User manual JVC TH-M45

[. . . ] DVD DIGITAL CINEMA SYSTEM TH-M45 Consists of XV-THM45, SP-PWM45, SP-THM45C, SP-THM45F and SP-THM45S INSTRUCTIONS LVT1024-003B [B] Warnings, Cautions and Others IMPORTANT for the U. K. DO NOT cut off the mains plug from this equipment. If the plug fitted is not suitable for the power points in your home or the cable is too short to reach a power point, then obtain an appropriate safety approved extension lead or consult your dealer. BE SURE to replace the fuse only with an identical approved type, as originally fitted. If nonetheless the mains plug is cut off ensure to remove the fuse and dispose of the plug immediately, to avoid a possible shock hazard by inadvertent connection to the mains supply. [. . . ] The indicator of received PTY code starts flashing. ` When the program is over, the system goes back to the previously tuned station, but the Enhanced Other Network function still remains activated. Case 2 If the FM station you are listening to is broadcasting the program you have selected The system continues to receive the station but the indicator of received PTY code starts flashing. ` When the program is over, the indicator of received PTY code stops flashing and remains lit, but the Enhanced Other Network function still remains activated. 30 Creating realistic sound fields You can use the following surround modes to reproduce a realistic sound field. · Dolby Surround · · 7 DTS Digital Surround** Used to reproduce multichannel soundtracks of the software encoded with DTS Digital Surround ( ). DTS Digital Surround (DTS) is another discrete multichannel digital audio format available on CD, LD and DVD software. Compared to Dolby Digital, audio compression ratio is relatively low. This fact allows DTS Digital Surround format to add breadth and depth to the reproduced sounds. As a result, DTS Digital Surround features natural, solid and clear sound. Dolby Pro Logic II Dolby Digital DAP modes All Channel Stereo · DTS Digital Surround · DSP modes · · 7 Dolby Surround Dolby Pro Logic II* Dolby Pro Logic II has a newly developed multichannel playback format to decode all 2 channel sources -- stereo source and Dolby Surround encoded source -- into a 5. 1 channel. The matrix-based encoding/decoding method used by Dolby Pro Logic II makes no limitation for the cutoff frequency of the treble from surround channel and enables stereo surround sound compared to conventional Dolby Pro Logic. Dolby Pro Logic II enables to reproduce spacious sound from original sound without adding any new sounds and tonal coloration. Dolby Pro Logic II has two modes -- Movie mode and Music mode: · Pro Logic II Movie (PL II MOVIE) 7 DSP modes DAP (Digital Acoustic Processor) modes DAP modes have been designed to create important acoustic surround elements. The sound heard in a live club, dance club, hall or pavilion consists of direct sound and indirect sound -- early reflections and reflections from behind. Direct sounds reach the listener directly without any reflection. On the other hand, indirect sounds are delayed by the distances of the ceiling and walls (see the diagram below). These indirect sounds are important elements of the acoustic surround effects. The DAP mode can reproduce a realistic sound field by adding these indirect sounds. The following DAP modes are provided with this system. LIVE CLUB DANCE CLUB HALL PAVILION Suitable for reproduction of Dolby Surround encoded sources bearing the mark . You can enjoy soundfield very close to the one created with discrete 5. 1 channel sounds. · Pro Logic II Music (PL II MUSIC) Gives the feeling of a live music club with a low ceiling. Gives clear vocal and the feeling of a concert hall. Gives the spacious feeling of a pavilion with a high ceiling. Suitable for reproduction of any 2 channel stereo music sources. You can enjoy wide and deep sound by using this mode. · When Dolby Pro Logic II is activated, the GPLII indicator lights on the display window. [. . . ] 52, 56 R Radio Data System (RDS) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 ­ 30 Radio Text (RT). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 ­ 30 Random Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Region Code . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3, 17 Repeat Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Resume Playback (RESUME) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22, 53 S Screen saver (SCREEN SAVER) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22, 51 Sleep Timer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Slow-motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Subtitle language (SUBTITLE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41, 50 Super Video CD (SVCD) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3, 4 Surround mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 ­ 34 S-video. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 D DAP (Digital Acoustic Processor) mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 ­ 34 Dance club (DANCE CLUB) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 ­ 34 Hall (HALL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 ­ 34 Live club (LIVE CLUB). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 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