User manual CASIO CTK-720

[. . . ] ES USER'S GUIDE GUÍA DEL USUARIO CTK720ES1A GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U. S. A. (not applicable to other areas). NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. [. . . ] This is normal and does not indicate malfunction. 628A-E-015A E-13 Connections Phones/Output Terminal Before connecting phones or other external equipment, be sure to first turn down the volume settings of the keyboard and the connected equipment. You can then adjust volume to the desired level after connections are complete. [Rear Panel] Audio connection [Connection Example] PIN plug (red) To keyboard's PHONES/OUTPUT terminal Stereo standard plug PIN plug (white) PIN jack INPUT 1 INPUT 2 Standard plug Keyboard or guitar amp PHONES/OUTPUT terminal Stereo standard plug 1 Connecting to a Computer or Other Equipment You can also connect the keyboard to a computer or sequencer. See "Connecting to a Computer" on page E-30 for details. White Red PIN plug 2 3 LEFT RIGHT AUX IN or similar terminal of audio amplifier Keyboard amp, guitar amp, etc. Sustain jack Terminal You can connect an optional sustain pedal (SP-3 or SP-20) to the SUSTAIN jack terminal to enable the capabilities described below. Connecting Phones (Figure 1) Connecting phones cuts off output from the keyboard's builtin speakers, so you can play even late at night without disturbing anyone. Audio Equipment (Figure 2) Connect the keyboard to a audio equipment using a commercially available connecting cord with a standard plug on one end and two PIN plugs on the other end. Note that the standard plug you connect to the keyboard must be a stereo plug, otherwise you will be able to output only one of stereo channels. In this configuration, you normally set the input selector of the audio equipment to the terminal (usually marked AUX IN or something similar) where the cord from the keyboard is connected. See the user documentation that comes with your audio equipment for full details. Musical Instrument Amplifier (Figure 3) Use a commercially available connecting cord* to connect the keyboard to a musical instrument amplifier. * Be sure to use a connecting cord that has a stereo standard plug on the end you connect to the keyboard, and a connector that provides dual channel (left and right) input to the amplifier to which you are connecting. The wrong type of connector at either end can cause one of the stereo channels to be lost. When connected to a musical instrument amplifier, set the volume of the keyboard to a relatively low level and make output volume adjustments using the amplifier's controls. SUSTAIN jack Terminal SP-20 Sustain Pedal · With piano tones, depressing the pedal causes notes to linger, much like a piano's damper pedal. · With organ tones, depressing the pedal causes notes to continue to sound until the pedal is released. Microphone Jack You can connect a commercially available microphone to the microphone jack and sing along with notes played on the keyboard. For details, see "Using the Microphone Jack" on page E-16. Accessories and Options Use only the accessories and options specified for this keyboard. Use of non-authorized items creates the danger of fire, electrical shock, and personal injury. E-14 628A-E-016A Basic Operations POWER/MODE MAIN VOLUME TONE Number buttons MIC VOLUME This section provides information on performing basic keyboard operations. 3 Use the number buttons to input the three digit tone number for the tone you want to select. Example: To select "041 ACOUSTIC BASS", input 0, 4 and then 1. Playing the Keyboard To play the keyboard Acous . Bs NOTE · Always input all three digits for the tone number, including leading zeros (if any). If you input one or two digits and stop, the display will automatically clear your input after a few seconds. · You can also increment the displayed tone number by pressing [+] and decrement it by pressing [­]. 1 2 3 Set the POWER/MODE switch to NORMAL. Use the MAIN VOLUME slider to lower the keyboard volume. · It's always a good idea to set the keyboard volume at a relatively low level before playing. Play something on the keyboard. Selecting a Tone This keyboard comes with 242 built-in tones. Use the following procedure to select the tone you want to use. Combination tones The following describes the two types of combination tones that are available. To select a tone Layered Tones (Tone Numbers: 098 through 107) Example: 098 STRINGS PIANO This tone layers a strings tone with a piano tone so they both sound when a keyboard key is pressed. 