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Manual abstract: user guide CREST AUDIO CPL 1288SPECIFICATIONS
Detailed instructions for use are in the User's Guide.
[. . . ] If properly cared for, your new console will provide you with trouble-free, sonically accurate mixing clear into the next Century and beyond. Please keep the following contact information on hand: Crest Audio Customer Service Dept. 100 Eisenhower Drive Paramus NJ 07652 USA TEL 201. 909. 8700 FAX 201. 909. 8744 http://www. crestaudio. com
Crest Audio Inc. 100 Eisenhower Dr. , Paramus NJ 07652 USA TEL: 201. 909. 8700 FAX: 201. 909. 8744 http://www. crestaudio. com
Printed in USA
TABLE
OF
CONTENTS
2 3 5 6 8 9 9 10 12 14 17
Feature Overview
A brief description of the Vx design, features and functions.
Mixing with VCA's
Adapted from "Mixing with VCA's, " by Mark Smith, in LIVE SOUND! [. . . ] Center frequencies are indicated around the upper knob.
EQ IN Switch w/LED
5 10
5
9 10 5 6 7 8 9 10 5 6 7 8 9 10 5 6 7 8 9
M U T E G R O U P S A D
Inserts the EQ section into both L and R input channel signals at once. An associated green LED illuminates when the switch is down.
6
15 20 30 40 60
AUX SENDS 1- 8 indiv. level controls
The Aux Individual Level Controls send a summed (L+R) signal to the AUX outputs. These Push-On/Push Off pots adjust signal level sent to respective Aux buses. Pushing the switch down turns the send on or off. An associated two color LED indicates status: OFF indicates an 'off' state; GREEN indicates the Aux send is on, and not muted; RED indicates the Aux send is on, but muted. The signal source for these mixes may be selected (by Aux bus) to be pre or post fader by GLOBAL switches located in the Vx Master section.
7
8
SAFE
LR BAL
PAGE 14
CENTURY SERIES STEREO Switch w/LED
Like the AUX 1-6 controls, AUX 7&8 Individual Level Controls normally send a summed (L+R) signal to the AUX outputs. When the STEREO switch is depressed, AUX 7 and 8 become a send `left' and `right' send respectively. This can be used for a stereo effects send.
CPL 1288
L&R PEAK & SIG LEDs
Input level metering for the L and R channels. The green signal LEDs turn on at about -30dB and brighten with increasing level. Red peak LEDs turn on 3dB before overload and show the levels post-fader, pre-fader and at the preamp output.
WIDTH Control / Balance
Dual concentric control pair. The right side takes that mix and processes it as a stereo source into the Vx. The right side (called Multi Master) is similar to a regular Vx Stereo Input module, except that the Input Gain pot and switches are replaced by a mix trim stereo level control. Panel controls (each of four identical inputs)
CPL 1288
MIC input selector
for the L & R Input XLRs. The default (with the switch released) is Line Input sensitivity and gain.
+48V phantom power ON-OFF switch
for the input XLRs. Active only when MIC source selected.
PAD switch
for introducing 15dB attenuation between the XLRs and the preamp.
GAIN dual- concentric control pair
for the stereo preamp.
ON-OFF switch with indicator
for the preamp output to the stereo sub-mix.
L & R assign switches
for the preamp output to the stereo sub-mix. For normal Stereo output release both switches. Use either L or R alone to send one side of the input to both sides of the mix. Select both switches for a mono mix of both inputs to the stereo mix.
SIGNAL indicators
for L & R audio, bi-color indication: normal level = green; overload = red.
PFL switches with indicators
for the L & R inputs.
Rear panel connections Insrt Snd (Left/Right)
This balanced 1/4" TRS jack allows for the Left and Right multiple input module output signals to be sent to effects or signal processors.
Insrt Rtrn (Left/Right)
This balanced 1/4" TRS jack allows for the return of the effected and/or processed signal back into the multiple input module.
Bal Input (L/R) A, B, C, D
These balanced XLR connectors accept input signals for the A, B, C, and D stereo inputs of the multiple input module.
