User manual KORG RADIAS

[. . . ] Owner's Manual E 2 Precautions Location Using the unit in the following locations can result in a malfunction. · In direct sunlight · Locations of extreme temperature or humidity · Excessively dusty or dirty locations · Locations of excessive vibration · Close to magnetic fields CE mark for European Harmonized Standards CE mark which is attached to our company's products of AC mains operated apparatus until December 31, 1996 means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC). And, CE mark which is attached after January 1, 1997 means it conforms to EMC Directive (89/336/EEC), CE mark Directive (93/68/EEC) and Low Voltage Directive (73/23/EEC). Also, CE mark which is attached to our company's products of Battery operated apparatus means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/ EEC). Power supply Please connect the designated AC/AC power supply to an AC outlet of the correct voltage. [. . . ] For more about program changes and bank select messages, refer to p. 146 "Program change/Bank select. " Specifies whether foot pedal and foot switch messages will be received by the timbre. P03­6: CC-B (Other Control Change) These settings specify whether portamento on/off and other MIDI control change messages will be received. 3: PBnd (Pitch Bend) [x, o] Specifies whether MIDI pitch bend messages will be received by the timbre. 4: AT (After Touch) [x, o] 1: Prtmnto (Portamento) [x, o] Specifies whether MIDI control change message CC#65 Portamento on/off will be received by the timbre. Specifies whether MIDI aftertouch messages will be received by the timbre. 2: OtherCC (Other Control Change) [x, o] Specifies whether other MIDI control change messages not covered by the preceding items will be received by the timbre. 79 Program parameters 3. Synth Parameters These are the synthesis parameters that are used to create a timbre. Each of the four timbres has the same pages. Use the TIMBRE SELECT [1]­[4] buttons to select the timbre you want to edit. If a drum kit is assigned to a timbre, the parameters of the P04: VOICE­P12: MOD SEQ pages are not available for that timbre. Multi The EG will be retriggered each time a new key is pressed. Note on Note on Trigger Single Multi P04 VOICE These parameters determine performance characteristics of the timbre. P04­2: UNISON These are the unison-related parameters. Unison is a function that produces a richer tone by playing multiple voices at the same pitch to "fatten" the sound. This effect can be enhanced by slightly detuning each stacked voice. The RADIAS lets you stack as many as six voices in this way. P04­1: VOICE Here you can specify how the timbre will be played. 1: Assign (Voice Assign) [Mono, Poly] 1: Sw (Unison On/Off) UNISON Switches unison on/off. If this is on, use the "Mode, " "Detune, " and "Spread" parameters to specify the number of voices, detuning, and panning. Selects monophonic or polyphonic operation. Mono The timbre will play monophonically (one note at a time). Poly The timbre will play polyphonically. [Off, On] 2: Priority [Last, Low, High] When playing monophonically, and more than one note is held down, this setting specifies the note that will take priority. This parameter is shown if "Assign" is set to Mono. Last The last key to be pressed down will sound. Low The lowest note being pressed will sound. High The highest note being pressed will sound. 2: Mode [2. . . 6 voice] Specifies the number of voices that are stacked when using the Unison function. When you play a note, the specified number of voices will be heard, producing a richer tone. This parameter is shown and can be edited if "Sw" is On. Depending on other voice-related settings, the number of voices you specify here may not actually sound. 3: Trigger [Single, Multi] This specifies whether the EGs will retrigger when you play a second note before releasing a previously played note. This parameter is shown if "Assign" is set to Mono. Single The second and subsequent notes will not retrigger the EG. Use this setting if you want to play legato. 