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[. . . ] MICRO HI-FI COMPONENT SYSTEM
HM-V655MP
INSTRUCTION MANUAL
KENWOOD CORPORATION
B60-5281-00 00 MA (M, X)
FE
0204
Before applying power
Caution : Read this page carefully to ensure safe operation.
Units are designed for operation as follows. and Canada . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 120 V only Australia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AC 240 V only Europe and U. K. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] ÷ When there is a tape slack, wind the tape before loading.
W
2. Select the tape transport direction.
To reverse the transport direction :
1 Press the TAPE 2 3 key. 2 Stop playback.
÷ When recording is started, the tape is transported in the direction selected in this step. Check the tape transport direction indicator. ¡ ÷ Search the position you want to start recording in advance.
26 EN
Recording on TAPE
\
3. Set the recording condition.
Select the reverse mode. TM
Select an input source other than "TAPE" Example: To select the CD input
Pause the recording
÷ Press the rec key during recording. It pause after leaving a non-recorded blank of 4 seconds. (Press the key again to resume recording. )
\ \
Lights
÷ Check the tape transport direction before starting recording. If it is set to the reverse direction (2), only one side of tape can be recorded regardless of the reverse mode setting made here. ÷ The tape equalizer is defeated during recording.
4. Select the source to be recorded.
CD (CD-DA, VIDEO CD with PBC OFF and MP3 file) [For PBC OFF *] TUNER (Broadcasts) AUX (External input) [Adjusting the AUX input level r]
÷ If a CD has already been loaded, it starts to play now. The character information display shows the recording input source.
5. 2 Play (or tune) the input source to be recorded.
While recording from tuner input, beat sound can be minimised by pressing the set/demo key. Each press switches the modes as follows. 1 "BEAT CANCEL ON" :
(Beat Cancel is activated)
2 "BEAT CANCEL OFF" :
(Beat Cancel is deactivated) ÷ Recording stops automatically when the tape side(s) to be recorded have been fully recorded.
Stop the recording
27 EN
Recording on TAPE
Points in CD recording (CD-DA and VIDEO CD with
PBC OFF only)
When recording CD tracks onto a tape, if you leave the cassette deck in record-pause mode beforehand, the cassette deck recording can be started when the CD starts to be played.
1 Put the CD player in pause mode. 2 Select the track to be recorded with the
skip (4, ¢) keys. (The CD player pauses at the beginning of the selected track. )
3 Put the cassette deck in Record-pause
mode. (Press rec key twice)
4 Start playing the CD. (Recording starts)
÷ To stop recording, press the 7 key.
28 EN
Various CD (CD-DA, VIDEO CD and MP3 file) playbackplayback features features Various CD (CD-DA, VIDEO CD and MP3 file)
Symbols CD-DA VIDEO CD MP3 file in the text indicate the disc media that can be played back.
Listening to the desired sequence (PGM ) CD-DA VIDEO CD (with PBC OFF *)
Use the following procedure to program desired tracks in a desired order. (up to 32 tracks)
A non-finalized CD-R or CD-RW cannot be played back.
MP3 file
Select the CD input.
1 Select "PGM" mode.
Press in stop mode
PGM
2 Select track numbers in the order you want to play them.
1 Select the track.
Program position of the track to be selected next.
1 4 7 2 5 8 3 6 9
10
0
Selection of tracks (Go to step
2 within 20 seconds. )
2 Confirm the selection.
SET
Press the numeric keys as shown below. . . . 40 : +10 X 4, 0
÷ Up to 32 tracks can be programed. [. . . ] Bass-reflex type, magnetically shielded Speaker configuration Woofer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 mm, cone type Tweeter . . . . . . . . . . . . . . . . . . . . . 25 mm, balanced dome type Impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Maximum input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]
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