PAGE 17
CPL 1288
GROUP -- MATRIX SOLO
CENTURY SERIES
STR PGM
5
MUTE L R
7 8 9 3 2 1 0 10
4 3 2 1 0 4 3 2 1 0 4 3 2 1 0 4 3 2 1 0 4 3 2 1 0 4 3 2 1 0 4 3 2 1 0 4 3 2 1 0 4 3 2 1 0 4 3 2 1 0
6
MATRIX OUT
4 5 6 7 8 9
LEV
10 5
MONO 6 EXT
7 8 9
LCR PAN
10 56 7 8 9 10 56 7 8 9 10 56 7 8 9 10 56 7 8 9 10 56 7 8 9 10 56 7 8 9 10 56 7 8 9 10 56 7 8 9 10
G1
MUTE G2
G3
FADER REV
G4
MATRIX METER
G5
G6 M G7 L R
LCR
G8
MATRIX POST
PEAK SIG
TB
1
SIG/PEAK SOLO
AUDIO GROUP
VCA GROUP
10
MUTE MUTE MATRIX OUT
4 3 2 1 0 10 5 5 6 7 8 9 5
LEV UNITY
0
LCR PAN
10
15
MUTE
20
30
FADER REV
MATRIX METER
PAGE 18
CENTURY SERIES Vx Group Modules
Each Vx Group module has three sections: Matrix, Audio Group, and VCA Group. Fully loaded Vx consoles have eight group modules. Group number is indicated on Solo switch.
CPL 1288
FADER REV w/LED
Swaps functions between the Matrix level control and the group fader; one becomes the other.
Group Mono Assign
Assigns the associated Group signal to the Mono bus.
Group Meter
Located on the meter bridge, it indicates the post-fader output level of the group. MATRIX Section
Group L-R Assign
Assigns the Group signal to the Left and Right buses.
Matrix Pre/Post w/LED
Switches the Matrix send between pre and post-fader settings.
STR PGM Switch w/LED
Normally, the signal sent to the Matrix by the L/R LEVEL TO MATRIX fader is the Left/Right bus signal. [. . . ] / 133. 0 kg
Configurations
Century Vx Consoles are available in the following configurations:
All Century Vx Consoles are available with optional stereo input modules. Eight Subgroup - 20, 32, 40, or 52 inputs
APPENDIX A
CPL 1288
Vx Block Diagram
MAIN BUSES
VCA GROUPS 1-8 AUDIO GROUPS 1-8 AUX GROUPS 1-8
LEGENDS
PFL LEFT MONO STEREO AFL PGM RIGHT LEFT RIGHT
USER OPTION DIP SWITCH
MONO
RIGHT
DUAL POT LED AMP FADER PAD
BAL DRIVER
SWITCH
FET MUTE
FET DIM
LEFT
ROTARY POT
BI-COLOR LED
SUMMING AMP
USER OPTION
FEMALE XLR
MALE XLR
DC LEFT RIGHT
CONTROL & POWER
P
M
D
MATRIX GROUPS 1-8
·PIN 2 HOT ON ALL XLRS ·TIP IS SEND, RING RETURN ON ALL SINGLE-JACK INSERTS ·USER OPTIONS IMPLEMENTED WITH REMOVABLE SHUNTS
MAIN
SOLO
OUTPUTS
DC
Vx INPUT MODULE
Vx GROUP MODULE (1 OF 8)
+48V
POST RIGHT XFORMER OPTION GAIN 20 - 70dB INSERT LINE EQ IN
LF L MID H MID HF
{
+
GROUP ASSIGN 1-8 GROUP PAN ON-OFF PAN SOLO
LEFT
SOLO
AUDIO GROUP
SIG / PEAK POST INSERT GROUP FADER
XFRMR OPTION
GROUP OUT
BAL MIC IN
15dB PAD HPF 20 - 400Hz LEVEL
MUTE
PAN
P
2180 VCA PRE VCA L-R ASSIGN POST
Ø
FREQ
+ +
BUS IN
MATRIX FEED
S
HPF
PEAK/ FOUR BAND EQ Q Q SHELF PEAK/ SHELF
M
PRE/ POST
LCR ON
L-R
BAL LINE IN
P
PRE MUTE ?MONO ASSIGN LCR PAN ON - OFF
INPUT PREAMP
MONO SOLO
EQ INSERT SEND SIG METER SELECT DIP SW PRE-AMP
MUTE INDICATOR OFF = AUX OFF RED = ON+MUTED GREEN = ON
FDR NO YES
+
TB ENABLE
INPUT METER -6 0 +8 PEAK PRE SOURCE 1 SELECT
MATRIX
GROUP MIX 1 2
METER
METER SELECT
M
VCA LED PRE SOURCE AMP
