User manual KORG I3 SERVICE MANUAL

[. . . ] If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following means: · Reorient or relocate the receiving antenna. · Increase the separation between the equipment and the receiver. · Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. If necessary, consult an experienced radio/television technician for additional suggestions. [. . . ] You will need to select different clock sources from time to time, depending on what you are currently doing with the 1212 I/O; see the section "Applications, " on page 32, for details. The ADAT optical input will provide the master word clock. This is a dual-purpose setting, which depends on whether or not a device is connected to the Word Clock input. If an external clock source is connected to the Word Clock input, and is generating a word clock signal, then it will be used as the master word clock source. Otherwise, the S/PDIF input will provide the master clock. The 1212 I/O's internal clock will be the master. With this setting, the Sample Rate parameter, below, controls the clock. Sample Rate This parameter has two functions. First, it sets the clock rate when the Clock Source parameter, described above, is set to Internal. Second, it sets the sample rate information embedded in the S/PDIF output data, which in turn sets the sample rate of any connected S/PDIF devices. When transferring audio from the ADAT inputs to S/PDIF output, it is important to set this parameter so that it matches the sample rate of the ADAT. Input R Analog L, Analog R, S/PDIF L, S/PDIF R, ADAT 1-8. This selects the 1212 I/O input channel which will be routed to the Sound Manager's right input channel. 26 Korg 1212 I/O 1212 I/O Utility Output L Analog L, Analog R, S/PDIF L, S/PDIF R, ADAT 1-8. This selects the 1212 I/O output channel which will be routed to the Sound Manager's left output channel. Output R Analog L, Analog R, S/PDIF L, S/PDIF R, ADAT 1-8. This selects the 1212 I/O output channel which will be routed to the Sound Manager's right output channel. Channel Routing You can adjust the volume, phase, and output routing for each of the twelve audio inputs. These control the 1212 I/O's built-in monitor mixer, which routes directly from the card's inputs to the card's outputs. When using the 1212 I/O as a Windows 95 wave device, you can use these for monitoring audio during recording. The routing, volume, and phase only affect monitoring, and do not in any way affect audio recorded into or played back from the digital audio software. When using the 1212 I/O through the Apple Sound Manager, the Sound Manager itself handles record monitoring, and the Utility's controls are disabled. This allows you to attenuate the volume of the input channel. At the maximum value of 0dB, the volume of the input signal will be unchanged. [. . . ] In some instances (depending upon the PCI BIOS of your PC), placing the cards in new locations will change their assigned priorities on the PCI bus. If you have a Matrox Millennium or Mystique video card, do the following: 1. Add the following two lines to your system. ini file. [mga. drv] PCIChipset=1 Disable the Use PowerGDI acceleration feature in the Advanced Matrox setup (Control Panel->Display Properties->MGA Settings>Advanced->Performance). English 2. If you are using another PCI video card, try installing the standard Windows 95 VGA driver. [. . . ]