User manual FENDER REISSUE 62 CUSTOM TELECASTER

[. . . ] warnings. Heed all · Only connect the electric line cord to an earth grounded AC receptacle in accordance with the voltage and frequency ratings listed under INPUT POWER on the rear panel of this product. · WARNING: To prevent damage, fire or shock hazard, do not expose this unit to rain or moisture. · Unplug the AC power line cord before cleaning the unit exterior (use a damp cloth only). Wait until the unit is completely dry before reconnecting it to power. [. . . ] Use the data wheel to edit parameter values. Press EXIT to return to Play mode. Amp Edit ­ Menus Change the name of a preset. Use the FX VAL2 knob to move the blinking cursor and the data wheel to select characters. NAME CHANGE Values: Alphanumeric characters Selects tone stack (TREBLE, MIDDLE and BASS) type: British--vintage UK style; Tweed--Fender Tweed amps; Blackface--Fender Blackface amps; Modern--broad spectrum tone stack with capabilities new to guitar amps; NeoBritish--modern UK style; Dyna­Touch--dirty channel of Fender Dyna-Touch series amplifiers TONE STACK TYPE Values: Tweed Blackface British Modern NeoBritish Dyna­Touch Tone stack location, before or after distortion in the signal path. TONE STACK LOCATION Values: Pre­Distortion Post­Distortion Selects drive circuitry type. Blackface Tube and Tweed Tube offer cleaner sounds, while others produce high gain sounds. Each drive type has 3 increasing gain levels. Blackface--Fender Blackface amps; Tweed--Fender Tweed amps; Hot Rod-- Fender Hot Rod amps; HMB--typical UK style; Dyna­Touch--Fender Dyna­Touch amps; Extreme--extreme high gain DRIVE CIRCUITRY Values: Blackface Tube (1/2/3) Tweed Tube (1/2/3) HMB Tube (1/2/3) Dyna­Touch (1/2/3) Extreme Hot Rod Tube (1/2/3) Selects Reverb type. Small Ambience--, Small/Large Room--, Large Hall--, and Arena--simulate the acoustics of different sized spaces. Small/Large Plate--studio Reverb that generates bright timbres yet retains warmth. Blackface Reverb--classic Fender spring Reverb. Gated--Unique modern Reverb, see Reverb Tone/Shape menu below. Note that 3 parameters of the active effect can be adjusted with the FX LEVEL, FX VAL 1 and FX VAL 2 knobs, but the remaining 2 or 3 parameters can only be accessed through the FX edit menus. A glossary of effect and parameter definitions follows the menu table, (see page 19). FX Edit ­ Menu Navigation Press FX to activate FX Edit mode and display the active effect. Use the data wheel to select a different effect or press FX repeatedly to display each parameter of the active effect in a continuous loop (press and hold FX while turning the data wheel to move through the list in either direction). FX Select Level Val 1 Val 2 Val 3 Val 4 (Val 5) Use the data wheel to adjust values of the active effect parameter (or select effects in the FX Select menu). Press EXIT to return to Play mode. FX Edit ­ Menus Mono Delay Delay Out Level 1. 0-10. 0 Dotted 8/16 Delay Delay Out Level 1. 0-10. 0 One-E-Da-Delay Delay Out Level 1. 0-10. 0 Ping-Pong Delay Delay Out Level 1. 0-10. 0 Swing Tap Delay Delay Out Level 1. 0-10. 0 Tape Echo Echo Out Level 1. 0-10. 0 Stereo Tape Echo Echo Out Level 1. 0-10. 0 Stereo Flam Delay Delay Out Level 1. 0-10. 0 Ducking Delay Delay Out Level 1. 0-10. 0 Backwards Delay Delay Out Level 1. 0-10. 0 Delay Time 30-1450 ms Delay Time 30-1450 ms Delay Time 30-1450 ms Delay Time 30-1450 ms Delay Time 30-1450 ms Echo Time 30-1450 ms Echo Time 30-1450 ms Delay Time 30-1450 ms Delay Time 30-1450 ms Delay Time 30-1450 ms Delay Feedback 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Echo Feedback 1. 