User manual CASIO CTK-533

[. . . ] However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: · Reorient or relocate the receiving antenna. · Increase the separation between the equipment and receiver. · Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. [. . . ] · Never twist or stretch the cord. · Should the electric cord or plug become damaged, contact your original retailer or authorized CASIO Service Provider. · Never touch the AC adaptor while your hands are wet. Doing so creates the risk of electric shock. · Use the AC adaptor where it will not be splashed with water. Water creates the risk of fire and electric shock. · Do not place a vase or any other container filled with liquid on top of the AC adaptor. Water creates the risk of fire and electric shock. When you are using battery power, keyboard power turns off automatically whenever you leave it on without performing any operation for about 6 minutes. When this happens, use the POWER/MODE switch to turn power back on. NOTE · Auto Power Off is disabled (it does not function) when you are using the AC adaptor to power the keyboard. To disable Auto Power Off Hold down the TONE button while turning on the keyboard to disable Auto Power Off. NOTE · When Auto Power Off is disabled, the keyboard does not turn off automatically no matter how long it is left with no operation being performed. · Auto Power Off is automatically enabled whenever you turn on keyboard power. Settings CAUTION Misuse of the AC adaptor creates the risk of fire and electric shock. Use the following procedure to select the tone you want to use. Combination tones The following describes the two types of combination tones that are available. To select a tone 1 Find the tone you want to use in the TONE List and note its tone number. · Not all of the available tones are shown on the tone list printed on the keyboard console. For a complete list, see the "Tone List" on page A-1. Layered Tones (Tone Numbers: 80 through 89) Example: 80 STR PIANO This tone layers a strings tone with a piano tone so they both sound when a keyboard key is pressed. 2 Press the TONE button. Appears when TONE button is pressed Split Tones (Tone Numbers: 90 through 96) Example: 90 BASS/PIANO This tone splits the keyboard so one range is assigned a bass tone and another range is assigned a piano tone. BASS PIANO E-16 627A-E-018A Basic Operations Percussion sounds Example: 99 PERCUSSION This tone assigns various percussion sounds to the keyboard. See the "Percussion Instrument List" on page A-6 for full details. 2 3 Turn on the microphone's ON/OFF switch. Use the MIC VOLUME knob to adjust microphone volume to the level you want. Microphone ON/OFF switch Sound Effect Tones With sound effect tones 77 through 79, the type of sound produced depends on the octave where the key you press is located. When 78 PHONE is selected available sound types are PUSH TONE 1, PUSH TONE 2, RING 1, RING 2, and BUSY SIGNAL. Microphone MIC VOLUME knob Polyphony The term polyphony refers to the maximum number of notes you can play at the same time. The keyboard has 12-note polyphony, which includes the notes you play as well as the rhythms and auto-accompaniment patterns that are played by the keyboard. This means that when a rhythm or autoaccompaniment pattern is being played by the keyboard, the number of notes (polyphony) available for keyboard play is reduced. Also note that some of the tones offer only 6-note polyphony. IMPORTANT! · Be