User manual LINE 6 POD XT

[. . . ] POD POD XT ULTIMATE TONE FOR GUITAR ULTIMATE TONE FOR GUITAR + DIG I/O XT PRO Pilot's Handbook An in-depth exploration of the revolutionary technologies and pulsing tonal pleasures that lurk within PODXT and PODXT Pro. Electrophonic Limited Edition. Revision F. EFFECT MODELS STOMPS MODEL BASED ON FACIAL FUZZ . . . . . . . . . . . . . . . . . . . . . . . FUZZ FACE FUZZ PI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BIG MUFF PI SCREAMER. . . . . . . . . . . . . . . . . . . . . . . . . . TS 808 CLASSIC DIST . . . . . . . . . . . . . . . . . . . . . . RAT OCTAVE FUZZ . . . . . . . . . . . . . . . . . . . . . . OCTAVIA BLUE COMP . . . . . . . . . . . . . . . . . . . . . . . . BOSS CS-1 RED COMP. . . . . . . . . . . . . . . . . . . . . . . . . . DYNA COMP VETTA COMP . . . . . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL AUTO SWELL . . . . . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL AUTO WAH. . . . . . . . . . . . . . . . . . . . . . . . . . MUTRON III MODULATIONS MODEL BASED ON SINE CHORUS . . . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL ANALOG CHORUS. . . . . . . . . . . . . . . . . CE-1 CHORUS LINE 6 FLANGER . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL JET FLANGER. . . . . . . . . . . . . . . . . . . . . . . ADA FLANGER PHASER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PHASE 90 U-VIBE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . UNI VIBE OPTO TREM. . . . . . . . . . . . . . . . . . . . . . . . . FENDER OPTO BIAS TREM. . . . . . . . . . . . . . . . . . . . . . . . . . VOX BIAS ROTARY DRUM & HORN. . . . . . . . LESLIE 145 ROTARY DRUM . . . . . . . . . . . . . . . . . . . . FENDER VIBRATONE AUTO PAN. . . . . . . . . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL REVERBS DARK HALL MEDIUM HALL LARGE HALL DELAYS MODEL BASED ON ANALOG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BOSS DM-2 ANALOG W/ MOD. . . . . . . . . . . . . . . . EH MEMORYMAN TUBE ECHO. . . . . . . . . . . . . . . . . . . . . . . . . EP-1 ECHOPLEX MULTI-HEAD . . . . . . . . . . . . . . . . . . . . . . . . ROLAND SPACE ECHO SWEEP ECHO . . . . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL DIGITAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL STEREO DELAY. . . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL PING PONG DELAY. . . . . . . . . . . . . . . . LINE 6 ORIGINAL REVERSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL LUX SPRING STD SPRING KING SPRING SMALL ROOM TILED ROOM BRITE ROOM RICH CHAMBER CHAMBER CAVERNOUS SLAP PLATE VINTAGE PLATE LARGE PLATE AMP MODELS # AMP MODEL MODEL BASED ON 0 . . . . . . BYPASS . . . . . . . . . . . . . . . . . . . . . . . . . . (Bypasses the Amp Model) 1 . . . . . . TUBE PREAMP. . . . . . . . . . . . . . . . . . TUBE INSTRUMENT PREAMP 2 . . . . . . LINE 6 CLEAN. . . . . . . . . . . . . . . . . . . LINE 6 21st CENTURY CLEAN 3 . . . . . . LINE 6 JTS-45. . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL 4 . . . . . . LINE 6 CLASS A. . . . . . . . . . . . . . . . LINE 6 ORIGINAL 5 . . . . . . LINE 6 MOOD . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL 6 . . . . . . SPINAL PUPPET . . . . . . . . . . . . . . . . LINE 6 ORIGINAL 7 . . . . . . LINE 6 CHEM X . . . . . . . . . . . . . . . . LINE 6 CHEMICAL X 8 . . . . . . LINE 6 INSANE. . . . . . . . . . . . . . . . . WAY TOO MANY HOURS OF SHREDDING 9 . . . . . . LINE 6 ACO 2. . . . . . . . . . . . . . . . . . . LINE 6 PIEZO ACOUSTIC 2 10 . . . . ZEN MASTER. . . . . . . . . . . . . . . . . . . . BUDDA TWINMASTER 2x12 Combo 11 . . . . SMALL TWEED . . . . . . . . . . . . . . . . . `53 FENDER DELUXE 12 . . . . TWEED B-MAN . . . . . . . . . . . . . . . . . `58 FENDER BASSMAN 13 . . . . TINY TWEED . . . . . . . . . . . . . . . . . . . . `60 TWEED FENDER CHAMP 14 . . . . BLACKFACE LUX. . . . . . . . . . . . . . . . `64 FENDER DELUXE REVERB 15 . . . . DOUBLE VERB. . . . . . . . . . . . . . . . . . `65 FENDER BLACKFACE TWIN 16 . . . . TWO-T0NE. . . . . . . . . . . . . . . . . . . . . . . GRETSCH 6156 # AMP MODEL MODEL BASED ON 17 . . . . HIWAY 100 . . . . . . . . . . . . . . . . . . . . . HIWATT CUSTOM 100 18 . . . . PLEXI 45. . . . . . . . . . . . . . . . . . . . . . . . . `65 MARSHALL JTM-45 19 . . . . PLEXI LEAD. . . . . . . . . . . . . . . . . . . . . . `68 MARSHALL `PLEXI' SUPER LEAD 20 . . . . PLEXI JUMP LEAD . . . . . . . . . . . . . JUMPERED MARSHALL SUPER LEAD 21 . . . . PLEXI VARIAC. . . . . . . . . . . . . . . . . . . VARIAC'D MARSHALL SUPER LEAD 22 . . . . BRIT J-800 . . . . . . . . . . . . . . . . . . . . . . MARSHALL JCM 800 23 . . . . BRIT JM PRE. . . . . . . . . . . . . . . . . . . . MARSHALL JMP-1 PREAMP 24 . . . . MATCH CHIEF. . . . . . . . . . . . . . . . . . . `96 MATCHLESS CHIEFTAIN 25 . . . . MATCH D-30. . . . . . . . . . . . . . . . . . . . MATCHLESS DC-30 26 . . . . THREADPLATE. . . . . . . . . . . . . . . . . . . 2001 MESA BOOGIE DUAL RECTIFIER 27 . . . . CALI CRUNCH. . . . . . . . . . . . . . . . . . . `85 MESA BOOGIE MARK IIC+ 28 . . . . JAZZ CLEAN . . . . . . . . . . . . . . . . . . . . . `87 ROLAND JC-120 29 . . . . SOLO 100. . . . . . . . . . . . . . . . . . . . . . . SOLDANO SLO-100 HEAD 30 . . . . SUPER O . . . . . . . . . . . . . . . . . . . . . . . . . SUPRO S6616 31 . . . . CLASS A-15 . . . . . . . . . . . . . . . . . . . . . `60 VOX AC-15 32 . . . . CLASS A-30 TB. . . . . . . . . . . . . . . . . `67 VOX AC-30 TOP BOOST CABINET MODELS # CAB MODEL MODEL BASED ON 0 . . . . . . NO CAB. . . . . . . . . . . . . . . . . . . . . . . . . . . N/A 1 . . . . . . 1X6 SUPER O . . . . . . . . . . . . . . . . . . SUPRO S6616 2 . . . . . . 1X8 TWEED. . . . . . . . . . . . . . . . . . . . . `60 TWEED FENDER CHAMP 3 . . . . . . 1X10 GIBTONE . . . . . . . . . . . . . . . . GIBSON EXPLORER 4 . . . . . . 1X10 G-BRAND . . . . . . . . . . . . . . . . GRETSCH 5 . . . . . . 1X12 LINE 6 . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL 6 . . . . . . 1X12 TWEED. . . . . . . . . . . . . . . . . . . `53 FENDER DELUXE REVERB 7 . . . . . . 1X12 BLACKFACE . . . . . . . . . . . . . `65 FENDER DELUXE REVERB # AMP MODEL MODEL BASED ON 8 . . . . . . 1X12 CLASS A. . . . . . . . . . . . . . . . . VOX AC-15 W/ GRAYBELLS 9 . . . . . . 2X2 MINI T . . . . . . . . . . . . . . . . . . . . . FENDER MINI TWIN 10 . . . . 2X12 LINE 6 . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL 11 . . . . 2X12 BLACKFACE . . . . . . . . . . . . . '65 FENDER BLACKFACE TWIN 12 . . . . 2X12 MATCH. . . . . . . . . . . . . . . . . . . '96 MATCHLESS CHIEFTAIN 13 . . . . 2X12 JAZZ . . . . . . . . . . . . . . . . . . . . . . ROLAND JC-120 14 . . . . 2X12 CLASS A. . . . . . . . . . . . . . . . . VOX AC-30 TB 15 . . . . 4X10 LINE 6 . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL # AMP MODEL MODEL BASED ON 16 . . . . 