User manual LINE 6 POD XT LIVE

[. . . ] POD PRO GUITAR TONE ON THE FLOOR XT LIVE Pilot's Handbook An in-depth exploration of the revolutionary technologies and pulsing tonal pleasures that lurk within PODxt Live use free includes details on Version 3 features. line 6 Monkey to Make sure your Podxt date: www. line6. coM/Monkey is uP to Electrophonic Limited Edition. Revision C. PODXT MODELS PODXT, PODXT Live and PODXT Pro all include the Standard and Power Pack Models plus all guitar Cab Models. See www. line6. com/modelpack to learn about adding other Model Pack Models. GUITAR AMPS & CABS STANDARD & POWER PACK AMP MODELS # Standard Power Pack 0 BYPASS 1 TUBE PREAMP 2 LINE 6 CLEAN 3 LINE 6 JTS-45 4 LINE 6 CLASS A 5 LINE 6 MOOD 6 SPINAL PUPPET 7 LINE 6 CHEM X 8 LINE 6 INSANE 9 LINE 6 ACO 2 10 ZEN MASTER 11 SMALL TWEED 12 TWEED B-MAN 13 TINY TWEED 14 BLACKFACE LUX 15 DOUBLE VERB 16 TWO-T0NE 17 HIWAY 100 18 PLEXI 45 PP 19 PLEXI LEAD 100 20 PLEXI JUMP LEAD 21 PLEXI VARIAC 22 BRIT J-800 23 BRIT JM PRE 24 MATCH CHIEF 25 MATCH D-30 26 TREADPLATE DUAL 27 CALI CRUNCH 28 JAZZ CLEAN 29 SOLO 100 30 SUPER O 31 CLASS A-15 32 CLASS A-30 TB 33 L6 AGRO 33 L6 LUNATIC 34 L6 TREADPLATE 36 VARIAX ACOUSTIC 101 CITRUS D-30 102 CLASS A-30 FAWN 103 BRIT GAIN 18 104 J-2000 #2 105 LINE 6 BOUTIQUE 106 LINE 6 MODERN GAIN #1 CAB MODELS # Cab Model 0 NO CAB 1 1X6 SUPER O 2 1X8 TWEED 3 1X10 GIBTONE 4 1X10 G-BRAND 5 1X12 LINE 6 6 1X12 TWEED 7 1X12 BLACKFACE 8 1X12 CLASS A 9 2X2 MINI T 10 2X12 LINE 6 11 2X12 BLACKFACE 12 2X12 MATCH 13 2X12 JAZZ 14 2X12 CLASS A 15 4X10 LINE 6 16 4X10 TWEED 17 4X12 LINE 6 18 4X12 GREEN 20'S 19 4X12 GREEN 25'S 20 4X12 BRIT T75 21 4X12 BRIT V30'S 22 4X12 TREADPLATE 23 1X15 THUNDER 24 2X12 WISHBOOK METAL SHOP AMPS # Amp Model 37 BOMBER UBER 38 CONOR 50 39 DEITY LEAD 40 DEITY'S SON 41 ANGEL P-BALL 42 BRIT SLIVER 43 BRIT J-900 CLN 44 BRIT J-900 DST 45 BRIT J-2000 46 DIAMOND PLATE 47 CRIMINAL 48 L6 BIG BOTTOM 49 L6 CHUNK CHUNK 50 L6 FUZZ 51 L6 OCTONE 52 L6 SMASH 53 L6 SPARKLE CLN 54 L6 THROTTLE COLLECTOR CLASSICS AMPS # Amp Model 55 BOMBER X-TC 56 DEITY CRUNCH 57 BLACKFACE VIBRO 58 DOUBLE SHOW 59 SILVERFACE BASS 60 MINI DOUBLE 61 GIBTONE EXPO 62 BRIT BASS 63 BRIT MAJOR 64 SILVER TWELVE 65 SUPRO `62 THUDERBOLT 66 L6 BAYOU 67 L6 CRUNCH 68 L6 PURGE 69 L6 SPARKLE 70 L6 SUPER CLN 71 L6 SUPERSPARK 72 L6 TWANG EFFECTS STOMPS Standard Power Pack FACIAL FUZZ FUZZ PI SCREAMER CLASSIC DIST OCTAVE FUZZ BLUE COMP RED COMP VETTA COMP AUTO SWELL AUTO WAH FX Junkie MODS Standard SINE CHORUS LINE 6 FLANGER Power Pack ANALOG CHORUS JET FLANGER FX Junkie PHASER U-VIBE OPTO TREM BIAS TREM ROTARY DRUM +HORN ROTARY DRUM AUTO PAN KILLER Z TUBE DRIVE VETTA JUICE BOOST + EQ BLUE COMP TREB DINGO-TRON CLEAN SWEEP SEISMIK SYNTH DOUBLE BASS BUZZ WAVE REZ SYNTH SATURN 5 RING M SYNTH ANALOG SYNTH FX SYNTH HARMONY SYNTH LEAD SYNTH STRING ANALOG SQUARE SQUARE CHORUS EXPO CHORUS RANDOM CHORUS SQUARE FLANGE EXPO FLANGE