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Detailed instructions for use are in the User's Guide.
[. . . ] denotes an operation that should be carried out. The example instructs the user to remove the power cord plug from the AC outlet.
Read all the instructions before using the product. WARNING - When using electric products, basic precautions should always be followed, including the following.
potential could result in death WARNING Indicates ainjury if thehazard thathandled incorrectly. or serious product is
The product should be connected to an AC outlet of the specified voltage.
120V
230V
240V
q Use the AC adapter supplied with the product or one recommended by Kawai. [. . . ] Program change numbers are recognized as listed in page 63. To demonstrate the multi-timbral capability of the CN piano, let's choose Multi-timbral ON. Press the HARPSICHORD button while holding down the TOUCH and TRANSPOSE buttons. The LED display will read "OFF", which means Multi-timbral Off is currently selected. Use the VALUE button to select Multi-timbral ON. After choosing the multi-timbral setting, press any SOUND SELECT button to exit from the function mode.
TUTORIAL
Using MIDI
Multi-timbre On
Multi-timbre off
TUTORIAL: USING MIDI
29
Let's see how this works using an external MIDI device. If you have a keyboard connected to the CN piano try playing some notes. You should hear the CN piano as you play. If you have a MIDI song player or personal computer with MIDI software connected try sending some MIDI song data with one or more different musical parts to the CN. Again you should hear the CN piano playing all the parts. In multi-timbral mode, if you want to hear a particular sound for each part you transmit to the CN you must send the correct Program/sound number from the transmitting MIDI device to the CN piano. The CN piano will start playing back the selected song. You can adjust the speed or tempo of the song by using the VALUE buttons while holding down the TEMPO button.
TUTORIAL: PLAYING WITH CONCERT MAGIC
31
If you want to listen to a different song, repeat the same procedure to select a song. When you are finished listening to the song, press the PLAY/STOP button again to stop.
PERFORMING A SONG
Now you're ready to play yourself. Tap out the rhythm of the selected song on any one of the 88 black or white keys on your piano keyboard. As you tap harder, the notes will get louder; as you tap softer, the notes will get quieter. As you tap faster, the notes speed up; as you tap slower, they will slow down correspondingly, just like regular piano playing. You can sound like you've been playing for years just by pressing one key with one finger. Concert Magic is a perfect method for small children to learn music, especially to develop a sense of rhythm. For older people who may think it is too late to learn the keyboard, Concert Magic is a good first step for them to begin with. With Concert Magic, your CN piano can be enjoyed by anyone in the family, even those who have never touched a musical instrument in their life.
CONCERT MAGIC SONG ARRANGEMENT TYPES
Playing with Concert Magic
After playing for a while with Concert Magic you may think that it's too easy and there is very little to learn. While it is true that some of the songs are very easy to play, even for beginners, there are also some which will challenge you and require some practice to play beautifully. [. . . ] PEDALS
SUSTAIN PEDAL SOSTENUTO PEDAL SOFT PEDAL
SUSTAIN PEDAL
Depressing this pedal sustains the sound even after removing your hands from the keyboard.
SOSTENUTO PEDAL
Depressing this pedal after pressing the keyboard and before releasing the keys, sustains the sound of only the keys just played.
SOFT PEDAL
Depressing this pedal softens the sound and also reduces its volume. When the Rotary Speaker effect is turned on, this pedal works as a switch to change effect speed.
Reference Section
REFERENCE SECTION
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14. JACKS
LINE OUT JACKS
These jacks provide stereo output of the piano's sound to amplifiers, tape recorders or similar equipment. The audio signal coming through the LINE IN jacks is also routed to these jacks. [. . . ]
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