AUX MUTE PUSH ON/OFF GLOBAL PRE-POST 1
PRE AUX 1 SEND BAL INSERT RTN POST
CH MUTE BUS
+
3 4 5 6 7 MATRIX SUM AMP
INSERT CHANGE-OVER INSERT ON GROUP OR MATRIX
FADER REVERSE GROUP/MATRIX
MATRIX METER
(INTERNAL SWITCH)
XFRMR OPTION
MATRIX OUT
DIRECT OUT VCA FADER PRE SOURCE 2 SELECT AUX 8 DIR ONLY DIP SW BUS
AUX 8 PRE
CH MUTE
(AUX 2-7 SAME AS AUX 1)
MUTE
VCA GROUP
8 MONO EXT MATRIX EXT IN
MUTE AUX 8 DIRECT CH MUTE
MUTE LOGIC
GLOBAL PRE-POST 8 AUX MUTE PUSH ON/OFF
1
EQ
FDR
AUX 8 SEND
+
POST
SOLO
VCA GROUP FADER
VOLTAGE BUFFER
UNITY
SIG / PEAK
STEREO PGM SELECT
DC LEFT RIGHT
VCA MUTE
VCA ASSIGN 1-8 SCENE MUTES A-D
8
MUTE
SAFE
A
B
C
D
CHAN MUTE ENABLE
MASTER/ SLAVE
DC
CPL 1288 POWER SUPPLY Vx MASTER MODULE
LEFT RIGHT STEREO AFL SOLO TYPE (SHOWING OPTIONAL TWIN UNIT AUTO BACK-UP)
L (R) BAL MIX AMP LEFT RIGHT PFL
INSERT
XFORMER OPTION
Vx LEFT (RIGHT) MODULE
MUTE LEFT RIGHT AFL
POST
LEFT(RIGHT) OUTPUT
OUTPUT L/R ± 20V DC 6A AC IN * 120V 60Hz +20 OUTPUT LEFT + 24V DC 6A RIGHT L / R + CENTER HEADPHONE SOURCE SELECT DC SOLO DEFEAT TAPE TAPE IN -20 +24 +48 STEREO PROGRAM IN FROM MONO MODULE MONO SOLO DEFEAT
PEAK SIG MATRIX POST
STEREO AUX A (B)
METER
STEREO AUX A (B) LEFT
MONO
MONO
MUTE
LEFT SOLO
RIGHT
LEFTRIGHT
STEREO EQ
SOLO
+ +
STEREO AUX A (B) RIGHT
SOLO TO MONITOR SOLO LEFT RIGHT LEFT RIGHT SOLO BUSY
AUX BAL MIX AMP DC TO METER MUX-DEMUX
GLOBAL PRE
AUX 1(2) MASTER
AUX OUTPUT 1 (2)
MUTE
XFORMER OPTION
AUX OUT
GROUND LINK + 48V DC 1A XCPS-60 *OPTIONS: 220/240V 50Hz 100V 50Hz
L / R + CENTER TAPE MONITOR SOURCE SELECT LOCAL MON LEVEL MUTE LOCAL MON LEFT MONO
SOLO
LOCAL MUTE
MASTER OFF SOLO BUSES INTERNAL OPTION AUX BAL MIX AMP AUX MASTER
SIG / PEAK PRE
METER
SLAVE
AUX OUTPUT 3-5-7 (4-6-8)
MUTE
AUX OUT
OUTPUT
+ 20V DC 6A
AC IN * 120V 60Hz +20 OUTPUT LOCAL MON RIGHT -20 +24 +48
D
GLOBAL PRE LOCAL MUTE
SOLO
SIG / PEAK
METER SOLO BUSES PRE
D
INTERNAL OPTION
SLAVE CONNECTOR
+ 24V DC 6A
DIM GROUND LINK + 48V DC 1A XCPS-60 PHONES (FRONT) PHONES (TOP PANEL) PHONES LEVEL
SOLO
Vx MONO MODULE
METER PEAK INSERT MONO MUTE EXT TB IN
CENTURY SERIES
EXT TB IN +48v PHANTOM POWER ON/OFF TB MIC (TOP) 100 1K 10K TB LEVEL
MONO L-R GROUPS AUXES 12345678 MONO BAL MIX AMP SIGNAL PRESENT
XFORMER OPTION
MONO BAL OUT
TB ASSIGN SWITCHES
FADER AMP
MATRIX POST TB ON MASTER/SLAVE
SIG / PEAK
L-R
A
OSC LEVEL OSC ON SCENE MUTE MASTERS A-D PINK NOISE
STEREO MUTE MONO
LEVEL
BAL
GAIN
STEREO PROGRAM IN
LF
HF
TB MIC (FRONT) OSC
B C
AUX 1-2 AUX 3-4
LF FREQ x0. 2-x2
HF
D
AUX MASTER MUTE EXT TB OUT MUTE SCENE INDICATORS
AUX 5-6 AUX 7-8
AUX SOURCE SELECT FOR STEREO PGM IN LAMP DIMMER
STATUS LEDS
EXT TB OUT
+20V
-20V
+48V +24V
PFL ON
SOLO
A
B
C
D
TO SOLO BUSES
TO TAPE IN JACKS
APPENDIX A
{ {
CENTURY SERIES Console Side Dimensions
The following diagram illustrates the depth and height dimensions (from the side) for all Century Vx consoles.
