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[. . . ] Digital Piano
CE200
Owner's Manual
CE200
Important Safety Instructions
SAVE THESE INSTRUCTIONS
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
WARNING
CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
AVIS : RISQUE DE CHOC ELECTRIQUE
The lighting flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
- NE PAS OUVRIR.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the leterature accompanying the product.
Examples of Picture Symbols
denotes that care should be taken. The example instructs the user to take care not to allow fingers to be trapped. The example instructs that disassembly of the product is prohibited. [. . . ] You can use the user memory function (page 40), to save your desired setings. This way your current settings will remain even after the power is turned off.
30 KAWAI DIGITAL PIANO CE200
1. BRILLIANCE
Brilliance lets you adjust brightness of the sounds. Press the DEMO button while holding down the TOUCH and the TRANSPOSE buttons. The display alternatively shows "bri" (= brilliance) and a number that represents the value. Use the VALUE buttons to select the value within the range of -10 to +10. Plus settings produce a brighter tone, minus settings produce a mellower tone. The Brilliance setting defaults to "0" each time the power is turned off.
2. TUNING
Tuning allows you to adjust the piano's pitch. You may need to adjust the tuning when you play with other instruments. Press the PIANO MUSIC button while holding down the TOUCH and the TRANSPOSE buttons.
Function Buttons
The display alternatively shows "tun" (= Tuning) and a number that represents the pitch for "A" in Hz (Hertz). The range of adjustment is from 427. 0 to 453. 0 Hz (displayed as 27. 053. 0). The factory preset value is set to the modern standard A = 440. 0 Hz (displayed as 40. 0). Use the VALUE buttons to raise or lower the pitch.
3. DAMPER RESONANCE
When the sustain pedal (page 13) is depressed on an acoustic piano, all the dampers are lifted up allowing the strings to vibrate freely. When you play note or chord on the piano with the sustain pedal depressed, not only will the strings for the notes you played vibrate but other strings will vibrate in sympathetic resonance. The damper resonance function simulates the phenomenon. Press the VOICING button while holding down the TOUCH and the TRANSPOSE buttons. You can adjust the volume of the damper resonance.
FUNCTION BUTTONS
31
The display alternatively shows "dEF" (= Damper Effect) and a number that represents the value. Use the VALUE buttons to set the volume within a range of "Off, 1 to 10 and 5 is the default setting. Damper resonance will not be active when "Off" is selected. The damper resonance volume defaults to "5" each time the power is turned off. [. . . ] Schubert Entr' acte . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Schubert Impromptu op. 142-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Schubert Auf Flügeln des Gesanges . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F. Mendelssohn Frühlingslied . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F. [. . . ]
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