sure to use the microphone's ON/OFF switch to turn off the microphone and to disconnect the microphone from the keyboard whenever you are not using it. NOTE · When rhythm or auto accompaniment is playing, the number of sounds simultaneously played is reduced. Recommended Microphone Type · Dynamic microphone (standard plug) IMPORTANT! Digital Sampling A number of the tones that are available with this keyboard have been recorded and processed using a technique called digital sampling. To ensure a high level of tonal quality, samples are taken in the low, mid, and high ranges and then combined to provide you with sounds that are amazingly close to the originals. You may notice very slight differences in volume or sound quality for some tones when you play them at different positions on the keyboard. This is an unavoidable result of multiple sampling, and it is not a sign of malfunction. · Be sure to disconnect the microphone from the keyboard whenever you are not using it. Howling (Feedback Noise) Any of the following conditions can cause howling (feedback noise). · Covering the head of the microphone with your hand · Positioning the microphone too near to a speaker Should howling occur, try grasping the microphone further away from the head, and move away from any nearby speaker. Using the Microphone Jack Connecting a commercially available microphone to the MIC IN jack makes it possible to sing along with the keyboard's built-in tunes or with output from a MIDI device. [. . . ] Move the microphone away from source of the static. Change the microphone on/off switch setting to ON. Page E-17 Page E-17 Page E-17 No microphone sound E-32 627A-E-034A Specifications Model: Keyboard: Tones: Polyphony: Auto Accompaniment Rhythm Patterns: Tempo: Chords: Rhythm Controller: Accomp Volume: Song Bank Tunes: Controllers: Display Name display: Tempo: Chord: Fingering: Song Bank Status: Staff: Keyboard: MIDI: Other Functions Transpose: Tuning: Volume: Terminals MIDI Terminals: Sustain Terminal: Phones/Output Terminal: CTK-496/CTK-533 61 standard-size keys, 5 octaves 100 12 notes maximum (6 for certain tones) 100 Variable (236 steps, = 20 to 255) 2 fingering methods (CASIO CHORD, FINGERED) START/STOP, SYNCHRO/FILL-IN 0 to 9 (10 steps) 100 PLAY/PAUSE, STOP, REW, FF, LEFT ON/OFF (ACCOMP), RIGHT ON/OFF (MELODY) TONE, RHYTHM, SONG BANK name/number, keyboard settings name/value Tempo value, metronome, synchro standby, beat indicator, volume setting Chord name, Chord form Fingering indicators, parts PLAY, PAUSE, REW, FF 5 octaves with sharp and flat indications, pedal symbol, octave symbol 5 octaves 5 multi-timbre receive 12 steps (­6 semitones to +5 semitones) Variable (A4 = approximately 440Hz ±50 cents) 0 to 9 (10 steps) IN, OUT Standard jack Stereo standard jack (Output is monaural. ) Output Impedance: 78 Output Voltage: 4V (RMS) MAX 9V DC Standard jack (with microphone volume knob) Input impedance: 40k Input sensitivity: 10mV Dual power supply system 6 AA-size batteries Approximately 4 hours continuous operation on alkaline batteries Approximately 2 hours continuous operation on manganese batteries AD-5 Turns power off approximately 6 minutes after last key operation. Enabled under battery power only, can be disabled manually. 2. 0W + 2. 0W 9V 7. 7W 95. 6 x 35. 4 x 13. 2 cm (37 11/16 × 13 15/16 × 5 3/16 inch) Approximately 3. 8kg (8. 