User manual KORG KP2

[. . . ] OWNER'S MANUAL Precautions Location Using the unit in the following locations can result in a malfunction. · In direct sunlight · Locations of extreme temperature or humidity · Excessively dusty or dirty locations · Locations of excessive vibration · Close to magnetic fields THE FCC REGULATION WARNING (for U. S. A. ) This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. [. . . ] If you want the KP2 to receive Timing Clock and Touch Pad On messages, go to MIDI 8. Specifying the BPM If you specify the BPM, you will be able to apply effects in synchronization to the BPM when an effect program from the "BPM FX/ PTN" group is selected. For details on the effect parameter to which this effect will be applied, refer to the effect program list (separate sheet). 5 Edit mode ( p. 8), and make "MIDI message transmission/reception settings" ( p. 8) so that these messages will be received. You can not use the Tap Tempo or Auto BPM functions while the KP2 is receiving Timing Clock from an external MIDI device 10. Sampling and playing back a phrase A phrase from the audio input can be recorded into one of the Sample 1, 2 keys. Then when you have selected a program from the "SAMPLE/PLAY" group (programs 90­99), you can play back the sample while using the touch pad to control the playback speed or reverse-playback. If you have selected a program from other than the "SAMPLE/PLAY" group, pressing the Sample 1, 2 keys will play back the phrase that was recorded in that key. You can record for approximately six seconds in each of the two keys. The recorded phrases will be lost when the power is turned off. It is not possible to save the recorded phrases. 9. Storing settings in the Program Memory key The current state of the KAOSS PAD can be stored in one of the Program Memory 1­8 keys, so that it can be instantly recalled whenever you want. Stored contents -- Effect program -- On/off state of the Hold key and the held position (coordinates) -- FX/Depth knob setting -- For the "BPM FX/PTN" group, the specified BPM value -- For the "SAMPLE/PLAY" group, the Sample 1, 2 key used Effect programs 60 and 90­99 do not store the state of the Hold key. Recording (1) Press the Rec/Stop key, and the Rec/ Stop key LED will blink to indicate that you are in record-ready mode. (2) Press the Sample 1, 2 key into which you want to record. At this time, you will not hear the playback sound. (3) When you press the Rec/Stop key, the Rec/Stop key LED will light, and recording will begin. Recording will stop when you press the Rec/Stop key once again. Recording will stop automatically when you reach the maximum recording time. For programs of other than the "SAMPLE/ PLAY" group, you can operate the touch pad while you record, and the sound processed by the effect will be recorded. To store settings (1) Press the Program Memory 1­8 key that you want to assign. (2) Use the Program/BPM knob to select the effect program that you want to assign. If you want to store the setting of the Hold key, select the program and then turn on the Hold key and touch the touch pad to specify the position. If you want to store other settings, make them at this time. (3) Press and hold down the Program Memory 1­8 key you selected in step (1) for approximately two seconds, and the settings will be stored. When the settings have been stored, the Program/BPM display will stop blinking. Auto recording (AUTO REC) You can cause recording to begin automatically when audio is input. [. . . ] Although it is possible to select a control number that is already in use, it is not possible to simultaneously turn on transmission and reception for MIDI 8 Messages that can be transmitted and received With the factory settings, the following MIDI messages can be transmitted and received. Data operations transmitted MIDI messages transmitted Touch pad X-axis Effect control 1 (CC#12) *1, *2 Touch pad Y-axis Modulation depth 1 (CC#1) Y=5­9 Modulation depth 2 (CC#2) Y=5­1 Effect control 2 (CC#13) *1, *2 Effect depth 3 (CC#93) *1 Effect depth 2 (CC#92) *1, *2 Effect depth 4 (CC# 94) *1, *2 Effect depth 5 (CC# 95) *1, *2 Program change (00­99) *2 MIDI messages received Effect control 1 (CC#12) *1, *2 Effect control 2 (CC#13) *1, *2 Effect depth 2 (CC#92) *1, *2 Effect depth 4 (CC# 94) *1, *2 Effect depth 5 (CC# 95) *1, *2 Program change (00­99) *2 Timing clock ON/OFF key settings transmitted Program Memory 4 Program Memory 1 Program Memory 2 Program Memory 5 Program Memory 3 Program Memory 6 Program Memory 7 Program Memory 8 Hold ON/OFF key settings received Program Memory 4 Program Memory 5 Program Memory 6 Program Memory 7 Program Memory 8 Hold Sample 1 Touch pad X+Y-axis Touch pad on/off FX DEPTH MUTE Program change Data operations received Touch pad X-axis Touch pad Y-axis Touch pad on/off FX DEPTH MUTE Program change BPM *1: The MIDI messages transmitted and received can be changed in a range of CC#1­CC#31, CC#64­CC#95, and PITCH BEND. *2: Ena/Dis and CC# settings are the same for both transmission and reception. The control changes for touch pad Y-axis Y-5­9 and Y-5­1, and for touch pad X+Y axis can be transmitted but not received. For this reason when you record control changes into a sequencer, use MIDI Edit mode to turn PROGRAM MEMORY 1­3 off, so that unnecessary MIDI messages are not transmitted. [. . . ]