Detailed instructions for use are in the User's Guide.
[. . . ] Do not defeat the safety purpose of the polarized or groundingtype plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. [. . . ] Execute it if the "DiskBusy" message appears, or if you want to recover hard disk space after you have completed a song.
1. Insert a CD-RW disc into the CD-R/RW drive. Access the [SYSTEM/USB] "DiskUtil" tab page, and use the [VALUE] dial to choose "SelOperation". Press the "Exec. " button to open the dialog box.
Example 1: You recorded an intro, solo, and ending on a track
When you record an intro, solo, and ending on the track, the regions between these will record silence (in reality, a noise-level signal), unnecessarily occupying space on the drive.
Intro Silence Solo Silence Ending
Use the "Quick" button to select the type of erasure. If this button is turned on, the CD-RW disc will be erased at high speed. If this button is turned off, the CD-RW disc will be erased completely. Use this method if the disc is not recognized even after being erased with the "Quick" button turned on. Press the "Yes" button to begin erasing the disc. The display will indicate "Completed" when the erasure is finished. You can also erase data from a CD-RW in the [SONG/CD] "CDR/RW" tab page.
If you want to keep only the audio data of the intro, solo, and ending Execute the Optimize Track operation on the track you recorded, from the beginning of the song to the end. When executing, set the Optimize Track "Mode" to "Erase Silence. " This will leave only the actuallyused regions as audio data, so that only the intro, solo, and ending will occupy space on the drive.
Intro
IN
Silence
Solo
Silence
Ending
OUT
"OptimizeTrack" After execution
Intro Data erased
Solo
Data erased
Ending
83
MIDI
Updating the system
USB
Drive
Data
Rhythm/tempo settings
Song editing
Track editing
Mixdown
Using effects
Using the mixer
SelOperation
Changing the time location
Playback
Recording Assign audio inputs Creating/ to the mixer selecting a song
Press the "Yes" button to begin formatting. Since this data is in the D1600mkII's own format, it cannot be played or edited as audio data on your computer or another device. In order to play this data, you must restore it into the D1600mkII. Effect user data Data stored in the effect program user area. Since this data is in the D1600mkII's own format, it cannot be edited on your computer. In order to edit this data, you must restore it into the D1600mkII. WAV files: audio files in WAV format This is audio track data that you copy to the clipboard. Do not disconnect the USB cable or turn your computer on/off while this screen is displayed. A drive named "KORG D1600" will appear on your computer.
In the [SYSTEM/USB] "DiskUtil" tab page, press the "USB Mode" button.
1. Saving data to your computer
Do not format (initialize) the D1600mkII's hard disk from your computer. The hard disk may be formatted only by the D1600mkII itself.
85
MIDI
Updating the system
In order to use the D1600mkII with Windows 98, you will need to install a device driver. For details on obtaining and installing the device driver, visit the Korg website (http://www. korg. com). [. . . ] 14, 71
V
Virtual track. . . . . . . . . . . . . . 23, 40, 66, 67, 100 Vocal multi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
T
Tab. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Tab page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8, 9 Tap tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74, 115 Tempo map. . . . . . . . . . . . . . . . . . . . . . . . . 72, 115, 116 Tempo setting. . . . . . . . . . . . . . . . . . . . . . . 71, 72, 115 Tempo track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73, 117 Time signature. . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 115 To record analog signals . . . . . . . . . . . . . . . . . . . 10 Toggle button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8, 9 Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Track At Once. . . . . . . . . . . . . . . . . . . . . . . . . . . 110, 111 Track edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61, 100 Copy Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62, 100 Copying to a track in a different song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Copy Whole Track . . . . . . . . . . . . . . . . 66, 104 Copying an entire track . . . . . . . . . . 66 Copying to a virtual track. . . . . . . 67 Delete Track. . . . . . . . . . . . . . . . . . . . . . . . . . . 63, 102 Erase Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63, 102 Expansion/Compression Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66, 104 Compression track data . . . . . . . . . . 66 Expansion track data . . . . . . . . . . . . . . . 66 Fade Track. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68, 105 IN, OUT, TO, and END times . . . . . 61 Insert Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63, 101 Inserting blank data. . . . . . . . . . . . . . . . . 63 Normalize Track . . . . . . . . . . . . . . . . . . . 69, 106 Boosting to the optimal level. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Optimize Track. . . . . . . . . . . . . . . . . . . . . . 64, 103 Erasing audio event. . . . . . . . . . . . . . . . . 65 Erasing punch-noise. . . . . . . . . . . . . . . . 65 Optimize. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Reverse Track . . . . . . . . . . . . . . . . . . . . . . . . 64, 103 Copies a reversed. . . . . . . . . . . . . . . . . . . . . 64 Swap Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65, 102 Swap Whole Track. . . . . . . . . . . . . . . . 67, 105 Exchanging an entire track. . . . . 67 Exchanging with a virtual track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Track View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17, 133 Trigger recording . . . . . . . . . . . . . . . . . . . . . . . 43, 121 Tuner. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39, 124
Sampling rate converter. . . . . . . . . . . . . . . . . . . . . 7 Scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50, 113 Scene display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 Scroll button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]