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Detailed instructions for use are in the User's Guide.
[. . . ] Harman Kardon AVR45 Audio/VideoReceiver Récepteur Audio/Vidéo
Volume Speaker Channel Dig. Select Delay
L COAX AC-3
Set
TUNNING
PRESET SCAN
PRESET
TUN MODE
DIGITAL
PRO LOGIC
3-STEREO
HALL 1
HALL 2
THEATER
TEST TONE
SURR. OFF Mute
Bass
Treble
Balance
VIDEO 3
Min
Max
Min
Max
L
R
Video
L Audio R
Owner's Manual Manuel de l'Utilisateur
Owner's Manual AVR45 Audio/Video Receiver
Table of Contents
Introduction. 46 Front Panel Information Display . [. . . ] When you have completed your selection for the center channel, press the Set button i ~, and then press the / / ¤ buttons g on the remote or the Selector buttons ¸ on the front panel to change the display to SUR SPEAKER. Press the Set button i ~ again, and then use the / / ¤ buttons g on the remote or the Selector buttons ¸ on the front panel to select the option that best describes your system based on the speaker definitions shown above. When SUR SP SMALL is selected, low-frequency surround channel sounds will be sent to the subwoofer output only. Note that if you choose this option and there is no subwoofer connected, you will not hear any low-frequency sounds from the surround speaker. When SUR SP LARGE is selected, a full-range output will be sent to the surround channel outputs, and NO surround channel signals will be sent to the subwoofer output.
When SUR SP NONE is selected, surround sound information will be split between the front left and front right outputs. Note that for optimal performance when no surround speakers are in use, the Dolby 3 Stereo mode should be used instead of Dolby Pro Logic. When you have completed your selection for the surround channel, press the Set button i ~, and then press the / / ¤ buttons g on the remote or the Selector buttons ¸ on the front panel to change the display to S W SPEAKER. Press the Set button i ~, and then press the / / ¤ buttons g on the remote or the Selector buttons ¸ on the front panel to select the option that best describes your system. Select S-W SP ON if a subwoofer is connected to your system. Select S-W SP OFF if a subwoofer is NOT connected to your system. Note that when no subwoofer is selected, low-frequency sounds below 100Hz will be sent to the front left/right speakers, provided that the selection in step 4, above, has been set to LARGE. Otherwise, no low-frequency sounds will be heard. This option is not available when the front, center or surround speakers are set to SMALL.
System Configuration
19
11. When all speaker selections have been made, press the Set button i ~ to return to normal operation. Output Level Adjustment Output level adjustment is a key part of the configuration process for any surround sound product. It is particularly important for a Dolby Digital receiver such as the AVR45, as correct outputs will ensure that you hear sound tracks in their proper place with the proper intensity. IMPORTANT NOTE: Many listeners are often confused about the operation of the surround channels. While some assume that sound should always be coming from each speaker, most of the time there will be little or no sound in the surround channels. This is because they are only used when a movie director or sound mixer specifically places sound there to create ambiance, an effect or to continue action from the front of the room to the rear. When the output levels are properly set it is normal for rear/ surround speakers to operate only occasionally. Artificially increasing the volume to the rear speakers may destroy the illusion of an enveloping sound field that duplicates the way you hear sound in a movie theater or concert hall. Before beginning the adjustment process make certain that all speaker connections have been properly made. [. . . ] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Notes
44
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