0-10. 0 Echo Feedback 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Delay Forward Feedback 1. 0-10. 0 Delay Brightness 1. 0-10. 0 Delay Brightness 1. 0-10. 0 Delay Brightness 1. 0-10. 0 Delay Brightness 1. 0-10. 0 Delay Brightness 1. 0-10. 0 Echo Wow&Flutter 1. 0-10. 0 Echo Wow&Flutter 1. 0-10. 0 Delay Brightness 1. 0-10. 0 Delay Release 1. 0-10. 0 Delay Reverse Feedback 1. 0-10. 0 Delay In Level 1. 0-10. 0 Delay Stereo 1. 0-10. 0 Delay Stereo 1. 0-10. 0 Delay Stereo 1. 0-10. 0 Delay Stereo 1. 0-10. 0 Echo Brightness 1. 0-10. 0 Echo Brightness 1. 0-10. 0 Delay Stereo 1. 0-10. 0 Delay Ducking Threshold 1. 0-10. 0 Delay Brightness 1. 0-10. 0 Delay Time Change Ramp or Step Delay Time Change Ramp or Step Delay Time Change Ramp or Step Delay Time Change Ramp or Step Delay Time Change Ramp or Step Echo Time Change Ramp or Step Echo Time Change Ramp or Step Delay Time Change Ramp or Step Delay Time Change Ramp or Step Delay Time Change Ramp or Step w w w. f e n d e r. com w w w. m r g e a r h e a d . net FX Edit Mode Tremolo Tremolo Out Level 1. 0-10. 0 Amp Tremolo Tremolo Out Level 1. 0-10. 0 Auto Pan Pan Out Level 1. 0-10. 0 Phaser Phaser Out Level 1. 0-10. 0 Vibratone Vibratone Out Level 1. 0-10. 00 Pedal Wah Wah Out Level 1. 0-10. 0 Touch Wah Wah Out Level 1. 0-10. 0 Sine Chorus Chorus Out Level 1. 0-10. 0 Triangle Chorus Chorus Out Level 1. 0-10. 0 Sine Flange Flange Out Level 1. 0-10. 0 Triangle Flange Flange Out Level 1. 0-10. 0 Delay + Chorus FX Wet Out Level 1. 0-10. 0 Delay + Flange FX Wet Out Level 1. 0-10. 0 Delay + Phaser FX Wet Out Level 1. 0-10. 0 AutoSwell + Chorus FX Wet Out Level 1. 0-10. 0 Ultra-Clean + Chorus FX Wet Out Level 1. 0-10. 0 Pitch Shift Pitch Shift Out Level 1. 0-10. 0 Tremolo Rate 0. 08-10. 0Hz Tremolo Rate 0. 08-10. 0Hz Pan Rate 0. 08-10. 0Hz Phaser Rate 0. 08-10. 0Hz Rotor Speed 0. 08-10. 0Hz Wah 1. 0-10. 0 Wah Sensitivity 1. 0-10. 0 Chorus Rate 0. 08-10. 0Hz Chorus Rate 0. 08-10. 0Hz Flange Rate 0. 08-10. 0Hz Flange Rate 0. 08-10. 0Hz Delay Time 30-1450 ms Delay Time 30-1450 ms Delay Time 30-1450 ms AutoSwell Attack Time 1. 0-10. 0 Chorus Rate 30-1450 ms Pitch 1. 0-10. 0 Tremolo Depth 1. 0-10. 0 Tremolo Depth 1. 0-10. 0 Pan Depth 1. 0-10. 0 Phaser Depth 1. 0-10. 0 Vibratone Doppler 1. 0-10. 0 Wah Heel Frequency 1. 0-10. 0 Wah Minimum Frequency 1. 0-10. 0 Chorus Depth 1. 0-10. 0 Chorus Depth 1. 0-10. 0 Flange Depth 1. 0-10. 0 Flange Depth 1. 0-10. 0 Chorus Depth 1. 0-10. 0 Flange Depth 1. 0-10. 0 Phaser Depth 1. 0-10. 0 Chorus Depth 1. 0-10. 0 Chorus Depth 1. 0-10. 0 Pitch Detune 1. 0-10. 0 Tremolo Offset 1. 0-10. 0 Tremolo Duty Cycle 1. 0-10. 0 Pan Shape 1. 0-10. 0 Phaser Feedback 1. 0-10. 0 Rotor Frequency Speed 1 0. 08-10. 0Hz Wah Toe Frequency 1. 0-10. 0 Wah Maximum Frequency 1. 0-10. 0 Chorus Average Delay 1. 0-10. 0 Chorus Average Delay 1. 0-10. 0 Flange Feedback 1. 0-10. 0 Flange Feedback 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Delay Feedback 1. 0-10. 0 AutoSwell Sensitivity 1. 0-10. 0 Body 1. 0-10. 0 Pitch Feedback 1. 0-10. 0 Tremolo Shape 1. 0-10. 0 Tremolo Shape 1. 0-10. 0 Pan Phase 1. 0-10. 0 Phaser Stereo 1. 0-10. 0 Rotor Frequency Speed 2 0. 08-10. 0Hz Wah Sweep Type The Babys Cryin' or The Real McCoy Wah Peak LowQ or HighQ Sine Chorus Phase 1. 0-10. 0 Tri-Chorus Phase 1. 0-10. 0 Sine Flange Phase 1. 0-10. 0 Tri-Flange Phase 1. 0-10. 0 Chorus Rate 0. 08-10. 0Hz Flange Rate 1. 0-10. 0 Phaser Rate 1. 0-10. 0 Chorus Rate 0. 8-10. 0 Hz Brilliance 1. 0-10. 0 Pitch Pre-Delay 1. 0-10. 