User manual MACKIE 1402VLZ

[. . . ] 1402-VLZ PRO 14-CHANNEL MIC/LINE MIXER OWNER'S MANUAL POWER ON PHANTOM ON MONO PLUG STEREO PLUG CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN 1402-VLZPRO 14-CHANNEL MIC/LINE MIXER WITH PREMIUM XDR TM MIC PREAMPLIFIERS TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED PERSONNEL. WARNING: SERIAL NUMBER MANUFACTURING DATE INSERT ALL THE WAY IN TO THE "SECOND CLICK" TIP OUT TO EFFECTS DEVICE RING RETURN FROM EFFECTS AVIS: RISQUE DE CHOC ELECTRIQUE -- NE PAS OUVRIR UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE XDRTM EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC. DIRECT OUT WITH SIGNAL INTERRUPTION TO MASTER FOR USE AS AN EFFECTS LOOP (TIP = SEND, RING = RETURN) REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE MAIN RIGHT BALANCED MAIN LEFT BALANCED +4 MIC CONTROL ROOM BAL/UNBAL ALT OUTPUT BAL /UNBAL CHANNEL INSERT ( PRE-FADER / PRE EQ TIP SEND / RING RETURN ) ) R L R/4 L/3 6 5 4 3 2 1 120 VAC 50/60 Hz 25W 500mA/250V SLO-BLO CAUTION: TO REDUCE THE RISK OF FIRE REPLACE WITH SAME TYPE FUSE AND RATING MAIN OUTPUT LEVEL CONCEIVED, DESIGNED, AND MANUFACTURED BY MACKIE DESIGNS INC · WOODINVILLE · WA · USA · MADE IN USA · FABRIQUE AU USA · COPYRIGHT ©1998 · THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC. : "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE · PATENT PENDING MIC PR XDR E MIC 1 MIC PR XDR E MIC 2 MIC PR XDR E MIC 3 MIC PR XDR E MIC 4 MIC PR XDR E MIC 5 MIC PR XDR E MIC 6 LEFT/MONO RIGHT ALL BAL/UNBAL 1 1 L TAPE INPUT TAPE OUTPUT BAL/UNBAL L 14-CHANNEL MIC/ LINE MIXER WITH PREMIUM XDRTM MIC PREAMPLIFIERS 1402-VLZ PRO 2 2 R R BAL OR UNBAL BAL OR UNBAL BAL OR UNBAL BAL OR UNBAL BAL OR UNBAL BAL OR UNBAL STEREO AUX RETURN MONO AUX SEND MONO MONO MAIN OUT MONO L LINE IN 1 LOW CUT 75 Hz 18dB/OCT U L BAL OR UNBAL L BAL OR UNBAL L BAL OR UNBAL LINE IN 2 LOW CUT 75 Hz 18dB/OCT U LINE IN 3 LOW CUT 75 Hz 18dB/OCT U LINE IN 4 LOW CUT 75 Hz 18dB/OCT U LINE IN 5 LOW CUT 75 Hz 18dB/OCT U LINE IN 6 LOW CUT 75 Hz 18dB/OCT U BAL OR UNBAL -10dBV GAIN MIC -10dBV GAIN MIC -10dBV GAIN MIC -10dBV GAIN MIC -10dBV GAIN MIC -10dBV GAIN MIC R LEVEL +4 -10 R LEVEL +4 -10 R LEVEL +4 -10 R LEVEL +4 -10 PHONES 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB 0 60 +15dB -45dB 60 0 +15dB -45dB 0 60 +15dB -45dB TRIM TRIM TRIM TRIM TRIM TRIM LINE IN 7­8 LINE IN 9­10 LINE IN 11­12 LINE IN 13­14 U AUX 1 MON/ EFX +15 O O U AUX 1 MON/ EFX +15 O O U AUX 1 MON/ EFX +15 O O U AUX 1 MON/ EFX +15 O O U AUX 1 MON/ EFX +15 O O U AUX 1 MON/ EFX +15 O O U AUX 1 MON/ EFX +15 O O U AUX 1 MON/ EFX +15 O O U AUX 1 MON/ EFX +15 O O U AUX 1 MON/ EFX +15 O O U U 1 +10 O O O O U U U U U U U U U U AUX 1 MASTER EFX +20 U NORMALLED EFX O O 2 EFX O O 2 EFX O O 2 EFX O O 2 EFX O O 2 EFX O O 2 EFX O O 2 EFX O O 2 EFX O O 2 2 PRE POST AUX 1 SELECT EFX TO MONITOR O O 2 +20 +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U +15 U O O +15 U AUX RETURN EQ HI 12kHz EQ HI 12kHz EQ HI 12kHz EQ HI 12kHz EQ HI 12kHz EQ HI 12kHz EQ HI 12kHz EQ HI 12kHz EQ HI 12kHz EQ HI 12kHz C-R/SOURCE MAIN MIX LEFT 28 10 7 RIGHT 0dB=0dBu -15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 U +15 -15 U +15 MID 2. 5kHz -12 U MID 2. 5kHz -12 U MID 2. 5kHz -12 U MID 2. 5kHz -12 U MID 2. 5kHz -12 U MID 2. 5kHz -12 U MID 2. 5kHz -12 U MID 2. 5kHz -12 U MID 2. 5kHz -12 U MID 2. 