussion sounds Example: 99 PERCUSSION This tone assigns various percussion sounds to the keyboard. See the "Percussion Instrument List" on page A-5 for full details. 2. 3. Turn on the microphone's ON/OFF switch. Use the MIC VOLUME to adjust microphone volume to the level you want. Microphone ON/OFF switch Sound Effect Tones With sound effect tones 77 through 79, the type of sound produced depends on the octave where the key you press is located. When 78 PHONE is selected available sound types are PUSH TONE 1, PUSH TONE 2, RING 1, RING 2, and BUSY SIGNAL. Microphone Cannon type (3-prong) MIC VOLUME dial Polyphony The term polyphony refers to the maximum number of notes you can play at the same time. The keyboard has 12-note polyphony, which includes the notes you play as well as the rhythms and auto-accompaniment patterns that are played by the keyboard. This means that when a rhythm or autoaccompaniment pattern is being played by the keyboard, the number of notes (polyphony) available for keyboard play is reduced. Also note that some of the tones offer only 6-note polyphony. Low High IMPORTANT! · Be sure to use the microphone's ON/OFF switch to turn off the microphone and to disconnect the microphone from the keyboard whenever you are not using it. NOTE · When rhythm or auto accompaniment is playing, the number of sounds simultaneously played is reduced. Required Microphone Specifications · Microphone Type : Metal shielded (microphone body) · Microphone and Cord Connector : Cannon type (3-prong) · Keyboard Jack Connector : Standard plug (monaural) Digital Sampling A number of the tones that are available with this keyboard have been recorded and processed using a technique called digital sampling. To ensure a high level of tonal quality, samples are taken in the low, mid, and high ranges and then combined to provide you with sounds that are amazingly close to the originals. You may notice very slight differences in volume or sound quality for some tones when you play them at different positions on the keyboard. This is an unavoidable result of multiple sampling, and it is not a sign of malfunction. IMPORTANT! · Connection to the MIDI terminal of an external device can cause static in the microphone signal. Use of a Cannon type microphone with a metal-shielded body helps to prevent static. · Be sure to disconnect the microphone from the keyboard whenever you are not using it. Howling (Feedback Noise) Any of the following conditions can cause howling (feedback noise). Using the Microphone Jack (CTK-491 only) Connecting a commercially available microphone to the MIC IN jack makes it possible to sing along with the keyboard's built-in tunes or with output from a MIDI device. When connecting a microphone, be sure to first adjust the MIC VOLUME to a relatively low setting, and then adjust to the level you want after connecting. · Covering the head of the microphone with your hand · Positioning the microphone too near to a speaker Should howling occur, try grasping the microphone further away from the head, and move away from any nearby speaker. Static Noise Fluorescent lighting can cause static noise in the microphone signal. When this happens, move away from the lighting you suspect may be causing the static. 1. When connecting a microphone, we recommend that you set the MIC VOLUME to a very low level. 625A-E-019B E-17 CTK481_E08_17. p65 Page 17 03. 10. 7, 2:58 PM Adobe PageMaker 6. 5J/PPC Auto Accompaniment POWER/MODE TEMPO RHYTHM START/STOP Number buttons This keyboard automatically plays bass and chord parts in accordance with the chords you finger. The bass and chord parts are played using sounds and tones that are automatically selected to select the rhythm you are using. All of this means that you get full, realistic accompaniments for the melody notes you play with your right hand, creating the mood of an one-person ensemble. 3. Use the number buttons to input the two digit rhythm number for the rhythm you want to select. Example: To select "64 WALTZ", input 6 and then 4. Selecting a Rhythm This keyboard provides you with 100 exciting rhythms that you can select using the following procedure. To select a rhythm NOTE · "00 CLUB POP" is the initial default rhythm setting whenever you turn on keyboard power. [. . . ] · Corresponding General MIDI numbers are General MIDI numbers in effect when the tone map setting is "G". · Vea la ilustración siguiente para una descripción de los tipos de gama (A a E). · Los números de la MIDI general correspondiente son los números de la MIDI general que se encuentran en efecto cuando el ajuste del mapa de sonidos es "G". A=440Hz Range Type Tipo de gama C-1 C0 A0 C1 A1 C2 A2C3 C4 C5 C6 C7 C8 C9 G9 A (Standard type) (Tipo estándar) B*1 Low pitch instruments Instrumentos de altura tonal baja C*2 "55 PICCOLO" only Solamente "55 PICCOLO" D (Sound Effect) (Efecto de sonido) No scale for tones. Sin escala para los sonidos. E (SPLIT) (División) Scale changes in accordance with tone. [. . . ]

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