4lbs) (without batteries) Power Supply Terminal: Microphone In: Power Supply: Batteries: Battery Life: AC Adaptor: Auto Power Off: Speaker Output: Power Consumption: Dimensions: Weight: 627A-E-035B E-33 Appendix/Apéndice Tone List Lista de sonidos PIANO 00 PIANO 1 01 PIANO 2 02 HONKY-TONK 03 STUDIO PIANO 04 ELEC PIANO 1 05 ELEC PIANO 2 06 ELEC PIANO 3 07 ELEC PIANO 4 08 HARPSICHORD 09 CLAVELECTRO ORGAN 10 ELEC ORGAN 1 11 ELEC ORGAN 2 12 ELEC ORGAN 3 13 ELEC ORGAN 4 14 CHURCH ORGAN 15 PIPE ORGAN 16 REED ORGAN 17 ACCORDION 18 BANDONEON 19 HARMONICA GUITAR/BASS 20 GUT GUITAR 21 ACOUS GUITAR 22 JAZZ GUITAR 23 ELEC GUITAR 24 MUTE GUITAR 25 DIST GUITAR 26 WOOD BASS 27 ELEC BASS 28 SLAP BASS 29 BANJO STRINGS/ENSEMBLE 30 VIOLIN 31 CELLO 32 HARP 33 STRINGS 1 34 STRINGS 2 35 STRINGS 3 36 SYNTH-STR 1 37 SYNTH-STR 2 38 CHOIR 39 VOICE OOH BRASS 40 TRUMPET 41 TUBA 42 BRASS ENS 43 FR. HORN 1 44 FR. HORN 2 45 BRASS 1 46 BRASS 2 47 SYN-BRASS 1 48 SYN-BRASS 2 49 SYN-BRASS 3 REED/PIPE 50 SOPRANO SAX 51 ALTO SAX 52 TENOR SAX 53 OBOE 54 CLARINET 55 PICCOLO 56 FLUTE 57 RECORDER 58 PAN FLUTE 59 WHISTLE SYNTH-SOUND I 60 SYN-LEAD 1 61 SYN-LEAD 2 62 SYN-LEAD 3 63 SYN-CALLIOPE 64 SYN-PAD 1 65 SYN-PAD 2 66 SYN-PAD 3 67 GLASS HMCA 68 COUNTRY FARM 69 SYN-BASS SYNTH-SOUND II 70 PEARL DROP 71 COSMIC SOUND 72 SOUNDTRACK 73 SPACE PAD 74 VOICE BASS 75 APPLAUSE 76 SYNTH-SFX 77 VEHICLE 78 PHONE 79 FUNNY LAYER 80 STR PIANO 81 STR E. PIANO 82 CHOIR E. P 83 CHOIR ORGAN 84 STR GUITAR 85 STR HARP 86 BRASS STR 87 VIB PAD 88 12 STR GTR 89 CHOIR STR SPLIT/PERCUSSION 90 BASS/PIANO 91 BASS/E. PIANO 92 BASS/VIB 93 BASS/GUT GTR 94 V. BASS/OOH 95 STR/PIANO 96 STR/TRUMPET 97 VIBRAPHONE 98 MARIMBA 99 PERCUSSION 627A-E-071A A-1 Appendix/Apéndice Note Table Tabla de notas (1) (2) (3) 00 01 02 03 04 05 06 07 08 09 12 12 6 6 12 12 6 6 12 12 A A A A A A A A A A (4) 000 001 003 002 004 005 008 009 006 007 (1) (2) (3) 10 11 12 13 14 15 16 17 18 19 12 12 12 6 12 6 12 6 12 12 A A A A A A A A A A (4) 016 017 018 015 019 104 020 021 023 022 (1) (2) (3) 20 21 22 23 24 25 26 27 28 29 12 12 12 12 12 12 12 12 12 12 A A A A A A B B B A (4) 024 025 026 027 028 029, 030, 031, 084 032 033, 034, 035 036, 037 105 (1) (2) (3) 30 31 32 33 34 35 36 37 38 39 12 12 12 12 12 6 12 6 12 12 A B A A A A A A A A (4) 040, 041 042, 043 045, 046, 047 048, 055 049 044 050 051 091, 052 053 (1) (2) (3) 40 41 42 43 44 45 46 47 48 49 12 12 6 12 6 12 6 12 6 6 A B A B B B B B B B (4) 056 058 057 060 059 061 069 062 063, 083 070 (1) (2) (3) 50 51 52 53 54 55 56 57 58 59 12 12 12 12 12 12 12 12 12 12 A A A A A C A A A A (4) 064 065 066, 067 068 071 072 073 074, 079 075, 076, 077 078 (1) (2) (3) 60 61 62 63 64 65 66 67 68 69 12 6 12 6 6 6 6 6 6 12 A A A A A A A A A B (4) 087 081, 086 080 082 089 090 095 092, 093, 098 054, 085, 094 038 (1) (2) (3) 70 71 72 73 74 75 76 77 78 79 6 6 6 6 12 12 6 6 12 6 A A A A B D A D D D (4) 096 103 097 101 039 126, 127 102 125 124 123 (1) (2) (3) 80 81 82 83 84 85 86 87 88 89 6 6 6 6 6 6 6 6 6 6 A A A A A A B A A A (4) 106 088, 107 108 109 099, 110 111 112 113 114 115 (1) (2) (3) 90 91 92 93 94 95 96 97 98 99 12 6 12 12 12 12 12 12 12 12 E E E E E E E A A D (4) 100, 116 117 118 119 120 121 122 010, 011, 014 012, 013 (1): (2): (3): (4): Tone number Maximum polyphony Range type Corresponding General MIDI Number (1): (2): (3): (4): Número de sonido Polifonía máxima Tipo de gama Correspondiente al número de la MIDI general A-2 627A-E-072A Appendix/Apéndice · See the illustration below for a description of range types (A through E). 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