User manual KORG OASYSPCI

[. . . ] Users Guide This is a hypertext-enabled document. All references to page numbers are live links. Just click on the page number, and the document will go there automatically! The FCC Caution This device complies with Part15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. [. . . ] Any Effects which had previously been on the Channel will be discarded. If you want to audition Programs, set FX Auto-Load to On (checked). With this setting, each Program’s effects will automatically be loaded into the channel inserts. If you have set up a specific set of Insert Effects, and want to audition Programs while keeping the Effects the same, set FX Auto-Load to Off (un-checked). With this setting, selecting a new Program will not change the current Insert Effects. Sends A & B The OASYS PCI has four Send Busses, and each mixer channel can access up to two of these simultaneously. Sends are post-insert, and can be either pre- or post-fader. Send Bus Select A & B Send Bus 1-4. This selects the Send Bus used by the send. Each Send Bus can use up to four effects, just like the insert effects on the mixer channel. Effects are assigned to Send Busses in the in the Send Busses window, described on page 68. Send Level knobs A & B 0-127. This controls the volume level of the send. Send levels A and B respond to MIDI controllers #12 and #13, respectively. Send Pre/Post buttons A & B Pre, Post. This button controls whether the send is post-insert, pre-fader, or postinsert, post-fader. With this setting, changes in the channel volume fader will affect the send level, so that the relative levels remain the same. When this is set to Pre, changes in the channel volume fader do not affect the send level. You can even turn the channel fader all the way to zero, and the send can remain at maximum level. This can be used to create a sound with more “wet” than “dry, ” to fade the dry sound in and out while the level of the wet sound remains constant, and so on. Pre/Post buttons A and B respond to MIDI controllers #92 and #94, respectively. 0 is Post, and any value between 1 and 127 is Pre. OASYS PCI 65 Mixer Post-fader send English Reference Send Volume Send Bus Input Inserts Channel Volume Output Bus Pre-fader send Send Volume Send Bus Input Inserts Channel Volume Output Bus Send Mute buttons A & B On, Off. The Mute button temporarily silences the output of the send, setting the volume level to zero. Send Mute buttons A and B respond to MIDI controllers #91 and #93, respectively. 0 is off (not muted), and any value between 1 and 127 is on (muted). 66 OASYS PCI Reference Overall audio block diagram Switch: Record from inputs or from mixer outputs Mixer Audio Software Inputs . . Monitor Mixer Inputs Analog L ADAT 8 . [. . . ] Each note must be on a separate line; blank lines are OK. Each re-tuned note needs to have at least three entries: the incoming MIDI note, the resulting pitch (a note name), and fine tuning (+/- 100 cents). Entries must be separated by either spaces or tabs. Anything after the fine tuning is ignored, so you can put comments at the ends of the lines. [. . . ]