3: Detune [00. . . 99 cent] Specifies the amount of detuning (pitch spread) that will be applied between each stacked voice when using the Unison function. 80 3. Synth Parameters This parameter is available if the unison "Sw" function is On. [. . . ] Connecting the audio inputs ­ INPUT jacks") 165 Appendices Insert Effect No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 Effect Name Concert Hall Large Hall Warm Hall Smooth Hall Light Reverb BrightReverb Space Reverb Wet Plate Dry Plate Bright Room Dead Room ShortAmbient SpringReverb Entrance Arena Club ReversReverb Gate Reverb EarlyReflect Ghost Reverb Stereo Delay Cross Delay Short Delay PingPong Dly Long Delay MultiTapDly1 MultiTapDly2 SlowPanDelay RandomPanDly St. Pan Delay Mod Delay DeepModDelay St. Mod Delay Chorus Delay AmbientDelay Tape Echo Analog Echo RisingChoDly Grain Delay1 Grain Delay2 Grain Loop GrainShifter StereoChorus Light Chorus Deep Chorus Harmonic Cho BrightChorus Dub Chorus Light Ensmbl DeepEnsemble St. Flanger LightFlanger Deep Flanger RandomFlangr StereoPhaser Effect Type Reverb Reverb Reverb Reverb Reverb Reverb Reverb Reverb Reverb Reverb Reverb Reverb Reverb Reverb Reverb Reverb Early Reflections Early Reflections Early Reflections Early Reflections St. Delay St. Delay St. Delay L/C/R Delay L/C/R Delay L/C/R Delay L/C/R Delay Auto Panning Delay Auto Panning Delay St. Auto Panning Delay Modulation Delay Modulation Delay St. Modulation Delay St. Modulation Delay Tape Echo Tape Echo Tape Echo Tape Echo Grain Shifter Grain Shifter Grain Shifter Grain Shifter St. Chorus St. Chorus St. Chorus St. Flanger/CombFilter St. Chorus St. Chorus Ensemble Ensemble St. Flanger/CombFilter St. Flanger/CombFilter St. Flanger/CombFilter St. Flanger/CombFilter St. Phaser No. 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 Effect Name Light Phaser Deep Phaser 3D Phase Pan Fast Phaser St. Tremolo WurlyTremolo Auto Pan Old EP Pan St. Vibrato Vibrato Cho Rotary-CC#01 Rotary-Pedal Ring Mod SweepRingMod Note RingMod Deci 12kHz Deci 8bit HardDecimatr LFO Talk Auto Talk Talk-CC#01 Talk-P. Bend LPF Sweep BPF Sweep HPF-CC#01 RandomFilter BPM LFO Wah AutoWah Vox Wah-Velocity Wah-Pedal Octaver+1 Octaver-1 Octaver-1Mix 5thPitch Mix Over Drive Fat Drive Snare Drive Bass Drive Distortion 70's Drive Fuzz Dist Old Radio Telephone BlackCabinet TweedCabinet Vox Cabinet TubeSaturate SoftSaturate HardSaturate Stereo Comp Master Comp Kick Comp Bass Comp Hard Comp Soft Limiter Hard Limiter Boost +6dB Effect Type St. Phaser St. Phaser St. Phaser St. Phaser St. Tremolo St. Tremolo St. Tremolo St. Tremolo St. Vibrato St. Vibrato Rotary Speaker [W] Rotary Speaker [W] St. Ring Modulator St. Ring Modulator St. Ring Modulator St. Decimator St. Decimator St. Decimator Talking Modulator [W] Talking Modulator [W] Talking Modulator [W] Talking Modulator [W] St. Filter St. Filter St. Filter St. Filter St. Wah St. Wah St. Wah St. Wah Pitch Shifter Pitch Shifter Pitch Shifter Pitch Shifter Distortion Distortion Distortion Distortion Distortion Distortion Distortion Distortion Talking Modulator [W] Cabinet Simulator Cabinet Simulator Cabinet Simulator Tube PreAmp Simulator Tube PreAmp Simulator Tube PreAmp Simulator St. Compressor St. Compressor St. Compressor St. Compressor St. Compressor St. Limiter St. Limiter St. Limiter No. 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Effect Name Boost +12dB Noise Gate Hard Gate Smooth Gate Comb Exciter Enhancer Flat EQ Bright EQ Bass EQ Total EQ Low Boost Sub Woofer Low Cut 50Hz Hum Cut 60Hz Hum Cut No Effect Effect Type St. Limiter St. Gate St. Gate St. Gate St. Flanger/CombFilter St. Flanger/CombFilter St. 2 Band EQ St. 2 Band EQ St. 2 Band EQ St. 2 Band EQ St. 2 Band EQ Tube PreAmp Simulator St. 2 Band EQ St. 2 Band EQ St. 2 Band EQ No Effect 166 Voice Name List Master Effect No. [. . . ]