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[. . . ] 26
Basic. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Red. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Green . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Blue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Sharpness. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Contrast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Saturation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Portrait. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Professional. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Hue. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Saturation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Sharpness. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Density . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Contrast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Color Balance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
4
A Quick Overview of Copy Samples
1
1 A Quick Overview of Copy Samples
Digital Art
The Digital Art functions are classified into three groups: the functions which "process the colors of the original, " those which "change the zoom ratios, " and those which "process the image itself of the original". By combining these functions, you can make copies of many different color renditions.
Processing the Colors of the Original
Monotone. 18
5
1
Changing the Zoom Ratio
A Quick Overview of Copy Samples
Zoom . 19
6
Multi-Page Enlargement . [. . . ] It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts.
93 94
Consumables Sales Report
The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts.
93 94
test 1
jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj-
In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question.
0
1000
2000
3000
4000
5000
test 1
jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj-
In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question.
0
1000
2000
3000
4000
5000
22
Digital Art
3
File Margin
A file margin can be made along the leading edge on the copy for easy filing. The margin width can range from 1 mm to 30 mm.
Shift File Margin
Consumables Sales Report
The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts.
93 94
Consumables Sales Report
The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts.
93 94 0 1000 2000 3000 4000 5000
test 1
jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj-
In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question.
Reduction File Margin
The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts.
93 94
test 1
jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj-
In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question.
USEFUL TIP For the operation of each function, see the Operator's Manual separately provided.
0 0
Consumables Sales Report
Consumables Sales Report
The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts.
93 94 95
1000 1000
2000 2000
3000 3000
4000 4000
5000 5000
test 1
jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj-
In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question.
test 1
jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj-
In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question.
0
1000
2000
3000
4000
5000
23
4
4 Understanding Colors
What is Hue?
Understanding Colors
Apples are red, lemons are yellow, the sky is blue; that's how we think of color in everyday language. Hue is the term used in the world of colors for the basic classification of red, yellow, blue, etc. The colors of the rainbow and the primary colors which we learn as children are hues. Two completely different hues can be mixed to create another different hue. [. . . ] You can select the desired one from among these seven.
Red
One sample copy is made containing 7 copy images, each having a different tint of red.
Original
Selecting +2
Sample Color Copy
Red
26
Color Adjust
5
Green
One sample copy is made containing 7 copy images, each having a different tint of green.
Original
Selecting +2
Sample Color Copy
Green
USEFUL TIP For the operation of each function, see the Operator's Manual separately provided.
27
5
Blue
Color Adjust
One sample copy is made containing 7 copy images, each having a different tint of blue.
Original
Selecting +2
Sample Color Copy
Blue
28
Color Adjust
5
Sharpness
One sample copy is made containing 7 copy images, each having a different sharpness level of the outline of text and image.
Original
Selecting +3
Sample Color Copy
Sharpness
USEFUL TIP For the operation of each function, see the Operator's Manual separately provided.
29
5
Brightness
Color Adjust
One sample copy is made containing 7 copy images, each having a different brightness level of the image.
Original
Selecting -2
Sample Color Copy
Brightness
30
Color Adjust
5
Contrast
One sample copy is made containing 7 copy images, each having a different contrast level of the image.
Original
Selecting +2
Sample Color Copy
Contrast
USEFUL TIP For the operation of each function, see the Operator's Manual separately provided.
31
5
Saturation
Color Adjust
One sample copy is made containing 7 copy images, each having a different vividness level of the image.
Original
Selecting +3
Sample Color Copy
Saturation
32
Color Adjust
5
Portrait
One sample copy is made containing 7 copy images, each having a different tint of flesh color.
Original
Selecting +2
Sample Color Copy
Portrait
USEFUL TIP For the operation of each function, see the Operator's Manual separately provided.
33
5
Professional
Color Adjust
In professional adjustments, one sample color copy is made containing seven copy images, each having gone through a unique, technical adjustment of different aspects of color reproduction. You can select the desired one from among these seven. These adjustments can be used for reproducing a delicate and subtle tone of color which is not possible with basic adjustments.
Hue
Hue can be fine-adjusted in 19 different steps from -3 to +3.
Original
Std. (±0) Copy
Step -3
Step +3
34
Color Adjust
5
Saturation
Vividness can be fine-adjusted in 19 different steps from -3 to +3.
Original
Std. [. . . ]
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