User manual E-MU AUDITY 2000 2.0 ADDENDUM

[. . . ] 2. 0 Software OperOper Addendum E-MU PN FI 10383 Rev. A Audity 2000 2. 0 Software Addendum Page New Features in Version 2. 0 4. New main display screen shows preset and ROM group. New Sound Navigator feature allows you to browse sounds by ROM Group, Preset Number, Bank, Preset Category or Preset Name. [. . . ] Following are a few of the standardized MIDI Controller numbers as defined by the MIDI Manufacturers Association. The controllers shown in Bold are automatically routed to the destination (volume & pan) or have their own PatchCord source. Others, such as Portamento Time, can be routed using a PatchCord to have the desired effect. 1 - Modulation Wheel 2 - Breath Controller 3 - Aftertouch (Rev. 1 DX7) 4 - Foot Pedal 5 - Portamento Time 6 - Data Entry 7 - Volume 8 - Balance 9 - Undefined 10 - Pan 11 - Expression Arpeggiator Controller Assign Use this page to assign four MIDI real-time control sources to the four front panel arpeggiator functions. The arpeggiator controllers use the "single byte" (7-bit) MIDI real-time controller message format and use controllers numbered from 1 to 31 and 64 to 95. In this screen you set up which controller numbers will be received over MIDI and which controller numbers will be transmitted if the arpeggiator controls are turned. The "Knobs MIDI Out" feature must be enabled in order to transmit the Arp controllers. ARP CONTROLLER# I: 95 J: 81 K: 82 L: 83 Please Note: The arpeggiator functions are permanently wired to controllers I-L and any changes made on the assigned MIDI controller number will adjust the associated arpeggiator control. Audity 2000 - 2. 0 Software Addendum 13 Audity 2000 2. 0 Software Addendum Effects Patchcords Effects Patchcords The FX Cords allow you to crossfade between effects. 3) Set FX Cord #1 to FXA Send 1 at -100. 4) Set FX Cord #2 to FXB Send 1 at +100. Increasing the controller amount will crossfade from FXA to FXB. O Effects PatchCords give you real-time control of the effects send amounts. You can dynamically adjust the effects mix during a sequence or live performance. The effect processors are a powerful synthesis tool and this feature lets you control and use them in exciting new ways. There are 12 effects PatchCords per preset with a source, a destination and an amount control. The amount can be set from -100 to +100. The effects PatchCord controls are added to the FX Send Amounts set in the Master or Edit menus. FX CORDS Pedal -> FXBSend2 Modulation Sources: Off PitchWhl (Pitch Wheel) ModWhl (Modulation Wheel) Pedal MIDI Volume (Controller 7) MIDI Pan (Controller 10) MIDI A-L #01 +100 Modulation Destinations Off Effect A Send 1 Effect A Send 2 Effect A Send 3 Effect A Send 4 Effect B Send 1 Effect B Send 2 Effect B Send 3 Effect B Send 4 Preset Edit All Layers Enable O This function allows you to turn the Edit All Layers feature on or off. "Edit All Layers" is an Edit menu feature which allows you to select all layers (A) in order to edit all four layers simultaneously. Because this feature can be confusing to the beginning programmer, it can be disabled here in the Master menu. Check this feature out when you're ready. It's great! TRY THIS FEATURE! PRESET EDIT ALL LAYERS enabled Play Solo Layers When constructing multilayer sounds it is often useful to turn off one or more of the layers so you can hear what you're doing!This feature allows you to temporarily solo individual layers or listen to them in any combination. This screen differs from the other Edit screens in that it is NOT saved with the preset. [. . . ] 2. To Set up Audity 2000 for Multitimbral Operation Set the MIDI mode to "multi mode, " using the MIDI mode function in the Master menu. Decide which MIDI channels you want Audity 2000 to receive (16 channels can be used simultaneously). You can turn any unused channels (or channels assigned to other MIDI devices) OFF using the MIDI Enable function in the Master menu. Select the desired preset for each of the MIDI channels you want the Audity 2000 to receive using the MIDI Channel/Preset selection screen. [. . . ]