User manual FOUR WINNS FREEDOM

[. . . ] Objects have fallen onto, or liquid has spilled into the SR24·4 or SR32·4 Audio Mixer; or C. The SR24·4 or SR32·4 Audio Mixer has been exposed to rain; or D. The SR24·4 or SR32·4 Audio Mixer does not appear to operate or exhibits a marked change in performance; or E. The SR24·4 or SR32·4 Audio Mixer has been dropped, or its chassis damaged. [. . . ] If you want to add this same effect to the main house speakers, you can independently adjust the AUX RETURN 1 control. Use AUX SENDS 4 through 6 on channels 1­20 to set up house effects mixes. These effects are returned through stereo channels 21­24 (29­32 on SR32·4) and can be routed to the subgroups or mains by engaging the bus assignment switches on these channels. You can also route these to monitor sends using AUX 1 and 2 controls on channels 21­24 (or 29­32). NOTE: Do not turn up the volume on AUX 4 through 6 on channels 21­24 in this configuration, you'll give birth to the nasty feedback monster. If you are making a simultaneous recording of the mix, you have a couple of options. One is to simply patch in a tape recorder (DAT) as shown in the chart above and set the input levels so that the tape recorder meters read the same as the SR24·4 main meters. Applications If you want to make a custom mix for the recording, unaffected by the submix or master faders, you can connect the input of the tape recorder to AUX SENDS 3 and 4 and use the channel AUX SENDS 3 and 4 as a left-right pair of mixing controls. Be sure to push the PRE switch in the Aux section on each channel. This way every channel fader movement you make won't affect your record levels. When you'd like to play BAND IN A CLUB the recording output connections back to check Connection Destination it, just push LEFT MAIN MIX . . . . . . . This allows you to set a good stereo balance on the music and then simply move the whole group up and down with a couple of (submix) faders. Use the L/R ASSIGN button on the submix strips to re-assign the worship team back into your main stereo mix. All the rest of the mics and sources are assigned directly to the main Left/Right buses. Aux 1 is used as a monitor send to the pulpit. Aux 2 and 3 provide two different monitor submixes for the worship team or the chorale. Aux 4 sends a mix to the infrared hearing-aid transmitter/emitter. The reverb sent on Aux 5 is being returned into stereo line inputs 23­24. You could simply bring the reverb back through a stereo aux return, but using a line input gives you EQ and more flexibility in routing. See the table on this page for your output connections. Set all the faders and the AUX SEND MASTERS to "U. " Depress the solo MODE switch to activate IN PLACE AFL. Now solo each input and adjust the TRIM control to obtain a good reading on the main meters. [. . . ] If you do not have the carton, request one when you get your RA number, and we'll send a shipping carton out promptly. There may be a charge, however--we put those huge "SAVE THE BOX" warnings in this manual for a reason. Make sure that you encase the mixer in its plastic wrapper and insert all the foam blocks to properly protect the mixer. Ultra Important: Move all the faders to their "up" position before packing the mixer in the shipping carton. [. . . ]