User manual KENWOOD KRF-X9060D

[. . . ] AUDIO VIDEO SURROUND RECEIVER KRF-X9060D VR-6070 INSTRUCTION MANUAL KENWOOD CORPORATION This instruction manual is for some models. Model availability and features (functions) may differ depending on the country and sales area. About the supplied remote control Compared to standard remote controls, the remote control supplied with this receiver has several operation modes. These modes enable the remote control to control other audio/video components. In order to effectively use the remote control it is important to read the operating instructions and obtain a proper understanding of the remote control and how to switch its operation modes (etc. ). [. . . ] DSP MODE DISCRETE PRO LOGIC LOUDNESS ANALOG 96kHzfs NEO:6 CSII THX Surround EX RDS RTY AUTO MEMO STEREO TUNED Press the MUTE key again so that the "MUTE" indicator goes off. · MUTE ON can also be deactivated by turning the VOLUME CONTROL knob or pressing VOLUME +/­ keys. SL S SB SR · The bass and treble levels are adjustable from -10 to +10 in 2 step increments. · The adjustment item is displayed for approximately 8 seconds. 27 EN Normal playback ACTIVE EQ mode You can enjoy a more impressive sound effect when ACTIVE EQ is turned ON during Dolby Digital and DTS playback and, when in PCM and analog stereo mode. Press the ACTIVE EQ key for the following selections; 1 ACTIVE EQ MUSIC : Effective when listening to music. (The ACTIVE EQ indicator lights up. ) 2 ACTIVE EQ CINEMA : Effective when watching a movie. (The ACTIVE EQ indicator lights up. ) 3 ACTIVE EQ TV : Effective when watching TV. (The ACTIVE EQ indicator lights up. ) 4 ACTIVE EQ OFF : The ACTIVE EQ function is turned OFF. (The ACTIVE EQ indicator goes off. ) Listening with headphones 1 Press the A and B speaker keys so that the speaker indicator goes off. Make sure the SPEAKERS indicators are turned off. SP AB LFE MUTE CLIP COAXIAL OPTICAL 6CH INPUT AUTO DETECT CINEMA EQ. DSP MODE D ANALOG 96kHzfs SL S SB SR · If you turn off all of the speakers when in surround mode, the surround mode will be canceled as well, resulting in stereo playback. 2 Connect headphones to the PHONES jack. PHONES · "ACTIVE EQ" will scroll from right to left. · When ACTIVE EQ and SPEAKER EQ are OFF and ACTIVE EQ (MUSIC) is turned ON, SPEAKER EQ (SMALL) will turn ON automatically. · ACTIVE EQ function will not be available when REC MODE, AUTO TUNING or PRESET MEMORY is ON, and during 96kHz LPCM playback. SPEAKER EQ mode SPEAKER EQ's function will automatically detect the various features of each speaker and effectively creates a stereoscopic sound effect. Press the SPEAKER EQ key to switch the following setting; : To select a small sizespeaker. (The SPEAKER EQ indicator lights up. ) 2 SPEAKER EQ NORMAL : To select an average size speaker. (The SPEAKER EQ indicator lights up. ) 3 SPEAKER EQ LARGE : To select a large size speaker. (The SPEAKER EQ indicator lights up. ) 4 SPEAKER EQ OFF : The SPEAKER EQ function is turned OFF. (The SPEAKER EQ indicator goes off. ) · "SPEAKER EQ" will scroll from right to left. · SPEAKER EQ cannot be turned OFF when ACTIVE EQ is turned ON. · SPEAKER EQ function will not be available when REC MODE, AUTO TUNING or PRESET MEMORY is ON, and during 96kHz LPCM playback. 1 SPEAKER EQ SMALL 3 Use the VOLUME CONTROL knob or VOLUME +/­ keys to adjust the volume. 28 EN Recording Recording audio (analog sources) 3 Press and hold the DIMMER key for more than 2 seconds to select the AUTO REC or MANUAL REC mode. 1 REC mode off : The digital input record mode is switched off. [. . . ] 45 µV (75 )/ 42. 1 dBf (40 + 6 kHz dev, S/N 46 dB) Total harmonic distortion MONO (1 kHz, 40 kHz dev) . . . . . . . . . . . . . . . . . . . . . . . 0. 2% (65. 2 dBf input) STEREO (1 kHz, 40 + 6 kHz dev) . . . . . . . . . . . . . . . 0. 8% (65. 2 dBf input) Signal to noise ratio (DIN weighted at 1 kHz) MONO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 dB (65. 2 dBf input) STEREO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]