User manual CASIO CTK-731

[. . . ] Those symbols along with their meanings are shown below. Alkaline Batteries Perform the following steps immediately if fluid leaking from alkaline batteries ever gets into your eyes. Contact your physician immediately. 2. Leaving alkaline battery fluid in your eyes can lead to loss of sight. DANGER This symbol indicates information that, if ignored or applied incorrectly, creates the danger of death or serious personal injury. WARNING This indication stipulates matters that have the risk of causing death or serious injury if the product is operated incorrectly while ignoring this indication. [. . . ] See "Using the Data Download Service" on page E-82 for details. Release the STORE and REGISTRATION buttons. The setup is saved as soon as you press a REGISTRATION button in step 3, above. 705A-E-053B E-51 Registration Memory To Recall a Setup from Registration Memory 1. Use the BANK button or the number buttons to select the bank. If you do not perform any operation for about five seconds after pressing the BANK button, the keyboard automatically clears the registration memory recall screen. 2. Press the REGISTRATION button (1 to 4) for the area whose setup you want to recall. The setup name along with the message "Recall" appears on the display. If you press a REGISTRATION button without using the BANK button to select a bank first, the last bank number selected is used. E-52 705A-E-054A Song Memory Function Song Memory Function 1 4 7 bk bn MODE DRAWBAR ORGAN VARIATION/FILL-IN 1/2 TEMPO [+]/[­], YES/NO 2 5 8 SONG MEMORY [ ]/[ ]/[ ]/[ ] CURSOR 3 6 9 bm TONE INTRO/ENDING 1/2 START/STOP Number buttons SYNCHRO/FILL-IN NEXT bl SONG MEMORY TRACK This keyboard lets you record up to five separate songs in song memory for later playback. There are two methods you can use to record a song: real-time recording where you record the notes as you play them on the keyboard, and step recording where you input chords and notes one-by-one. Layer and split cannot be used while standing by for recording or while recording is being performed in the Song Memory Mode. Also, layer and split are automatically turned off whenever the keyboard goes into record standby or starts recording. Tracks Keyboard song memory records and plays back much like a standard tape recorder. There are a total of six tracks, each of which can be recorded separately. Besides notes, each track can have its own tone number. Then when you play back the tracks together, it sounds like an entire six-piece band. During playback, you can adjust the tempo to change the speed of playback. With this keyboard, Track 1 is the basic track, which can be used to record keyboard play, along with Auto Accompaniment. Tracks 2 through 6 can be used for keyboard play, so they are called melody tracks. Tracks 2 through 6 are used to add other parts to what is recorded in Track 1. Note that each track is independent of the others. This means that even if you make a mistake while recording, you only need to re-record the track where the mistake was made. Even those who find it difficult to play along on the keyboard with an Auto-Accompaniment can create AutoAccompaniments based on their own original chord progressions. The following shows the type of data that can be recorded in Tracks 1 through 6. Track 1 : Chords and Auto-Accompaniment To play back from song memory 1. Use the SONG MEMORY button to enter playback standby, and then use the number buttons to select a song number (0 to 4). Tracks 2 through 6 : Keyboard play With step recording, first record the chords and AutoAccompaniment in Track 1. Next, record the melody in Tracks 2 through 6. 1 2 Song number Playback standby The above song number screen remains on the display for about five seconds. If it disappears before you have a chance to select a song number, use the [ ] CURSOR button to re-display it. Use the procedure under "To record to Tracks 2 through 6 using real-time recording" on page E-59 for details on how to record to Tracks 2 through 6. 