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FISHMAN LOUDBOX 100 (1124 ko)
Manual abstract: user guide FISHMAN LOUDBOX 100
Detailed instructions for use are in the User's Guide.
[. . . ] Owner's Manual Loudbox 100 Acoustic Instrument Amplifier
TM
Loudbox 100
TM
Acoustic Instrument Amplifier
Read Me!
Take a few minutes to read through this manual before you power-up the Loudbox 100. To jump in immediately, start with the Important Safety Instructions and the Getting Started sections. While this information will get you on your way, it is not considered a substitute for reading the entire manual.
Save Your Packing Materials
The box and packing materials for the Loudbox 100 were specially designed to protect the amplifier during shipping. Save all this stuff in case you need to re-ship the Loudbox 100.
Table of Contents
Safety Warnings Welcome Getting started Front Panel Rear Panel Tone Tips About Acoustic Feedback Phantom Power FAQs Stereo Blending Block Diagram Specifications Warranty 3 4 5 6-7 8-9 10 11 11 12 13 14-15 16
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Owner's Manual
CAUTION
12. [. . . ] FX Level Controls the amount of digital effects in the channel. Generally set this above the Master FX Level. Digital FX (Select) These built-in effects have been specially chosen and voiced for acoustic instruments. Digital FX Level (Master) Set the overall level of the Digital FX with this knob. In general set this lower than the individual Channel 1 & 2 FX Levels. Master Volume Set the overall level of the Loudbox 100 with the Master Volume. In general put the Master Volume as high as possible (2 o'clock to 5 o'clock) to achieve the cleanest sound.
Digital FX Programs
1. Headphone Jack When you plug in stereo headphones here, the speakers shut off. This output monitors Channels 1 & 2 and the Aux input, so you can play along with pre-recorded music through the headphones. Aux Level Use this to control the level of the device you plug into the Aux Input. Note that the Aux channel is independent of the Mute switch, so you can play pre-recorded music on your breaks. If the Aux channel is unused, set the Aux level to off. Mute The Mute switch shuts off the signals from Channels 1 and 2 to the speakers and all the XLR outputs. The mute does not affect the Aux Channel, the Tuner Out or the effects sends.
7
Loudbox 100
TM
Acoustic Instrument Amplifier
Rear Panel
1. Tweeter Level Set the front panel controls flat and adjust the tweeter level to where it sounds best to you. Aux Input Plug in a line level stereo audio source such as a CD or MP3 player in this input. The 1/4 inch stereo (TRS) Aux Input mixes the signals to mono when amplified, but will retain the source's stereo image through the headphones jack. In this case you leave it to the soundperson or recording engineer to dial up your tone and effects from the console. This pre-EQ output is always ground isolated to prevent ground loop hum.
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Owner's Manual
Rear Panel
Power Switch Lower the master volume or engage the Mute switch before you turn on the amp. Flip the power switch to the up position and it will light, indicating the amp is on. AC Power Operate the amplifier only at the voltage indicated in the check box on the rear panel. For 120V amplifiers purchased in the USA, Canada and Mexico, plug in the supplied detachable AC power cable. [. . . ] EXCEPT AS SPECIFICALLY PROVIDED IN THIS DOCUMENT, THERE ARE NO OTHER WARRANTIES, EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. IN NO EVENT SHALL FISHMAN BE LIABLE FOR LOSS OF PROFITS OR INCIDENTAL, INDIRECT, SPECIAL, CONSEQUENTIAL OR OTHER SIMILAR DAMAGES ARISING OUT OF ANY BREACH OF WARRANTY OR OTHER OBLIGATION CONTAINED IN THIS OWNERS' MANUAL. THE WARRANTY CONTAINED HEREIN SHALL NOT APPLY IF THE SERIAL NUMBER IS DEFACED OR REMOVED OR THE PRODUCT HAS BEEN DAMAGED BY ALTERATION, MISUSE, ACCIDENT, NEGLECT OR USE WITH UNAUTHORIZED ATTACHMENTS.
To obtain warranty service from an authorized Fishman Service Center:
1. The Fishman Dealer where you purchased your amplifier may also be authorized to perform warranty service and should be your first point of contact. [. . . ]
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