User manual DIGITECH PMC10

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Manual abstract: user guide DIGITECH PMC10

Detailed instructions for use are in the User's Guide.

[. . . ] Power Cord Protection: Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance. Servicing: To reduce the risk of fire or electrical shock, the user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel. For units equipped with externally acessible fuse receptacles: Replace fuse with same type and rating only. These symbols are internationally accepted symbols taht warn of potential hazards with electrical products. [. . . ] Control In - Connect a passive volume pedal to this jack to control Volume, Wah, and WhammyTM in the PMC10. 4 4. Power Input - Connect only the optional DigiTech PS200R power supply to this jack. Making Connections There are several different connection options available when using the PMC10. The following diagrams show the connections for some of these options. Before connecting the PMC10, make sure that the power to your amplifier is turned off, and the power to the PMC10 is disconnected. There is not a power switch on the PMC10. To turn the PMC10 off, disconnect your instrument from the Input Jack (for battery power) or disconnect the optional PS200R power supply from the Power Jack or from the AC outlet. Mono Operation Connect your guitar to the Input of the PMC10. Connect a single mono instrument cable from the Stereo Output of the PMC10 to the instrument input on your amplifier. Guitar Amp Input / Effect Return Output Input 5 Stereo Operation For stereo operation connect the guitar to the Input of the PMC10. Connect a TRS stereo "Y" cord or a pair of stereo headphones to the PMC10's Output. When using a "Y" cord, connect one end of the "Y" cord to the input of one amplifier or channel of a mixer. Connect the second end of the "Y" cord to a second amplifier, or second channel of a mixer. If connecting to a mixing console, set the pan controls of the mixer hard left and right to retain stereo separation. The output is muted in Tuner mode. The display shows the note played. LEDs to the left of the EQ LED indicate the note is flat. LEDs to the right of the EQ LED indicate the note is sharp. When the EQ LED is lit, the note is in tune. When the Tuner is enabled, you can change your tuning reference. The default factory settingisA=440Hz. (displayedas40). PresstheValueButtonstoselectalternatedropped tunings. Alternate tunings are A = Ab (displayed as Ab), A = G (displayed as G), and A = Gb (displayed as Gb). The display window briefly flashes the selected tuning preference. Exit 9 tuner mode by pressing either Footswitch. The tuning reference is retained when the unit is turned off. Bypass The PMC10 presets can be bypassed for a clean, unprocessed guitar tone. To bypass the PMC10, press both footswitches simultaneously. The display reads By indicating the preset is bypassed. Press either footswitch to exit Bypass and return the the last selected preset. Editing/Creating Presets Creating your own signature sound with the PMC10 is easy and intuitive. The PMC10 lets you create your own presets, or fine tune existing Presets to suit your needs. The following overview of the PMC10's effects outlines what each effect does. Effect Definitions Pickup Sim / Wah Compressor Amp Modeling Cabinet Modeling Noise Gate EQ Chorus / Mod Delay Reverb Preset Level Controls the individual level for each preset. [. . . ] Delay settings are as follows: d, a, p1=5% fback, level 15 d, a, p2=25% fback, level 15 d, a, p3=50% fback, level 15 d, a, p4=5% fback, level 30 d, a, p5=25% fback, level 30 d, a, p6=50% fback, level 30 d, a, p7=5% fback, level 50 d, a, p8=25% fback, level 50 d, a, p9=50% fback, level 50 Reverb Usingreverbinrecordedprogrammaterialgivesthelistenerasensethatthematerialis being performed in an actual room or hall. It is this similarity to actual acoustic spaces that makesreverberationausefultoolinrecordedmusic. UsetheValuebuttonstoselectone of the nine predetermined settings. The higher numbers indicate there is more reverb level. The reverb settings are as follows: r1-f9 = Room C1-C9=Church H1-H9 - Hall A1-a9 = Arena P1-p9 - Plate S1-s9 - Spring 19 Other Functions Expression Pedal The rear panel of the PMC10 includes an input for an expression pedal. [. . . ]

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