User manual DENON AVR-2802

[. . . ] AV SURROUND RECEIVER AVR-2802 OPERATING INSTRUCTIONS BEDIENUNGSANLEITUNG MODE D'EMPLOI ISTRUZIONI PER L'USO INSTRUCCIONES DE OPERACION GEBRUIKSAANWIJZING BRUKSANVISNING START SYSTEM CALL LEARNED/TX POWER RC-904 ON / SOURCE SHIFT SET DVD CALL VDP OFF TUNER 1 TV/DBS 2 V. AUX 3 PHONO 4 VCR-1 5 CD 6 CDR / TAPE CHANNEL 7 VCR-2/V. AUX 8 0 9 TV/VCR +10 A/B B PRECISION AUDIO COMPONENT / AV SURROUND RECEIVER AVR-2802 MASTER VOLUME VOLUME DISC SKIP+ FUNCTION VOLUME LEVEL REMOTE SENSOR SIGNAL DIGITAL SURROUND BACK CH OUTPUT SURR. SP DOLBY / DTS SURROUND DIRECT DSP SIMULATION 5CH / 6CH STEREO STEREO MASTER VOL. STAND BY AUTO INPUT PCM DTS SIGNAL DETECT INPUT MODE ANALOG EXT. IN AUDIO AVR/AVC SOURCE TUNING PRESET REC / MULTI 6. 1 / 7. 1 SURROUND TUNING CD VIDEO TAPE CDR/MD MULTI TV VDP VCR SYSTEM SETUP MUTING DVD SURROUND PARAMETER TITLE BAND CH SELECT MENU/GUIDE MODE ENTER SELECT ¢ ON/STANDBY PHONES A SPEAKER INPUT B INPUT MODE ANALOG EXT. IN VIDEO SELECT DIMMER STATUS TONE DEFEAT SURROUND MODE SELECT CH VOL MEMORY STATUS DISPLAY ON SCREEN RETURN USE/LEARN T. TONE MULTI OUTPUT SET UP SURROUND PARAMETER TONE CONTROL £ OFF FOR ENGLISH READERS FÜR DEUTSCHE LESER POUR LES LECTEURS FRANCAIS PER IL LETTORE ITALIANO PARA LECTORES DE ESPAÑOL VOOR NEDERLANDSTALIGE LEZERS FOR SVENSKA LÄSARE PAGE SEITE PAGE PAGINA PAGINA PAGINA SIDA 112 139 175 111 147 183 219 ~ ~ ~ ~ ~ ~ ~ PAGE SEITE PAGE PAGINA PAGINA PAGINA SIDA 138 174 110 146 182 218 254 ENGLISH DEUTSCH FRANCAIS ITALIANO ESPAÑOL NEDERLANDS SVENSKA NOTE ON USE / HINWEISE ZUM GEBRAUCH / OBSERVATIONS RELATIVES A L'UTILISATION / NOTE SULL'USO NOTAS SOBRE EL USO / ALVORENS TE GEBRUIKEN / OBSERVERA CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. WARNING: CAUTION TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. · The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, table-cloths, curtains, etc. [. . . ] With it, all 6. 1 channels (including the SB channel) are recorded independently using a digital discrete system. The main feature of this format is that because the SL, SR and SB channels are fully independent, the sound can be designed with total freedom and it is possible to achieve a sense that the acoustic images are moving about freely among the background sounds surrounding the listener from 360 degrees. Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS-ES decoder, when played with a conventional DTS decoder the SB channel signals are automatically down-mixed to the SL and SR channels, so none of the signal components are lost. DTS-ESTM Matrix 6. 1 With this format, the additional SB channel signals undergo matrix encoding and are input to the SL and SR channels beforehand. Upon playback they are decoded to the SL, SR and SB channels. The performance of the encoder used at the time of recording can be fully matched using a high precision digital matrix decoder developed by DTS, thereby achieving surround sound more faithful to the producer's sound design aims than with conventional 5. 1- or 6. 1-channel systems. In addition, the bit stream format is 100% compatible with conventional DTS signals, so the effect of the Matrix 6. 1 format can be achieved even with 5. 1-channel signal sources. Of course it is also possible to play DTS-ES Matrix 6. 1 encoded sources with a DTS 5. 1-channel decoder. When DTS-ES Discrete 6. 1 or Matrix 6. 1 encoded sources are decoded with a DTS-ES decoder, the format is automatically detected upon decoding and the optimum playing mode is selected. However, some Matrix 6. 1 sources may be detected as having a 5. 1-channel format, so the DTS-ES Matrix 6. 1 mode must be set manually to play these sources. (For instructions on selecting the surround mode, see page 25. ) The DTS-ES decoder includes another function, the DTS Neo:6 surround mode for 6. 1-channel playback of digital PCM and analog signal sources. 2 DTS Neo:6 TM surround This mode applies conventional 2-channel signals to the high precision digital matrix decoder used for DTSES Matrix 6. 1 to achieve 6. 1-channel surround playback. High precision input signal detection and matrix processing enable full band reproduction (frequency response of 20 Hz to 20 kHz or greater) for all 6. 