User manual HITACHI PJ-TX300E

[. . . ] Projector PJ-TX300E User's Manual - Operating Guide Thank you for purchasing this projector. Please read this user's manual thoroughly to ensure the proper use of this product. ENGLISH FRANÇAIS DEUTSCH ESPAÑOL ITALIANO Manuel d'utilisation - Guide d'utilisation Merci d'avoir acheté ce projecteur. Veuillez lire ce manuel d'utilisation entièrement, pour vous assurer que vous utiliserez correctement ce produit. Bedienungsanleitung - Benutzerhandbuch Herzlichen Glückwunsch zum Kauf dieses Projektors. Bitte lesen Sie sich diese Bedienungsanleitung sorgfältig durch, um richtige und sichere Verwendung dieses Produkts sicherzustellen. Manual de usuario - Guía de funcionamiento Manuale d'istruzioni - Guida operativa Muchas gracias por la adquisición de este proyector. [. . . ] (Continued on next page) 31 EASY MENU Item Description Using the / cursor buttons changes the mode which is a combination of the GAMMA (37), COLOR TEMP (39) and IRIS (41) settings as explained below. NORMAL CINEMA LOW CINEMA HIGH MUSIC SPORTS NORMAL GAMMA = STANDARD, COLOR TEMP = 7500K, IRIS = 7 Suitable for a wide range of sources at standard picture quality. CINEMA LOW GAMMA = LOW, COLOR TEMP = 6500K, IRIS = 5 Suitable for appreciating movies with film-like video CINEMA HIGH GAMMA = HIGH, COLOR TEMP = 6500K, IRIS =5 Suitable for appreciating movies with sharp, realistic video. MUSIC GAMMA = HIGH, COLOR TEMP = 7500K, IRIS = 7 Suitable for live concerts, music videos SPORTS GAMMA = Hi-CONTRAST, COLOR TEMP = 9300K, IRIS = 10 Suitable for video that emphasizes a feeling of contrast: high definition broadcasts, sports broadcasts - NOTE · When the combination of the settings does not correspond with any pre-set modes, the dialog will be display the mode as "CUSTOM". · The MODE function can also be accessed using the MODE button on the remote control (26). Using the / cursor buttons changes the auto iris control mode as follows. TURN OFF AUTO1 AUTO2 TURN OFF The auto iris is always open. AUTO1 The auto iris displays a better black for dark images. AUTO2 The auto iris displays the best black for dark images. - NOTE · The screen may flicker when the AUTO1 or AUTO2 modes are selected. · The BLACK function can also be accessed using the BLACK button and the / cursor buttons on the remote control (27) or via the PICTURE menu in the Advanced Menu (32). MODE BLACK (Continued on next page) 32 EASY MENU Item BRIGHTNESS CONTRAST COLOR TINT SHARPNESS Description Using the / cursor buttons adjusts the picture. Darker Brighter - NOTE · The BRIGHTNESS function can also be accessed using the BRIGHT buttons on the remote control (27) or via the PICTURE menu in the Advanced Menu (37). Using the / cursor buttons adjusts the picture. Weaker Stronger - NOTE · The CONTRAST function can also be accessed using the CONTRAST buttons on the remote control (27) or via the PICTURE menu in the Advanced Menu (37). Using the / cursor buttons adjusts the picture. Weaker Stronger - NOTE · The COLOR function can only be used for video, s-video, component video or HDMI signals. · The COLOR function can also be accessed using the COLOR buttons on the remote control (27) or via the PICTURE menu in the Advanced Menu (40). Using the / cursor buttons adjusts the picture. Reddish Greenish - NOTE · The TINT function can only be used for video, s-video, component video or HDMI signals. · The TINT function can also be accessed via the PICTURE menu in the Advanced Menu (40). Using the / cursor buttons adjusts the picture. Weaker Stronger - NOTE · The SHARPNESS function can also be accessed via the PICTURE menu in the Advanced Menu (40). [. . . ] Refers to interlaced scanning which is a system to scan twice alternately for one picture Progressive. Refers to an iris diaphragm that is a mechanism to adjust the amount of light projected. This manual refers to Keystone adjustment for the correction of trapezoidal image distortion caused by image projected onto a screen or wall which is not perpendicular to the projector lens. A standard for terrestrial analog broadcasting. [. . . ]