User manual MACKIE 802-VLZ3

[. . . ] 802-VLZ3 8-Channel Premium Mic/Line Mixer OWNER'S MANUAL POWER ON POWER 802 2 MIC P RE XDR MIC 1 2 MIC P RE XDR MIC 2 2 MIC P RE XDR MIC 3 MAIN OUT BALANCED BAL/UNBAL L R L R 802 BAL OR UNBAL BAL OR UNBAL MONO L BAL LINE IN 3 OR UNBAL +4 MIC L L MAIN OUT LINE IN 1 LINE IN 2 MAIN OUTPUT LEVEL R TAPE IN MONO TAPE OUT R AUX SEND BAL/UNBAL MONO R INSERT -10dBV IC GAIN UM INSERT -10dBV IC GAIN UM LINE IN 4 LOW CUT 100 Hz 18dB/OCT IC GAIN M L BAL/UNBAL L3 BAL/UNBAL L PHANTOM POWER L BAL OR UNBAL L BAL OR UNBAL R R4 R R 60 0 +15dB - 45dB R LINE IN 7-8 ST RETURN ALT OUTPUT CR OUTPUT PHONES GAIN 60 0 +15dB - 45dB 0 60 GAIN GAIN LINE IN 5-6 U AUX O O U AUX O O U AUX O O U AUX O O U AUX PRE POST O O U MASTER SEND +10 O O AUX U STEREO RETURN O O +15 U +15 U +15 U +15 U +15 U +20 EQ HI 12kHz -15 EQ HI 12kHz -15 EQ HI 12kHz -15 EQ HI 12kHz -15 EQ HI 12kHz POWER -15 +15 U +15 U +15 U +15 U +15 U CONTROL ROOM SOURCE LEFT RIGHT 0dB=0dBu 20 15 MID 2. 5kHz -15 +15 U -15 +15 U MID 2. 5kHz -15 +15 U MID 2. 5kHz -15 +15 U MID 2. 5kHz -15 +15 U MID 2. 5kHz MAIN MIX 10 6 3 LOW 80Hz -15 +15 -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz -15 +15 LOW 80Hz ALT 3-4 0 2 PAN LR LR PAN LR PAN LR PAN LR PAN TAPE 4 7 10 LEVEL SET ALT 3-4 MUTE 1 ALT 3-4 MUTE 2 ALT 3-4 MUTE 3-4 ALT 3-4 MUTE 5-6 ALT 3-4 MUTE 7-8 20 30 ASSIGN TO MAIN MIX RUDE SOLO PRE FADER SOLO PRE FADER SOLO PRE FADER SOLO PRE FADER SOLO PRE FADER SOLO U U U U U U O O MAX PHONES U O O LEVEL +12dB O O LEVEL +12dB O O LEVEL +12dB O O LEVEL +12dB O O LEVEL +12dB O O CTL ROOM/SUBMIX +10dB O O MAIN MIX +12dB 802-VLZ3 Important Safety Instructions 1. Donotblockanyventilationopenings. Installinaccordancewiththe manufacturer'sinstructions. Donotinstallnearanyheatsourcessuchasradiators, heatregisters, stoves, orotherapparatus(includingamplifiers)thatproduceheat. Donotdefeatthesafetypurposeofthepolarizedorgrounding-type plug. Apolarizedplughastwobladeswithonewiderthantheother. A grounding-typeplughastwobladesandathirdgroundingprong. The widebladeorthethirdprongareprovidedforyoursafety. Iftheprovided plugdoesnotfitintoyouroutlet, consultanelectricianforreplacement oftheobsoleteoutlet. [. . . ] You can also use these MAIN MIX a mixer jacks with LEVEL LEVEL CTL ROOM/SUBMIX input. If you're wiring your own cable for the phones portable tape or CD player to feed music to a PA system output, follow standard conventions: between sets. LOW 80Hz O O 3 O O O O O O O O O O O O O O Tip = Left channel Ring = Right channel Sleeve = Common ground WARNING: The headphone amp is loud, and can cause permanent ear damage. Even intermediate levels may be painfully loud with some earphones. Always turn the phones [31] knob all the way down before connecting headphones. Keep it down until you've put the phones on. Then turn it up slowly. WARNING: engaging both the tape and assign to main mix buttons in the control room source [30] matrix can create a feedback path between tape input and tape output. Make sure your tape deck is not in record, record-pause, or input monitor mode, when you engage these switches, or make sure the control room / submix [32] level knob is fully counterclockwise (off). 1 80-VLZ3 14. TAPE OUTPUT These unbalanced RCA connections tap the main mix output to make simultaneous recording and PA work more convenient. Connect these to your recorder's inputs. (See also main mix [29] on page 19. ) Mono Out: If you want to feed a mono signal to your tape deck or other device, simply use an RCA Y-cord to combine these outputs. Do not attempt this with any other outputs on the 802-VLZ3. POWER ON POWER Owner's Manual 20 19 15. AUX SEND This is a TRS 1/4" balanced/unbalanced output, commonly used to feed stage monitors (with aux set to pre) or an external effects processor (with aux set to post). The aux send [28] knobs tap a portion of each channel's signal to provide an output here, allowing you to set up a nice stage monitor mix, or to set up an external effect from different channels. See the aux send details on page 18. 19. POWER CONNECTION MIC 2 MIC 3 This isMIC 1 you plug in the connector from the AC where adapter supplied with your mixer. MIC P RE XDR2 MIC P RE XDR2 MIC P RE XDR2 MAIN OUT BALANCED L R Only use the AC adapter that came with your mixer, or a factory-authorized power supply. 20. 1/4" MAIN OUTS These 1/4" TRS balanced/unbalanced outputs feed the main mix out into the waiting world. You can feed your amplifiers or powered speakers this way, or through the XLR main outs [17]. To use these outputs to drive balanced inputs, connect 1/4" TRS (Tip­Ring­Sleeve) phone plugs like this: Tip = + (hot) Ring = ­(cold) Sleeve = Ground For most music recording and PA applications, unbalanced lines are fine. To drive unbalanced inputs, connect 1/4" TS (Tip­Sleeve) phone plugs like this: Tip = + (hot) Sleeve = Ground Press the top of this rocker switch inwards to turn on BAL LINE IN 1 LINE IN 2 LINE IN 3 OR MAIN UNBAL the mixer. The power LED [39] on the top surface of R OUTPUT LEVEL the mixer will glow with happiness, or at R least it will if TAPE IN you have the AC adapter plugged in to a suitable liveMONO AC INSERT INSERT LINE IN 4 mains supply. Press the bottom of this switch to put the mixer into -10dBV -10dBV GA GAIN IC GAIN M standby mode. It will U MIC function, butICthe circuits are still not IN UM R live. [. . . ] Insert only to first "click. " MONO PLUG Channel Insert jack 1. Order the Atlas AD-11B mic stand adapter available from many a fine music store. (It is made and distributed by Atlas Sound. ) 2. Use three self-tapping machine screws 6-32 x 1/4" long to secure the adapter to the bottom of the 802-VLZ3. [. . . ]