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[. . . ] MINIDISC RECORDER
DM-9090
INSTRUCTION MANUAL
B60-3491-00 JA (T) MC 98/12 11 10 9 8 7 6 5 4 3 2 1 97/12 11 10 9 8 7
Introduction
DM-9090 (En)
2
Before applying power
Units are designed for operation as follows.
Caution : Read this section carefully to ensure safe operation.
U. K. and Europe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 230 V only
For the United Kingdom
Factory fitted moulded mains plug
1. For replacement, use only a 13- Amp ASTA-approved (BS1362) fuse. [. . . ] !
+100
0
+10
"REPEAT" lights up
2 Repeat the procedure 2.
REPEAT L SEARCH R
40 30 21 18 15 12 9 7 5 3 1 0
OVER (-dB)
ANALOG 1 MONITOR
DIGITAL 2 3
3 Enter the repeat mode.
REPEAT
PGM
32kHz 44. 1kHz 48kHz
4 Start playback.
3
To stop repeated playback
Press the REPEAT key again.
÷ The "REPEAT" indicator goes off and the playback following the current mode (PROGRAM) of the MD player starts.
To repeat the entire disc
1 Enter the track mode.
CHARA.
P. MODE
Each press switches the mode. 1 Track mode : PGM goes off 2 Program mode : PGM lights up
"REPEAT" lights up
2 Enter the repeat mode.
REPEAT
REPEAT PGM SEARCH L R
40 30 21 18 15 12 9 7 5 3 1 0
OVER (-dB)
ANALOG 1 MONITOR
DIGITAL 2 3
32kHz 44. 1kHz 48kHz
3 Start playback.
3
To stop repeated playback
Press the REPEAT key again.
÷ The "REPEAT" indicator goes off and the playback following the current mode (TRACK) of the MD player starts.
Recording-related keys
DM-9090 (En)
AUTO/MANUAL key
This key is used to select whether track numbers are to be marked automatically during recording or they are to be marked manually during or after recording. The track numbers can be used to locate the beginning of a track during playback or programming tracks.
Select before starting recording.
AUTO/ MANUAL
23
AUTO
If a no-sound input has lasted for 2 seconds during recording, the track number will be incremented automatically by "1". Usually, use this position for recording. Use this mode when recording all of the tracks in a CD. When recording music containing a continuous section with a very low level, for example when recording classic music, the track number may be incremented by "1" after such a section. In this case, cancel the track number later. It is recommended to use the MANUAL mode when recording such a kind of music. During digital recording of CD, the track number is incremented automatically by "1" according to the data contained in the digital information. When the CD track number is increased during manual search of a CD, the track number recorded on the MD may sometimes fail to be incremented. A nosound track may sometimes created at the moment the played CD stops.
L PGM SEARCH R
40
30
21
18
15
12
9
7
5
3
1
0
OVER (-dB)
ANALOG 1 MONITOR MANUAL
DIGITAL 2 3
32kHz 44. 1kHz 48kHz
MANUAL
Extinguished in "AUTO" mode, lit in "MANUAL" mode.
With this setting, the MD track number is not incremented automatically during recording. Track numbers can be marked either during editing (by pressing the EDIT key) or after recording (by executing the TRACK DIVIDE operation fl). This setting is convenient when recording a CD which has been recorded in live or which contains very low-level sound such as a classical music CD.
MONITOR key
Press to monitor the sound being input from the source while the unit is in stop mode. When the REC INPUT is DIGITAL, the sampling rate (48 kHz, 44. 1 kHz, 32 kHz) of the input digital signal can be displayed by pressing this key.
Press in stop mode.
Main unit
MONITOR
Remote control unit
L
40
30
21
18
15
12
9
7
5
3
1
0
OVER (-dB)
ANALOG 1 MONITOR
DIGITAL 2 3
MONITOR
PGM
SEARCH
R
32kHz 44. 1kHz 48kHz
"MONITOR" litghts up
Recording-related keys
DM-9090 (En)
The recording-related settings can be adjusted precisely by selecting the proper display modes.
24
REC MODE key
Selecting the setting adjustment mode
1 Switch the REC MODE on.
REC MODE /CHARA.
Each press switches the mode. 1 REC MODE : off 2 REC MODE : on ("D. REC LEVEL?" displayed. )
2 Select the setting adjustment mode.
4
JOG DIAL
¢
DOWN PUSH SET
UP
The modes are switched by rotating the JOG DIAL. : Setting of the time for detecting a no-sound blank section during automatic track number marking. : Setting of the level for detecting a nonsound blank section during automatic track number marking. : Setting of the fading time in fade-in and fade-out. : Setting of the UTOC writing after recording.
3 Set the selection (by pressing the JOG DIAL).
4
JOG DIAL
¢
DOWN PUSH SET
UP
÷ The "D. REC LEVEL" and "FADE TIME" settings are not used during analog source recording.
4 Adjust the setting value.
4
JOG DIAL
¢
÷ Step 4 consists of adjusting the setting of the "Setting adjustment mode" selected in step 2.
DOWN PUSH SET UP
To change another setting, press the JOG DIAL (PUSH SET knob). (This returns to step 2 above. ) To end the setting adjustment, press the REC MODE/CHARA. key again.
Recording-related keys
DM-9090 (En)
When "D. REC LEVEL?" is selected
(Valid during digital recording)
Pressing the SET key while "D. REC LEVEL?" is displayed initiates the initial display for the digital recording level adjustment. The recording level of the currently selected digital input can be varied by operating the skip up/down keys. [. . . ] 400 rpm ~ 900 rpm (CLV)
[D/A conversion]
D/A conversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Bit (24 bit Fine D. R. I. V. E. ) Oversampling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 fs (352. 8 kHz)
[A/D converter]
A/D converter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 th order sigma-delta conversion+ D. R. I. V. E. [. . . ]
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