4X10 TWEED. . . . . . . . . . . . . . . . . . . '58 FENDER BASSMAN 17 . . . . 4X12 LINE 6 . . . . . . . . . . . . . . . . . . . LINE 6 ORIGINAL 18 . . . . 4X12 GREEN 20's . . . . . . . . . . . . MARSHALL W/ GREENBACK 20'S 19 . . . . 4X12 GREEN 25's . . . . . . . . . . . . MARSHALL W/ GREENBACK 25'S 20 . . . . 4X12 BRIT T75. . . . . . . . . . . . . . . . MARSHALL W/ GR-T75'S 21 . . . . 4X12 BRIT V30'S . . . . . . . . . . . . MARSHALL W/ VINTAGE 30'S 22 . . . . 4X12 THREADPLATE. . . . . . . . . . MESA W/ CUSTOM CELESTIONS All amp, cab and effect product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying the specific products that were studied during Line 6's sound model development. 1 21 AMP MODELS DRIVE BASS P COME) AT 19 MOD DELAY CA A. I. B. / R 20 23 15 9 MIDDLE 10 TREBLE PRESENCE 26 STOMP POWER SAVE (G TUNE SYSTEM 16 14 27 SIGNAL 17 TAP 28 CLIP 0 10 0 10 0 10 0 10 0 10 I/O & DIG SELECT PHONES REVERB CHAN VOL OUTPUT Guitar in PODPRO XT ULTIMATE TONE FOR GUITAR + DIG I/O INPUT LEVEL EDIT NORMAL PAD 0 10 0 10 0 10 EFFECTS 22 18 24 13 3 12 11 4 2 25 29 Balanced: Tip = + / Ring = - 30 WARNING/AVIS: SHOCK HAZARD ­ DO NOT OPEN. RISQUE DE CHOC ÉLECTRIQUE ­ NE PAS OUVRIR. [. . . ] So be sure and ask yourself again, "Do I really want to do this?" If the answer is yes, go on ahead with your bad self! MIDI Dumps If you want to transfer one or more tones directly from one PODXT to another PODXT, or between PODXT and a MIDI data recorder, workstation, computer or sequencer, read on. You'll need a standard MIDI cable to do the deed. Connect the MIDI Out of your PODXT to the MIDI In of the receiving device. You can then transfer: · All Channels · The Current Channel · The Effect Setups · The Amp Setups (including your customizations) Transferring All Channel Memories - This feature will let you send all of your PODXT Channel Memories out via MIDI for a complete back-up of the 64 Channel Memories: Press SAVE once, and use the SELECT knob to scroll down to this page: 4 · 13 Press the button under SELECT. Turn the EFFECT TWEAK knob to the left (counterclockwise) until the display reads: Creating & Storing Sounds · Saving Yourself Now, if you press SAVE again, the entire set of 64 Channel Memories of your PODXT will be dumped out of its MIDI jack. If another PODXT is connected, its brain will be taken over by this data, making it a virtual clone of your own PODXT channels!Transferring Only Some Channels - To transfer only one or more individual Channel Memories, Effects Setups or Amp Models from one PODXT to another, do this: Press SAVE once, and turn the SELECT knob to show the page that looks like this: 4 · 14 Turn the EFFECT TWEAK knob to tell PODXT what to transfer: Any Channel Memory: All Channel Memories: All Amp Models: All Effects Setups: Creating & Storing Sounds · Saving Yourself Now, if you press SAVE again, the MIDI dump you've selected will be transmitted out the MIDI jack, into the brain of a receiving PODXT, or into your computer or other MIDI device for backup. 