2. Press the START/STOP button to playback the song you selected. You can use the TEMPO buttons to adjust the playback tempo. Press the START/STOP button again to stop playback. E-56 705A-E-058A Song Memory Function To record chords with step recording 6. Input the length of the chord (how long it should be played until the next chord is played). Use the number buttons to specify the length of the chord. See "Specifying the Length of a Note" on page E-58 for details. The specified chord and its length are stored in memory and the keyboard stands by for input of the next chord. Repeat steps 5 and 6 to input more chords. 1. Press the SONG MEMORY button three times to enter step recording standby, and then use the number buttons to select the song number (0 to 4). 7. After you are finished recording, press the START/STOP button. This enters playback standby for the song you have just recorded. 1 Flash To play back the song at this time, press the START/STOP button. 2. 3. Make the following settings. Rhythm number MODE button Use the procedure under "Correcting Mistakes While Step Recording" on page E-61 to correct input mistakes you make during step recording. You can add on to a track that already contains recorded data by selecting that track in step 3 of the above procedure. [. . . ] TROMBONE 57 50 16 -1 GateRvb2 MUTE TRUMPET 59 48 32 N Enhancer OCTAVE FRENCH HORN 60 50 16 -1 RvbHall1 STEREO BRASS 61 50 16 N Enha Dly BRASS + SYNTH 61 51 16 N Enha Dly DEEP SYNTH-BRASS 1 62 51 16 N Enha Dly SOFT SYNTH-BRASS 63 51 16 N Enha Dly VINTAGE SYNTH-BRASS 63 48 16 N RvbHall2 TRUMPET 1 56 48 32 N RvbHall1 TRUMPET P 56 50 16 N RvbHall1 TROMBONE 57 48 16 -1 RvbHall1 TROMBONE F 57 49 32 -1 RvbHall1 WAH MUTE TRUMPET 59 49 32 N LFO Wah FRENCH HORN 60 48 16 -1 RvbHall1 BRASS SFZ 61 53 16 N Comp 2 DEEP SYNTH-BRASS 2 62 53 16 N Enha Dly TUBA 58 48 32 -1 RvbHall1 SQR SYNTH-BRASS 62 52 16 N Delay WARM SYNTH-BRASS 63 52 16 N Delay ANALOG BRASS 1 62 48 32 N Comp 2 BRASS + TRUMPET 61 52 16 N RvbHall2 SLOW SYNTH-BRASS 63 49 16 N ChoDly 4 TROMBONE SECTION 57 51 16 N GateRvb2 BRASS 61 48 32 N RvbHall2 OCTAVE BRASS 61 54 16 N RvbHall2 ANALOG BRASS 2 62 54 32 N Equalize BRASS + FRENCH HORN 61 55 16 N RvbHall2 STACK TUBA 58 49 16 -1 Comp 2 BREATHY TENOR SAX 66 49 16 -1 Enhancer BREATHY ALTO SAX 65 49 16 -1 Enhancer MELLOW SOPRANO SAX 64 49 16 N CmpEnDly VELO. CLARINET 71 49 16 N Reflect OBOE 68 48 32 N GateRvb2 SOPRANO SAX 64 48 32 N Equalize ALTO SAX 65 48 32 -1 Equalize TENOR SAX 66 48 32 -1 Equalize ALTO SAX FF 65 50 32 -1 Equalize BARITONE SAX 67 48 32 -1 Equalize CLARINET 71 48 32 N GateRvb2 ALTO SAXYS 65 52 16 -1 Equalize TENOR SAXYS 66 51 16 -1 Equalize STACK BARITONE SAX 67 49 16 -1 Comp 2 SYNTH-OBOE 68 49 16 N ChoDly 4 VELO. FLUTE 73 49 16 N GateRvb2 PICCOLO 72 48 32 +1 Equalize PAN FLUTE 75 48 32 N GateRvb2 BOTTLE BLOW 76 48 32 N Equalize RECORDER 74 48 32 N GateRvb2 WHISTLES 78 49 16 N ChoDly 4 FLUTE 73 48 32 N Reflect PICCOLO ENSEMBLE 72 49 16 +1 Equalize MELLOW FLUTE 73 50 16 N Reflect OCTAVE FLUTE 73 51 16 N Equalize FLUTE + REED 73 52 16 N StXDelay 705A-E-214A No. / Nº 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 A-4 Appendix/Apéndice Tone Group/ Grupo de Sonido PIPE PIPE PIPE SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-PAD SYNTH-PAD SYNTH-PAD SYNTH-PAD SYNTH-PAD SYNTH-PAD SYNTH-PAD SYNTH-PAD SYNTH-PAD SYNTH-PAD SYNTH-PAD SYNTH-PAD Program Bank Select MSB/ Maximum Range Type/ DSP Type/ Tone Name/Nombre de sonido Change/Cambio MSB de selección Polyphony/ Tipo de Tipo DSP de programa de banco Polifonía máxima gama SYNTH-PAN FLUTE 75 49 16 N AWhChDly SYNTH-RECORDER 74 49 16 N ChoDly 4 WHISTLE 78 48 32 N Od Rot 2 SAW TOOTH LEAD 81 48 16 N Enha Dly MELLOW SAW LEAD 81 53 16 N Enha Dly GR LEAD 1 81 54 16 N PhaDly 2 SQUARE LEAD 1 80 48 16 N ChoDly 2 SQUARE LEAD 2 80 51 16 N ChoDly 2 VOX SQR LEAD 80 52 16 N ChoDly 4 CALLIOPE LEAD 82 48 16 N Equalize CHIFF LEAD 1 83 48 16 N Comp 1 CHARANG LEAD 84 48 16 N Equalize GT SYNTH-LEAD 1 84 49 16 N PhaAPan1 SOLO VOX 85 48 16 N PhaDly 1 FIFTH LEAD 86 48 16 N Auto Wah HUSKY SAW 86 49 16 N PhaDly 1 BASS LEAD 1 87 48 16 N Chorus 2 BASS LEAD 2 87 50 16 N LFO Wah VOX SAW LEAD 81 57 16 N RgChoDly SQUARE LEAD 3 80 53 16 N FlanDly1 MELLOW SQR LEAD 80 54 16 N Tremolo ADVANCED CALLIOPE 82 49 16 N RvbPlate SEQ SAW 1 81 55 16 N Equalize REED SAW 81 56 16 N Enha Cho PIPE LEAD 82 50 16 N Reflect ATTACK SQR 1 80 55 16 N Comp 2 PERC. CHIFF 1 83 49 16 N Comp 1 PLUCK LEAD 1 84 50 16 N FlanDly2 VOX LEAD 1 85 50 16 N FlanDly2 5TH MELLOW 86 50 16 N StXDelay 4TH LEAD 86 51 16 N Auto Pan REED LEAD 87 51 16 N Equalize RESO. [. . . ]