LUMPY PHASE HI-TALK SWEEPER POD PURPLE X RANDOM S/H TAPE EATER WARBLE-MATIC DELAYS DELAY Standard ANALOG W/ MOD TUBE ECHO MUTLI-HEAD SWEEP ECHO DIGITAL DELAY STEREO DELAY PING PONG REVERSE ECHO PLATTER TAPE ECHO LOW REZ PHAZE EKO BUBBLE ECHO WAHS Standard Power Pack FX Junkie VETTA WAH JEN FASSEL WEEPER CHROME CHROME CUSTOM THROATY CONDUCTOR COLORFUL BASS AMPS & CABS BASS EXPANSION AMPS # Amp Model 73 TUBE PREAMP 74 L6 CLASSIC JAZZ 75 L6 BRIT INVADER 76 L6 SUPER THOR 77 L6 FRANKENSTEIN 78 L6 EBONY LUX 79 L6 DOPPELGANGER 80 SUB DUB 81 AMP 360 82 JAGUER 83 ALCEMIST 84 ROCK CLASSIC 85 FLIP TOP 86 ADAM AND EVE 87 TWEED B-MAN 88 SILVERFACE BASS 89 DOUBLE SHOW 90 EIGHTIES 91 HIWAY 100 92 HIWAY 200 93 BRIT MAJOR 94 BRIT BASS 95 CALIFORNIA 96 JAZZ TONE 97 STADIUM 98 STUDIO TONE 99 MOTOR CITY 100 BRIT CLASS A100 BASS EXPANSION CABS # Cab Model 25 1X12 BOUTIQUE 26 1X12 MOTOR CITY 27 1X15 FLIP TOP 28 1X15 JAZZ TONE 29 1X18 SESSION 30 1X18 AMP 360 31 1X18 CALIFORNIA 32 1X18+12 STADIUM 33 2X10 MODERN UK 34 2X15 DOUBLESHOW 35 2X15 CALIFORNIA 36 2X15 CLASS A 37 4X10 LINE 6 38 4X10 TWEED 39 4X10 ADAM EVE 40 4X10 SILVERCONE 41 4X10 SESSION 42 4X12 HIWAY 43 4X12 GREEN 20'S 44 2X12 GREEN 25'S 45 4X15 BIG BOY 46 8X10 CLASSIC Power Pack FX Junkie ANALOG DELAY BASS OVERDRIVE BRONZE MASTER SUB OCTAVES BENDER REVERBS Standard STD SPRING KING SPRING SMALL ROOM TILED ROOM BRITE ROOM DARK HALL MEDIUM HALL LARGE HALL RICH CHAMBER CHAMBER CAVERNOUS SLAP PLATE VINTAGE PLATE LARGE PLATE Power Pack FX Junkie LUX SPRING PODXT LIVE CONTROLS & NAVIGATION REFERENCE CONTROLS REFERENCE NAVIGATION REFERENCE · When EDIT, SAVE or TUNER is lit, "SELECT" selects from the pages listed below · Otherwise, "SELECT" chooses Channel Memories 1 POWER 2 USB 3 VARIAX OUT/THRU 4 MIDI IN 5 PHONES 6 13 RIGHT 7 LEVEL 8 INPUT PAD 9 PEDAL 2 OUTPUT L/MONO AUX INPUT 10 11 12 DRIVE AMP TONE CONTROLS BASS MID TREBLE PRESENCE 14 CHAN VOL Pro Modeled Vintage & Modern FX Custom Tone Recording Outputs EDIT EDIT PAGES POD SAVE EDIT OUTPUT MODE SYSTEM XT LIVE PRO GUITAR TONE ON THE FLOOR 15 BANK 16 AMP 17 18 STOMP MOD DELAY · · · · · · · · · · · · · · · · Amp Settings Amp Bypass Settings A. I. R. [. . . ] One of the interesting things about the Bassman® is just how interactive the middLe and tReBLe controls are. The middLe control isn't a bandpass, as in most tone control setups. Instead, it's almost like a second treble control. The two are additive, so if you're running PODxt Live's middLe knob higher than halfway up with this model, you'll find that the tReBLe control might give you more bright than you really want. On the other hand, when you turn the middLe knob down, you'll probably want to boost the tReBLe. The Bassman®, like many of the amps modeled for PODxt Live, didn't have a master volume. So to get the kind of tone that the Bassman® can deliver at higher gain settings, you had to crank it up loud enough to do some serious damage to