4 · 15 Modeled Amps & Cabs · Which Amps and Cabs Are Modeled? MODELED AMPS & CABS Which Amps and Cabs Are Modeled? General Notes About the Models As you may have guessed, we're tone fanatics here at Line 6. Once we've set our sights on creating a software emulation of a particular kind of amp, we will (and have) scour the globe in search of just the right specimen--that one, very particular amplifier that has the magic. We are also intensely mindful of the fact that, although amp model names may stay the same over the years, the circuit designs sometimes change radically. Amps from '57, '62, '65, '67, '75, and 2001 may all bear the same model name, yet sometimes have totally different sound and response, and quite often a different look as well. And as we all know, even two amps with the same circuit design, from the same era, can sound radically different, just on the basis of variance in component tolerances, among other things. Plus, there's the fact that every amp has its own special way of settling in over the years. And, just like people, some of them only get better with age. That's exactly why we went to so much trouble to find the very best examples we could of every amp that we wanted to model for PODXT. And it's why, when describing the software amp models that are emulations of other amplifiers, we've included photos here of the actual, individual amps that we lovingly selected, studied and measured-- so that you'll know exactly which amp we're talking about. So, now that you know what's in store, let's take a tour of the amp models that live inside your PODXT, and the original equipment that helped to make them possible. There are 32 Amp Models living within your PODXT, plus 22 Cabinet Model selections. When you turn the AMP MODELS knob, you select an Amp/Cab combination. You can then mix'n' match different cabs with the amp by pressing the CAB/A. I. R. button and choosing any Cab model you like with the EFFECT TWEAK knob. Chapter 4 tells you how you can customize PODXT to call up your favorite Amp/Cab combinations. 5·1 Modeled Amps & Cabs · Which Amps and Cabs Are Modeled? Line 6's Originals We'll start the introductions with the original Amp Models that Line 6 created to give you even more tonal options than you could get from vintage gear alone: Line 6 Clean To create this Amp Model, we essentially grafted the preamp and tone stack of a JC120 (Roland's popular "Jazz Chorus" solid state combo) onto the poweramp and transformer of a classic Marshall JTM-45 tube head, thereby giving you the crisp and clear front end typical of a solid state amp, but with a rich, satisfying tube amp-style bite as you turn it up. 5·2 Line 6 JTS-45 Since the design of early Marshalls was based on the Fender Tweed Bassman circuitry, we wondered what it would be like if we took the preamp and tone stack of our JTM 45 and ran it into the poweramp and transformer of our `58 Tweed Bassman. What we got was way happening, as JTS-45 will attest. [. . . ] Line 6 may require advanced authorization of repairs to authorized service centers. Unauthorized service, repair or modification will void this warranty. LINE 6 LIMITED WARRANTY INFORMATION Sending in your registration card allows us to register key information so that we may handle problems faster and inform you of advance information, upgrades, and other news. Thanks in advance for filling out your registration card and sending it to us. Line 6, Inc. , warrants this product when purchased at an Authorized Line 6 Dealer in the United States of America or Canada, to be free of defects in materials and workmanship for a period of one year from the date of original purchase only upon completion and return of the Line 6 Warranty Registration form within 30 days from date of purchase. [. . . ]