User manual FUJIFILM FINEPIX J250

[. . . ] BL00830-202 E Before You Begin First Steps Owner's Manual Thank you for your purchase of this product. This manual describes how to use your FUJIFILM FinePix J250 or J210 digital camera and the supplied software. Be sure that you have read and understood its contents before using the camera. Basic Photography and Playback More on Photography More on Playback Movies Connections Menus For information on related products, visit our website at http://www. fujifilm. com/products/index. html Technical Notes Troubleshooting Appendix Camera Q & A Find items by task. Camera Setup Question How do I set the camera clock? [. . . ] Under Windows, one or more confirmation dialogs may be displayed; read the contents carefully before clicking OK. 56 The Shooting Menu The shooting menu is used to adjust settings for a wide range of shooting conditions. Using the Shooting Menu 1 Press MENU/OK to display the shooting menu. SHOOTING MENU FACE DETECTION ISO QUALITY CONTINUOUS DUAL IS MODE AUTO N OFF OFF display 3 Press the selector right toitem. options for the highlighted SHOOTING MENU FACE DETECTION ISO QUALITY CONTINUOUS DUAL IS MODE ON OFF AUTO N OFF OFF 1 Note The options displayed in the shooting menu vary depending on the shooting mode. selector up or down 4 Press thethe desired option. to highlight selector up or 2 Press thethe desired menudown to highlight item. 5 Press MENU/OK to select the highlighted option. Menus 57 The Shooting Menu Shooting Menu Options Options Default M/N/O/H/D/S/R/P/ A SHOOTING MODE Choose a scene for H mode (pg. Q/V/U/T/W/I/ M E (FinePix J210 only) Turn Intelligent Face Detection and red-eye reg ON J ON / g ON U FACE DETECTION moval on or off (pg. g ON J OFF / OFF J ON Adjust ISO sensitivity (pg. Choose higher AUTO/ 3200 H / 1600 / 800 / AUTO N ISO values when the subject is poorly lit. 400 / 200 / 100 / 64 BF/BN/C3:2/G/ Choose image size and quality (pg. BN O QUALITY H/I/J Adjust exposure for bright, dark, or high-con- ­2 EV to +2 EV in increments of ±0 V EXP. Choose how exposure is metered in I mode C PHOTOMETRY o/p/q o (pg. Adjust color for different light sources (pg. AUTO D WHITE BALANCE AUTO/i/j/k/l/m/n Shoot a series of pictures (pg. OFF R CONTINUOUS I/OFF Choose whether image stabilization is performed at all times when the camera is in L DUAL IS MODE shooting mode (l CONTINUOUS), or only l/m/OFF l (FinePix J250 only) when the shutter button is pressed halfway (m SHOOTING ONLY). Menu item Description 58 The Shooting Menu Menu item M SET-UP Description Perform basic camera setup such as choosing a language and setting the time and date (pg. Options W/X/Y/Z Default -- N ISO Control the camera's sensitivity to light. Higher values can be used to reduce blur when lighting is poor; note, however, that mottling may appear in pictures taken at high sensitivities. If AUTO is selected, the camera will adjust sensitivity automatically in response to shooting conditions. In shooting modes other than I, sensitivity is set to AUTO; other values can not be selected. Settings other than AUTO are shown by an icon in the monitor. M ISO 100 Menus 59 The Shooting Menu O QUALITY Choose the size and quality at which still pictures are recorded. Large pictures can be printed at large sizes with no drop in quality; small pictures require less memory, allowing more pictures to be recorded. Option BF BN C3:2 G H I J Prints at sizes up to 31 × 23 cm/12 × 9 in. (B) or 31 × 21 cm/ 12 × 8 in. Choose BF for high-quality prints, C3:2 for an aspect ratio of 3 : 2. Suited to e-mail or the web. Aspect Ratio Pictures taken at an image quality setting of C3:2 have an aspect ratio of 3 : 2, the same as a frame of 35-mm film. [. . . ] (a) "Media" means the CD-ROM titled "Software for FinePix" which is provided to you together with this Agreement. (b) "Software" means the software which is recorded on Media. (c) "Documentation" means the operation manuals of Software and other related written materials which are provided to you together with Media. (d) "Product" means Media (including Software) and Documentation collectively. [. . . ]