5kHz -12 U 4 ALT 3­4 2 0 +12 +12 +12 +12 +12 +12 +12 +12 +12 +12 LOW 80Hz -15 +15 -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz TAPE 2 4 7 PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN ASSIGN TO MAIN MIX NORMAL (AFL) LEVEL SET (PFL) SOLO MODE PHANTOM POWER CTL ROOM /SUBMIX 10 20 LEVEL SET L R L R L R L R L R L R L R L R L R L R 30 RUDE SOLO LIGHT MUTE ALT 3­4 1 ALT 3­4 MUTE 2 ALT 3­4 MUTE 3 ALT 3­4 MUTE 4 ALT 3­4 MUTE 5 ALT 3­4 MUTE 6 ALT 3­4 MUTE 7­8 9­10 ALT 3­4 MUTE 11­12 ALT 3­4 MUTE 13­14 ALT 3­4 MUTE MAIN MIX dB dB dB dB dB dB dB dB dB dB dB dB 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O SOLO 10 5 U 5 10 20 30 40 50 60 O O 10 5 U 5 10 20 30 40 50 60 O O CAUTION AVIS 10. [. . . ] Rather, solder them flat against the desired pad (the flat silver area, possibly with a hole in the middle). Make sure the ends of these flat wires do not extend beyond the pad. Jumper BEFORE Holes AFTER Solder 26 1. PRE-FADER MOD (AUX TO MONITOR) This modification changes AUX SEND 2 to be pre-fader, pre-mute instead of post-fader, post-mute. ("Mute" refers to the channel's MUTE/ALT 3­4 switch. ) In order to convert the entire mixer, it must be done on each channel, and is slightly more involved for the stereo channels 7­14. The work area is on the underside of the circuit board, near the channel AUX SEND knobs. Remove all cords, including the power cable, from the 1402-VLZ PRO. Place the mixer upside-down on a dry, non-marring surface. Remove the screws that attach the bottom cover. Using a sharp "X-acto" type knife, cut the conductor at point `A' (channels 1­6) or the conductors at points `AL' and `AR' (channels 7­14). Be careful to cut all the way through the conductor, and do not cut any nearby traces. Add a jumper from point `B' to the square pad at point `A' (channels 1­6) or from points `BL' to `AL' and `BR' to `AR' (channels 7­14). Check your work very carefully, then put the bottom cover back the way you found it. You're done! Channels 1­6 JUMPERS HERE 5 JUMPERS HERE 5 JUMPERS HERE 5 CUT HERE 4 CUT HERE 4 CUT HERE 4 Channels 7­14 JUMPERS HERE 5 JUMPERS HERE CUT HERE 4 CUT HERE CUT HERE 27 2. PRE-MUTE MOD This modification changes AUX SEND 1 (in post mode) and AUX SEND 2 to receive signal regardless of the channel's MUTE/ALT 3­4 switch position, but still be post-fader. In order to convert the entire mixer, it must be done on each channel, and is slightly more involved for the stereo channels 7­14. The work area is on the underside of the circuit board, near the channel MUTE/ALT 3­4 switches. Remove all cords, including the power cable, from the 1402-VLZ PRO. Place the mixer upside-down on a dry, non-marring surface. Remove the screws that attach the bottom cover. Using a sharp "X-acto" type knife, cut the conductor at point `C' (channels 1­6) or the conductors at points `CL' and `CR' (channels 7­14). Be careful to cut all the way through the conductor, and do not cut any nearby traces. Locate the 12 pins that comprise the underside of each MUTE/ALT 3­4 switch. [. . . ] Do this before you connect any of your audio equipment. Chances are that your 120V gear won't be too happy if it sees 220V for any length of time. Cables that are too long are less likely to pick up hum if you uncoil them in their entirety, and then find a place to stow the excess. Leaving the excess coiled only helps the cable pick up hum more efficiently. [. . . ]