1 channels, and separation between the different channels is improved to the same level as that of a digital discrete system. DTS Neo:6 surround includes two modes for selecting the optimum decoding for the signal source. · DTS Neo:6 Cinema This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with 6. 1-channel sources. This mode is effective for playing sources recorded in conventional surround formats as well, because the in-phase component is assigned mainly to the center channel (C) and the reversed phase component to the surround (SL, SR and SB channels). · DTS Neo:6 Music This mode is suited mainly for playing music. The front channel (FL and FR) signals bypass the decoder and are played directly so there is no loss of sound quality, and the effect of the surround signals output from the center (C) and surround (SL, SR and SB) channels add a natural sense of expansion to the sound field. System setup items and default values (set upon shipment from the factory) System setup Input the combination of speakers in your system and their corresponding sizes (SMALL for regular speakers, LARGE for full-size, full-range) to automatically set the composition of the signals output from the speakers and the frequency response. Center Sp. Default settings SubWoofer Surround Sp. Surround Back Sp. Speaker Configuration Large Small Yes Small Small / 1spkr q Crossover Frequency Set the frequency (Hz) below which the bass sound of the various speakers is to be output from the subwoofer. 80 Hz Subwoofer mode This selects the subwoofer speaker for playing deep bass signals. LFE w SB CH Auto Flag Detect Set the method of playing the surround backchannel for digital signals. DTS-ES / 6. 1 Source Auto Flag Detect Mode = OFF e Delay Time This parameter is for optimizing the timing with which the audio signals are produced from the speakers and subwoofer according to the listening position. Front L & R 3. 6 m (12 ft) Center 3. 6 m (12 ft) Sub Woofer 3. 6 m (12 ft) Surround L & R 3. 0 m (10 ft) Surround L 0 dB VDP Surround R 0 dB VCR-1 Surround Back 3. 0 m (10 ft) Surround Back 0 dB VCR-2 r Channel Level This adjusts the volume of the signals output from the speakers and subwoofer for the different channels in order to obtain optimum effects. Front L 0 dB CD Front R 0 dB DVD OPTICAL 1 Center 0 dB TV/DBS OPTICAL 2 Subwoofer 0 dB CDR /TAPE OPTICAL 3 -- -- -- 2 t Digital In Assignment This assigns the digital input jacks for the different input sources. Input source Digital Inputs COAXIAL OFF OFF OFF -- y On Screen Display This sets whether or not to display the on-screen display that appears on the monitor screen when the controls on the remote control unit or main unit are operated. A1 ~ A8 B1 ~ B8 On Screen Display = ON 87. 5 / 89. 1 / 98. 1 / 108. 0 / 90. 1 / 90. 1 / 90. 1 / 90. 1 MHz 522 / 603 / 999 / 1404 / 1611 kHz, 90. 1 / 90. 1 / 90. 1 MHz 90. 1 MHz 90. 1 MHz 90. 1 MHz u Auto Tuner Preset FM stations are received automatically and stored in the memory. C1 ~ C8 D1 ~ D8 E1 ~ E8 37 ENGLISH Surround modes and parameters Channel output SURROUND L/R E E B B B B B B B B B B B SUBWOOFER B B B B B B B B B B B B B SURROUND BACK L/R E E B B B B B B B B B B B When playing Dolby Digital Signals C C E When playing DTS signals C C E E E E C E E E E E E When playing PCM signals C C E C C E E C C C C C C When playing ANALOG signals C C C C C E E C C C C C C 17 SPECIFICATIONS 2 Audio section · Power amplifier Rated output: Front: 90 W + 90 W 135 W + 135 W Center: 90 W 135 W Surround: 90 W + 90 W 135 W + 135 W Surround back: 90 W 135 W 120 W x 2 ch (8 /ohms) 170 W x 2 ch (4 /ohms) 200 W x 2 ch (2 /ohms) Front: A or B A+B Center, Surround, Surr. [. . . ] Además, el formato de flujo de bits es compatible en un 100% con las señales DTS, entonces el efecto del formato de Matrix 6, 1 puede ser alcanzazado aún con fuentes de señales de 5, 1 canales. Por supuesto, también es posible reproducir fuentes codificadas con DTS-ES Matrix 6, 1 utilizando un descodificador DTS de 5, 1 canales. Cuando las fuentes codificadas con DTS-ES Discrete 6, 1 o Matrix 6, 1 son descodificadas utilizando un descodificador DTS-ES, el formato es detectado automáticamente durante la descodificación y el modo de reproducción óptimo es seleccionado. Sin embargo, algunas fuentes Matrix 6, 1 pueden ser detectadas como si tuvieran un formato de 5, 1 canales, en cuyo caso el modo DTS-ES Matrix 6, 1 debe seleccionarse manualmente para reproducir estas fuentes. [. . . ]