User manual KENWOOD VR-7060

[. . . ] AUDIO VIDEO SURROUND RECEIVER VR-7060 INSTRUCTION MANUAL KENWOOD CORPORATION About the supplied remote control Compared to standard remote controls, the remote control supplied with this receiver has several operation modes. These modes enable the remote control to control other audio/video components. In order to effectively use the remote control it is important to read the operating instructions and obtain a proper understanding of the remote control and how to switch its operation modes (etc. ). Using the remote control without completely understanding its design and how to switch the operation modes may result in incorrect operations. B60-5346-00 00 MA (K, P) 0209 Before applying the power Units are designed for operation as follows. [. . . ] 2 Press the TONE key to select the TONE mode. 3 Use the MULTI CONTROL knob or Multi (%/fi) keys to select TONE ON/OFF. SP L C SW R LFE AB MUTE CLIP COAXIAL DTS. DOLBY DIGITAL STEREO OPTICAL 6CH INPUT AUTO DETECT CINEMA EQ. MATRIX DSP MODE DISCRETE PRO LOGIC LOUDNESS ANALOG 96kHzfs NEO:6 CSII THX Surround EX RDS RTY AUTO MEMO STEREO TUNED SL S SB SR 2 Start playback from the selected source. 3 Use the VOLUME CONTROL knob or VOL +/­ keys to adjust the volume. 4 When in TONE ON selection, press the TONE key for the following displays. BASS : Select this to adjust the low frequency range. TREBLE : Select this to adjust the high frequency range. 5 Use the MULTI CONTROL knob or Multi (%/fi) keys to adjust the sound quality. SP L C SW R LFE AB MUTE CLIP COAXIAL DTS. DOLBY DIGITAL STEREO OPTICAL 6CH INPUT AUTO DETECT CINEMA EQ. MATRIX DSP MODE DISCRETE PRO LOGIC LOUDNESS ANALOG 96kHzfs NEO:6 CSII THX Surround EX RDS RTY AUTO MEMO STEREO TUNED SL S SB SR · The bass and treble levels are adjustable from -10 to +10 in 2 step increments. · The adjustment item is displayed for approximately 8 seconds. Once-touch low frequency emphasis (BASS BOOST) (remote control only) You can adjust the sound quality when the receiver is in the PCM stereo and analog stereo modes. · Press the key once to select the maximum (+10) low frequency emphasis setting. · This key does not function when the receiver is in the sound quality or ambience effects adjustment mode. Switching back to the previous setting Press the Bass Boost key again. 21 EN Normal playback Adjusting the LOUDNESS mode You can adjust the Loudness function which controls the low volume settings to maintain the music's richness. The adjustment can be made when the receiver is in the PCM stereo and analog stereo mode. Press the LOUDNESS key to turn the LOUDNESS setting ON. SPEAKER EQ mode SPEAKER EQ function is to adjust the receiver's audio output characteristics with the speakers' characteristics which differs depending on the size of the speakers. Especially for the music sound source playback, the reproduced sound becomes more natural when adjusting the output characteristics. When activating the SPEAKER EQ function, you will be able to enjoy a more natural and dynamic sound experience even with small size speakers. Press the SPEAKER EQ key to switch the following setting; : To select a small size speaker. (The SPEAKER EQ indicator lights up. ) 2 SPEAKER EQ NORMAL : To select an average size speaker. (The SPEAKER EQ indicator lights up. ) 3 SPEAKER EQ LARGE : To select a large size speaker. (The SPEAKER EQ indicator lights up. ) 4 SPEAKER EQ OFF : The SPEAKER EQ function is turned OFF. RDS (The SPEAKER EQ indicator goes off. ) RTY AUTO MEMO STEREO TUNED To cancel Press the LOUDNESS key again so that the "LOUDNESS" indicator goes off. 1 SPEAKER EQ SMALL Muting the sound The MUTE key lets you mute the sound of the speakers. [. . . ] 28 µV (75 )/ 40. 2 dBf Total harmonic distortion MONO (1 kHz, 75 kHz dev) . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 5% (65 dBf input) STEREO (1 kHz, 67. 5 + 6. 75 kHz dev) . . . . . . . . . 0. 7% (65 dBf input) Signal to noise ratio MONO (1 kHz, 75 kHz dev) . . . . . . . . . . . . . . . . . . . . . . . . 75 dB (65 dBf input) STEREO (1 kHz, 67. 5 + 6. 75 kHz dev) . . . . . . . [. . . ]