anyone who might be standing close by. With PODxt Live, you can get that kind of tone at a bedroom or studio level -- or even through your headphones!Try a Drive setting of about 4 or 5--it's guaranteed to dredge up the best R&B licks you know. *All product names are trademarks of their respective owners, which are in no way associated or af- filiated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Line 6's sound model development. FENDER® and BASSMAN® are registered trademarks of Fender Musical Instruments Corporation. Modeled Amps & Cabs Tiny Tweed - Based on* a 1961 Fender® Tweed Champ® 5·8 This model has a great sound when the Drive is cranked (not bad clean, either). These amps were originally designed to be sold to beginners, but rock and rollers quickly discovered that you could get a great distorted sound at fairly low volume levels. Many of the classic guitar solos of the 50's were recorded through a Champ®. The Champ® had no tone control, only volume. With your PODxt Live, it's easy to get a classic Champ® tone. Just leave the Bass, middLe and tReBLe controls parked at 12 o'clock, which means they are "flat, " making no contribution to the tone. Set pResence to 0, and it will also be letting the unadorned classic Champ® tone through. When you're ready to explore further sonic territory, spin those and work your magic. *All product names are trademarks of their respective owners, which are in no way associated or af- filiated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Line 6's sound model development. CHAMP® is a registered trademark of Fender Musical Instruments Corporation. Modeled Amps & Cabs Blackface Lux - Based on* a 1964 Fender® Blackface Deluxe Reverb® 5·9 The Holy Grail for many blues, country, and "roots" players has been a blackface Fender® Deluxe Reverb®. After listening to quite a few candidates back when we were seeking the ultimate Deluxe Reverb® to model during our development of Flextone and POD, we stumbled upon an extremely cool '64 Deluxe. Most players love a Deluxe when it's turned up to about 7 for a nice gritty sound that cleans up when you back off your guitar's volume knob just a little. Notice how the tone control response changes as this Amp Model's Drive is changed: clean settings are crisp and present, while more driven settings will mellow the high end. This is typical of what you get from a Deluxe and is nicely captured here. [. . . ] Also, disable any MIDI "echo" or "soft thru" function in your sequencer so it doesn't send all MIDI coming from your PODxt Live right back to the it. To allow MIDI-controlled automation, you need to set up a MIDI track in your sequencer to record the data flowing from PODxt Live's MIDI Out. Record-enable that track and start the sequencer recording. Slowly turn PODxt Live's dRive knob all the way up and MIDI then all the way down as your sequencer records, and then stop your sequencer. [. . . ]