User manual KAWAI CN380

[. . . ] denotes an operation that should be carried out. The example instructs the user to remove the power cord plug from the AC outlet. Read all the instructions before using the product. WARNING - When using electric products, basic precautions should always be followed, including the following. potential could result in death WARNING Indicates ainjury if thehazard thathandled incorrectly. or serious product is The product should be connected to an AC outlet of the specified voltage. 120V 230V 240V G If you are going to use an AC power cord, make sure that its has the correct plug shape and conforms to the specified power voltage. [. . . ] -5, for example, represents a transposition that is 5 half steps lower. "0" indicates no transposition. The piano can be transposed up to 12 half steps higher or 12 half steps lower. Pressing TRANSPOSE button again turns the TRANSPOSE function off. The TRANSPOSE function remembers the current setting as long as the power is on. Function Buttons FUNCTION BUTTONS 29 5. 3 OTHER FUNCTIONS (TOUCH & TRANSPOSE BUTTONS) There are 17 other functions that control tuning, system, and MIDI functions. They are Brilliance, Tuning, Damper Resonance, String Resonance, Temperament, Lower Octave Shift, MIDI Transmit and Receive Channel, Program Change Number, Local On/Off, Transmit Program Change On/Off, Multi-Timbral Mode, Channel Mute, Lower Pedal On/Off, Layer Octave Shift, Layer Dynamics, Damper Hold and User Memory / Factory Reset, User / Factory Execution. These functions are selected by pressing one of the buttons on the panel while holding down both the TOUCH and the TRANSPOSE buttons. The functions are assigned as listed below. Brilliance Tuning Damper Resonance String Resonance Temperament Lower Oct. Shift MIDI Channel Prog Change Number Local Control Trans. Prg ON/ OFF Multi Timbral Mode Channel Mute Lower Pedal ON/OFF Layer Octave Shift Layer Dynamics Damper Hold User Memory / Factory Reset User / Factory Execution DEMO PIANO MUSIC VOICING PIANO E. PIANO Drawbar CHURCH ORGAN STRINGS HARPSI / MALLETS CHOIR / PAD BASS / GUITAR EFFECTS REVERB SPLIT TEMPO BEAT PLAY REC Function Buttons The LED indicator of the button will flash to show which function is selected. Damper resonance will not be active when "Off" is selected. The damper resonance volume defaults to "5" each time the power is turned off. The damper resonance function is effective only for the following piano sounds: Concert Grand, Studio Grand, Mellow Grand 4. STRING RESONANCE The string resonance function simulates the phenomenon of string resonance on an acoustic piano. Press the PIANO button while holding down the TOUCH and the TRANSPOSE buttons. You can adjust the volume of the string resonance. The display alternatively shows "Str" (= String Resonance) and a number that represents the volume. Use the VALUE buttons to set the volume within a range of "Off, 1 to 10 and 5 is the default setting. String resonance will not be active when "Off" is selected. ABOUT STRING RESONANCE Even when the sustain pedal is not depressed on an acoustic piano, the strings for any notes you are holding will be un-damped and will resonate freely in sympathy with the strings of other notes that you play if they are part of the same harmonic series. In addition, adjacent notes will also be resonated. [. . . ] Beethoven Für Elise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Beethoven Rondo favori . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hummel Impromptu op. 90-4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Schubert Moments musicaux op. 94-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]