User manual MACKIE D4 PRO

[. . . ] 4-Channel DJ Production Console with FireWire OWNER'S MANUAL CUE CUE CUE CUE d. 4 Pro 4-channel DJ Production Console Important Safety Instructions 1. Donotblockanyventilationopenings. Installinaccordancewiththe manufacturer'sinstructions. Donotinstallnearanyheatsourcessuchasradiators, heatregisters, stoves, orotherapparatus(includingamplifiers)thatproduceheat. Donotdefeatthesafetypurposeofthepolarizedorgrounding-type plug. Apolarizedplughastwobladeswithonewiderthantheother. [. . . ] In this way, your program 1 is then externally processed and reappears into program 2 for the filtering and then onto the main mix. Owner's Manual · · . CUE Press this button in to route a copy of the program channel (pre fader) to the cue bus, also known as the PFL (pre-fader-listen) bus. You can then listen to the program in your headphones, getting it ready before increasing the program fader and assigning it to the main mix. The cue signals are post-EQ, but pre-fader [38], and the program meter [39] shows the levels dancing along happily. Turn down the phones level [50] control every time before cueing, or you may be in for a loud and painful surprise. Check the program meters, as these show the program level coming your way. As the filter X controls are located in the bottom left, you could use it on programs assigned to the left (A) side of the crossfader [43]. Similarly, you could use filter Y on those assigned to the right (B) side. This is just an idea, so try whatever works for you. Filters X and Y wish to remain anonymous, and their real names have been changed as part of the filter protection program. 5. AUX These knobs allow you to adjust how much of the stereo program signal goes onto the aux bus (wet), and how much goes to the main mix (dry). In the wet position, the stereo program signals only go onto the aux bus. In the dry position, the program signals only go onto the main mix bus. In the middle position, the program signals are split evenly between the aux and main mix. "Wet" is a term used for signals that have passed through an external audio processor. "Dry" is a term used for signals not passed through such a processor. So this control lets you adjust the amount of program available for external processing, and how much is available unprocessed for the main mix. The aux bus contains a mix of the aux signals of all program and mic channels that have their aux controls set to more than dry. The aux bus is then adjusted using the aux send [40] control, and sent out to FireWire and the aux send [8] TRS outputs, typically to an external effects processor. The aux signals are affected by the settings of the program source [30] switch, level [29], EQ [31, 32, 33], program fader [38], and crossfader [43]. They are not affected by filter X or Y. 7. ASSIGN This four-position stereo rotary switch affects the program in four popular ways: ·A Moving the crossfader [43] towards the left will increase the level of any programs set to A. (At the same time, decreasing the level of any programs set to B. ) ·B Moving the crossfader towards the right will increase the level of any programs set to B. [. . . ] The address of your closest authorized service center will be given to you by Technical Support, or from our website. IMPORTANT: Make sure that the Service Request Number is plainly written on the shipping carton. LOUD Technologies reserves the right to inspect any products that may be the subject of any warranty claims before repair or replacement is carried out. LOUD Technologies may, at our option, require proof of the original date of purchase in the form of a dated copy of the original dealer's invoice or sales receipt. [. . . ]