30. 21"/767mm
All information per Crest Consoles Engineering, May 5, 1997
31. 14" 83 19" / 4
KNOB / 60m 2. 375"
1. 30"/ 33mm
/ 791m
m
DO NOT APPLY ANY LOADS TO METER BRIDGE ASSEMBLY
12. 6875" 322mm
mm
/1 T, . 75" 9mm &
1. 25"/3
2mm
HEIGH
m S CROS ORT A SUPP EA IS R THIS A MENDED M RECO
12. 5625" 319mm
5. 125" 130mm
. 65"/17mm
4. 8125" 122mm 4. 5625" 116mm 2. 25"/57mm
35° SUPPORT ACROSS THIS DIMENSION IS RECOMMENDED
24. 75" / 629mm 28. 0" / 711mm 29. 5625" / 751mm
APPENDIX A
10°
CPL 1288
EXT TB OUT GRP BAL OUT GRP BAL OUT GRP BAL OUT GRP BAL OUT GRP BAL OUT
MONO BAL OUT
RIGHT BAL OUT
LEFT BAL OUT
GRP BAL OUT
GRP BAL OUT
GRP BAL OUT
DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT DIR OUT
DIR OUT
DIR OUT
DIR OUT
DIR OUT INSERT L INSERT L
INSERT L
INSERT L
INSERT L
EXT TB IN INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND INSERT SEND
INSERT SEND
INSERT SEND
INSERT SEND
INSERT SEND
INSERT SEND
INSERT SEND
INSERT R
INSERT R
INSERT R
INSERT R
INSERT R
BAL RTN
BAL RTN
BAL RTN
BAL RTN BAL RTN
BAL RTN
BAL RTN
BAL RTN
BAL RTN
BAL RTN
BAL RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN BAL INSERT RTN BAL INSERT RTN BAL INSERT RTN BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL INSERT RTN
BAL LINE IN L
BAL LINE IN L
BAL LINE IN L
BAL LINE IN L
BAL LINE IN L
CENTURY SERIES
L T A P E BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN BAL LINE IN
L S T R
2
1
BUS IN BUS IN BUS IN BUS IN BUS IN BUS IN
BUS IN
BUS IN
BAL LINE IN R
BAL LINE IN R
BAL LINE IN R
BAL LINE IN R
BAL LINE IN R
4 BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN BAL MIC IN
A U X
3
A U X
I N R
P G M R
BAL MIC IN
BAL MIC IN L
BAL MIC IN L
BAL MIC IN L
BAL MIC IN L
BAL MIC IN L
L M N T R EXT IN AUX IN A LEFT EXT IN EXT IN EXT IN EXT IN
L A L T
6
5
OUT M A T R I X
OUT M A T R I X
OUT M A T R I X
OUT M A T R I X
OUT M A T R I X
OUT M A T R I X OUT M A T R I X
8
O U T P U T S
7
O U T P U T S
EXT IN
OUT M A T R I X EXT IN
EXT IN
BAL MIC IN R
BAL MIC IN R
BAL MIC IN R
BAL MIC IN R
BAL MIC IN R
AUX IN
AUX IN
AUX IN
O U T R
O U T R
A
A
A
LEFT
LEFT
LEFT
Master
Groups
Inputs
Stereo Inputs (optional)
. 75in. 19mm
Rear Views & Dimensions
B
1. 5in. /38mm
C A
Size 44 52 64 A 57. 55" 67. 15" 81. 55" B 55. 80" 65. 40" 79. 80"
Crest Consoles Engineering, May 5, 1997
C 54. 25" 63. 85" 78. 25"
Size A B C 44 1462mm 1417mm 1378mm 52 1706mm 1661mm 1622mm 64 2071mm 2027mm 1988mm
APPENDIX A
CPL 1288
CPL 1288
CENTURY SERIES
CPL 1288 User Options
CPL 1288 consoles are shipped having standard configuration unless specified at time of order. [. . . ]
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