User manual KORG DF1

[. . . ] However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: • Reorient or relocate the receiving antenna. • Increase the separation between the equipment and receiver. • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. [. . . ] LPF (Low Pass Filter): Cuts the high-frequency region, making the sound more mellow. HPF (High Pass Filter): Cuts the low-frequency region, making the sound sharper. BPF (Band Pass Filter): Outputs only the region in the area of the cutoff frequency. BPF+ (Band Pass Filter Plus): Adds the output of the band pass filter to the original waveform If the sound does not change when you turn the knobs or switch the keys, either those knobs or keys are not valid for this part, or a Motion Sequence (☞p. 68 “Motion Sequence”) is running. 50 5. Pattern mode Effects Using the effects The ESX-1 contains three separate effect processors. For each pattern, you can use up to any three of the sixteen effect types. The sound of each part can be sent to any one of the effect processors. You can also change the way in which the three effects are connected to each other, and in this way apply more than one effect to a part. To apply an effect 1. Either begin playback, or if you are editing a keyboard part, turn the KEYBOARD key on (lit) so that you can play the sound. Press a drum or keyboard part key to select the part to which you want to apply an effect. In the edit section / part common area, press the FX SELECT key to select the effect processor that you want to use. If you lower the time value too far, the sound may distort (clip). FX EDIT1: Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. . . 127 Turning the knob toward the right will lengthen the reverb time. FX EDIT2: Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. . . 127 Turning the knob toward the right will increase the reverb level. With long reverb time settings, some input sounds or level values may cause distortion MOD DELAY (Modulation delay) This is a delay that adds a chorus effect by using the LFO to sweep the delay time. This is also a tempo delay in which the delay time automatically synchronizes to the tempo. FX EDIT1: Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1/64. . . 1/1 BPM SYNC DELAY (BPM sync delay) This is a cross delay synchronized to the BPM. FX EDIT1: Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1/64. . . 1/1 Adjusts the delay time synchronized to the BPM, in note value units. Turning the knob toward the right lengthens the delay time. You can set this in a range from a 64th note to a whole note. Adjusts the delay time synchronized to the tempo, in note value units. Turning the knob toward the right lengthens the delay time. You can set this in a range from a 64th note to a whole note. FX EDIT2: Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. . . 127 Adjusts the depth of the delay and the amount of feedback. Turning the knob toward the right makes the delayed sound louder and also increases the amount of feedback. [. . . ] 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 Name Voice-22 Voice-23 Clav M1-Organ Flute Trumpet Strings Pizzicat F. Guitar MuteGtr Ac. Bass FingerBs M1PickBs SlapBass Saw BoostSaw Square Triangle SinKick SynSin OctBass NuBass RingBass 5thStab UniSaw Lore EPChord OrgGliss PowerChd StrHit-1 StrHit-2 SynHit-1 SynHit-2 SynHit-3 SynHit-4 SynHit-5 SynHit-6 DrumLP-1 DrumLP-2 DrumLP-3 DrumLP-4 DrumLP-5 CongaLP LatinLP TablaLP1 TablaLP2 IndiaLP PercLP-1 PercLP-2 PercLP-3 PercLP-4 PercLP-5 PercLP-6 PercLP-7 PianoLP EPLP EPPhrase ClavLP-1 ClavLP-2 OrgPhras OrganLP SynLP-1 SynLP-2 GtrLP-1 No. 192 193 194 195 Name GtrLP-2 GtrLP-3 GtrLP-4 BassLP 101 Knob/Sw - MIDI List PART KEYBOARD1, 2 MIDI CH(INITIAL) 1(GLOBAL)=CH1 2=CH2 PARAMETER SAMPLE SLICE NO. START POINT REVERSE GLIDE FILTER TYPE FILTER CUTOFF FILTER RESONANCE FILTER EG INT LEVEL PAN EG TIME AMP EG ROLL FX SEND FX SELECT MOD TYPE MOD DEPTH MOD SPEED MOD DEST MOD BPM SYNC PART MOTION SEQ SW SAMPLE* PITCH* LEVEL PAN EG TIME AMP EG ROLL FX SEND FX SELECT MOD TYPE MOD DEPTH MOD SPEED MOD DEST MOD BPM SYNC SLICE NO. ** START POINT* REVERSE* PART MOTION SEQ SW LEVEL PART MOTION SEQ SW FX TYPE FX EDIT1 FX EDIT2 FX MOTION SEQ SW FX TYPE FX EDIT1 FX EDIT2 FX MOTION SEQ SW FX TYPE FX EDIT1 FX EDIT2 FX MOTION SEQ SW TEMPO SWING ROLL TYPE BEAT LENGTH LAST STEP FX CHAIN MUTE STATUS ACCENT STATUS SWING STATUS OUTPUT BUS STATUS CC(INITIAL) NRPN NRPN NRPN CC#18 CC#19 CC#5 CC#83 CC#74 CC#71 CC#79 CC#7 CC#10 CC#75 CC#86 CC#85 CC#91 CC#81 CC#87 CC#90 CC#89 CC#88 CC#82 CC#80 NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN CC#12 CC#92 CC#93 CC#20 CC#13 CC#94 CC#95 CC#21 CC#24 CC#25 CC#26 CC#22 NRPN NRPN MOTION SEQ X X O O O O O O O O O O O O O O O O O O O X O O O O O O O O O O O O O X O O O X O O X O O X O O X X X X X X X X X X X SONG EVENT X X O O O O O O O O O O O O O O O O O O O O X O O O O O O O O O O O O O X O O O O O O O O O O O O O O O O O O X X X X X O O X X X DRUM1-7B ALL=CH10 STRETCH1, 2 SLICE AUDIO IN (*NOT AUDIO IN) (**NOT STRETCH1, 2 SLICE) ACCENT FX1 GLOBAL(KBD1)=CH1 GLOBAL(KBD1)=CH1 FX2 GLOBAL(KBD1)=CH1 FX3 GLOBAL(KBD1)=CH1 COMMON GLOBAL(KBD1)=CH1 CC#23 NRPN 102 INDEX 16Tri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 8Tri . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 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