0 Delay Time Change Ramp or Step Delay Time Change Ramp or Step Delay Time Change Ramp or Step 17 w w w. f e n d e r. com w w w. m r g e a r h e a d . net 18 Ring Modulation + Delay FX Edit Mode FX Wet Out Level 1. 0-10. 0 Modulator Frequency 0. 08-10. 0Hz Delay Time 30-1450 ms Fuzz Gain 1. 0-10. 0 Resolver Depth 1. 0-10. 0 Pitch 1. 0-10. 0 Overdrive Gain 1. 0-10. 0 Alienator Content 1. 0-10. 0 Delay Time 30-1450 ms Delay Time 30-1450 ms Fuzz Gain 1. 0-10. 0 Fuzz Gain 1. 0-10. 0 Fuzz Gain 1. 0-10. 0 Echo Out Level 1. 0-10. 0 MidBoost Frequency 1. 0-10. 0 Overdrive Gain 1. 0-10. 0 Delay Out Level 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Octave Level 1. 0-10. 0 Resolver Tone 1. 0-10. 0 Pitch Pre-Delay 1. 0-10. 0 Overdrive Bass 1. 0-10. 0 Heel Range Limit 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Wah Sensitivity 1. 0-10. 0 Wah 1. 0-10. 0 Wah Sensitivity 1. 0-10. 0 Delay Out Level 1. 0-10. 0 Echo Time 30-1450 ms Echo Out Level 1. 0-10. 0 Echo Out Level 1. 0-10. 0 Delay Time 30-1450 ms Delay Brightness 1. 0-10. 0 Low Frequency 1. 0-10. 0 Resolver Attack 1. 0-10. 0 Pitch Heel Limit 1. 0-10. 0 Overdrive Middle 1. 0-10. 0 Toe Range Limit 1. 0-10. 0 Wah 1. 0-10. 0 Wah Peak LowQ or HighQ Heel Frequency 1. 0-10. 0 Octave Level 1. 0-10. 0 Delay Time 30-1450 ms Echo Feedback 1. 0-10. 0 Echo Time 30-1450 ms Echo Time 30-1450 ms Delay Feedback 1. 0-10. 0 Delay In Level 1. 0-10. 0 High Frequency 1. 0-10. 0 Resolver Release 1. 0-10. 0 Pitch Toe Limit 1. 0-10. 0 Overdrive Treble 1. 0-10. 0 Alienator Shape 1. 0-10. 0 Delay Brightness 1. 0-10. 0 Delay Feedback 1. 0-10. 0 Toe Frequency 1. 0-10. 0 Wah Peak LowQ or HighQ Delay Feedback 1. 0-10. 0 Echo Wow & Flutter 1. 0-10. 0 Echo Feedback 1. 0-10. 0 Echo Feedback 1. 0-10. 0 Delay Time Change Ramp or Step Echo Time Change Ramp or Step Echo Time Change Ramp or Step Echo Time Change Ramp or Step Delay Time Change Ramp or Step Delay Time Change Ramp or Step Delay Time Change Ramp or Step Auto Pan Delay New! Delay Out Level 1. 0-10. 0 Fuzz New! Fuzz Out Level 1. 0-10. 0 Resolver New! Resolver Out Level 1. 0-10. 0 Pedal Pitcher New! Pitch Shift Out Level 1. 0-10. 0 Overdrive New! Overdrive Out Level 1. 0-10. 0 Alienator New! Alienator Out Level 1. 0-10. 0 Pedal Wah + Delay New!None Delay Out Level 1. 0-10. 0 Delay Out Level 1. 0-10. 0 Fuzz Out Level 1. 0-10. 0 Fuzz Out Level 1. 0-10. 0 Fuzz Out Level 1. 0-10. 0 Lower Octave Out Level 1. 0-10. 0 MidBoost Out Level 1. 0-10. 0 Overdrive Level 1. 0-10. 0 None w w w. f e n d e r. com w w w. m r g e a r h e a d . net FX Edit Mode 19 E ffects and Parameters Defined NOTE: Most effects have the same types of parameters in common and they are defined as a group below. Some effects have unique parameters and they are defined under the corresponding effect. Common Parameters IN / OUT LEVEL--Adjusts the effect circuit input or output signal level. TIME / RATE--Adjusts an interval or cycle duration. [. . . ] After the last packet, the End of File message is sent. The System Exclusive device ID must be set to Omni (or the same as the transmitting device ID) to accomplish the data transfers. NOTE: Data values are displayed in hexadecimal with "H" for clarification. System Exclusive Handshake Message VALUE F0H 7EH nnH hdH ppH F7H DESCRIPTION Start of System Exclusive Message Universal Message nn = Device ID (minus one) Handshake ID (7CH=Wait; 7DH=Cancel; 7EH=Not Acknowledge; 7FH=Acknowledge) Packet Number End of System Exclusive Message w w w. f e n d e r. com w w w. m r g e a r h e a d . net 32 Appendices Appendix 6 Troubleshooting No sound coming from the unit. . . [. . . ]