User manual FENDER SPL 118S

[. . . ] Whether you need a small powered mixer for your Saturday afternoon "jam" or a professional full-size concert system, Fender has the sound reinforcement gear to meet your needs. Likewise, your decision to purchase quality Fender Professional Audio Equipment is one you will appreciate with each performance for years to come. Wishing you years of enjoyment and a heartfelt thank you, Bill Schultz Bill Schultz Chairman of the Board Fender Musical Instruments Corporation SPL 118S / 1275X LOUDSPEAKER MONITOR SYSTEMS INTRODUCTION All Wood Construction with Sturdy Dado Joints High Current 1/4" Phone Jacks Metal Corners and Rubber Feet Level Control for Adjusting Levels at the Cabinet Three Angles of Orientation: 30º, 60º and Vertical for Side Fill Use Tough Indoor / Outdoor Synthetic Carpet Covering Thank you for your purchase of a SPL 118S / 1275X loudspeaker monitor system from Fender® Pro Audio. We are sure you will find it both a unique and effective sound reinforcement product, providing years of trouble-free service day in and day out. [. . . ] SPL 118S / 1275X loudspeaker monitor systems are professional, full-range, two-way, compact loudspeaker monitors designed for both permanent or portable sound reinforcement requirements. With a wide response, low distortion and controlled directivity, SPL 118S / 1275X loudspeaker monitor systems are designed to form the basis of everything from a small public address system to the nightly rigors of a "working band's" sound system. After moisture sealing, the SPL 118S / 1275X loudspeaker monitor systems are covered in tough black indoor/outdoor synthetic carpet covering. Likewise, SPL 118S / 1275X loudspeaker monitor systems also feature metal corners and rubber feet for a longer life and lasting looks. Only the finest components are used to provide maximum efficiency and response. In order to more fully understand the operational characteristics of your SPL 118S / 1275X loudspeaker monitor system enclosure, please read through this operational user's guide. CAUTION: Almost all speakers produce strong magnetic fields which may interfere with the normal operation of nearby electronic devices, including televisions and computer video monitors. To reduce or eliminate interference, increase the distance between this product and other nearby electronic devices. 3 SPEAKER WIRING AND CONNECTIONS Parallel or series are the two basic ways which multiple speakers can be connected to a single power amplifier. When speakers are connected in parallel, their combined impedance decreases. For speakers wired in series the opposite is true, their combined impedance increases. Thus, when speakers are wired in series, higher impedance speakers in the series draw more power from the amplifier than do speakers in the series with lower impedances. When operating with large amplifiers (greater than 150 watts at 4 ohms) always set the level control between the 3 o'clock and 5 o'clock positions. Failure to do so may lead to overheating and damage the level control. 1) When using stage monitor systems, the reduction of feedback is probably the most important criteria. The best way to reduce feedback is to use a CARDIOID pattern microphone with it's rear aimed at the loudspeaker. Remember: Do not cover the side or top slots of the microphone with your hands as this could cause feedback. 2) Select a 30 or 60 degree angle based upon the working distance that you will need. A 30 degree angle is preferable for performers who require a greater working distance from the monitor so that movement about the stage is on axis with the monitor. A 60 degree angle is preferable for performers who have a shorter working distance and who do not move around the stage. 3) When larger movements are expected, SPL 118S /1275X monitors may be used as side fill monitors so that wide horizontal coverage can be provided. If used in the side fill position, it may be advantageous to elevate the speaker from the floor to keep it aimed at the performer's ear level. [. . . ] If used in the side fill position, it may be advantageous to elevate the speaker from the floor to keep it aimed at the performer's ear level. The side fill position at about 10 to 15 feet from the performer is particularly useful for drummers and keyboard players. This allows program monitoring while keeping the monitor clear of your equipment. In the side fill position, the drummer's / keyboardist's vocal microphone can be positioned to the side allowing the rear of the microphone to face the front of the monitor minimizing feedback. Connect the amplifier to the loudspeaker with a minimum 16 gauge wire when a length of no more than 100 feet is used. [. . . ]