1 Find the tone you want to use in the TONE List and note its tone number. · Not all of the available tones are shown on the tone list printed on the keyboard console. For a complete list, see the "Tone List" on page A-1. Split Tones (Tone Numbers: 108 through 112) Example: 108 BASS/PIANO This tone splits the keyboard so one range is assigned a bass tone and another range is assigned a piano tone. BASS PIANO 2 Press the TONE button. Indicator appears 628A-E-017A E-15 Basic Operations Percussion sounds Example: 241 DRUM SET This tone assigns various percussion sounds to the keyboard. See the "Percussion Instrument List" on page A-5 for full details. IMPORTANT! · Be sure to use the microphone's ON/OFF switch to turn off the microphone and to disconnect the microphone from the keyboard whenever you are not using it. Polyphony The term polyphony refers to the maximum number of notes you can play at the same time. [. . . ] E. PIANO CLAVI & DRAWBAR GLOCKENSPIEL PAD ORGAN & HARPSICHORD DIST. GT & BASS KOTO PAD SPLIT BASS/PIANO BASS/E. PIANO BASS/VIB BASS/NYLON STR. GT STRINGS/PIANO GM TONES GM PIANO 1 GM PIANO 2 GM PIANO 3 GM HONKY-TONK GM E. PIANO 1 GM E. PIANO 2 GM HARPSICHORD GM CLAVI GM CELESTA GM GLOCKENSPIEL GM MUSIC BOX GM VIBRAPHONE GM MARIMBA GM XYLOPHONE GM TUBULAR BELL GM DULCIMER GM ORGAN 1 GM ORGAN 2 GM ORGAN 3 GM PIPE ORGAN GM REED ORGAN GM ACCORDION GM HARMONICA GM BANDONEON GM NYLON STR. GUITAR GM STEEL STR. GUITAR GM JAZZ GUITAR GM CLEAN GUITAR GM MUTE GUITAR GM OVERDRIVE GT GM DISTORTION GT GM GT HARMONICS GM ACOUSTIC BASS GM FINGERED BASS GM PICKED BASS GM FRETLESS BASS GM SLAP BASS 1 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 16 16 32 32 32 32 16 32 32 16 32 32 32 32 32 32 32 32 32 32 32 32 16 16 32 32 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A GM SLAP BASS 2 GM SYNTH-BASS 1 GM SYNTH-BASS 2 GM VIOLIN GM VIOLA GM CELLO GM CONTRABASS GM TREMOLO STRINGS GM PIZZICATO GM HARP GM TIMPANI GM STRINGS 1 GM STRINGS 2 GM SYNTH-STRINGS 1 GM SYNTH-STRINGS 2 GM CHOIR AAHS GM VOICE DOO GM SYNTH-VOICE GM ORCHESTRA HIT GM TRUMPET GM TROMBONE GM TUBA GM MUTE TRUMPET GM FRENCH HORN GM BRASS GM SYNTH-BRASS 1 GM SYNTH-BRASS 2 GM SOPRANO SAX GM ALTO SAX GM TENOR SAX GM BARITONE SAX GM OBOE GM ENGLISH HORN GM BASSOON GM CLARINET GM PICCOLO GM FLUTE GM RECORDER GM PAN FLUTE GM BOTTLE BLOW GM SHAKUHACHI GM WHISTLE GM OCARINA GM SQUARE LEAD GM SAWTOOTH LEAD GM CALLIOPE GM CHIFF LEAD GM CHARANG GM VOICE LEAD GM FIFTH LEAD GM BASS+LEAD GM FANTASY GM WARM PAD GM POLYSYNTH GM SPACE CHOIR GM BOWED GLASS GM METAL PAD GM HALO PAD GM SWEEP PAD 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 628A-E-074A 1 3 4 5 6 2 NOTE · The meaning of each range type is described below. 628A-E-075A NOTA · El significado de cada tipo de gama se describe debajo. 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 A A A A A A A A A A A A A A A A A A A D D D D D A A D D D D D D D 000 120 32 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 16 16 16 16 16 16 16 16 16 32 32 32 32 16 32 32 32 32 16 32 32 32 16 32 32 32 16 16 32 32 16 32 241 GM RAIN DROP GM SOUND TRACK GM CRYSTAL GM ATMOSPHERE GM BRIGHTNESS GM GOBLINS GM ECHOES GM SF GM SITAR GM BANJO GM SHAMISEN GM KOTO GM THUMB PIANO GM BAGPIPE GM FIDDLE GM SHANAI GM TINKLE BELL GM AGOGO GM STEEL DRUMS GM WOOD BLOCK GM TAIKO GM MELODIC TOM GM SYNTH-DRUM GM REVERSE CYMBAL GM GT FRET NOISE GM BREATH NOISE GM SEASHORE GM BIRD GM TELEPHONE GM HELICOPTER GM APPLAUSE GM GUNSHOT DRUM SET DRUM SET Appendix/Apéndice A-3 Appendix/Apéndice A=440Hz Range Type/Tipo de gama C-1 C0 C1 C2 C3 C4 C5 C6 C7 G7 C8 C9 G9 A (Standard type) (Tipo estándar) B "016 GLOCKENSPIEL"/ "076 PICCOLO"/ "104 GLOCKENSPIEL PAD" "016 GLOCKENSPIEL"/ "076 PICCOLO"/ "104 GLOCKENSPIEL PAD" C Low pitch instruments Instrumentos de altura tonal baja D (Sound Effect) (Efecto de sonido) E (SPLIT) (División) No scale for tones. Sin escala para los sonidos. Scale changes in accordance with tone. La escala cambia de acuerdo con el sonido. a b . . . . . . . . Keyboard range . . . . . . . . Gama del teclado . . . . . . . . Available range (using transpose or message receive) . . . . . . . . Gama disponible (usando la transposición o recepción de mensajes) . . . . . . . . Notes in these ranges are produced by playing the notes in range b that are in the nearest octave as the result of transpose and message receive operations. [. . . ]