Detailed instructions for use are in the User's Guide.
[. . . ] DFX SERIES OWNER'S MANUAL
DFX·6 AND DFX·12 6- AND 12-CHANNEL MIXERS WITH DIGITAL EFFECTS
12 CHANNEL COMPACT INTEGRATED LIVE SOUND MIXER
OPTIONAL USES FOR INSERTS
DFX12 MIXER
CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED PERSONNEL.
WARNING:
SERIAL NUMBER
MANUFACTURING DATE
MONO PLUG
STEREO PLUG
AVIS: RISQUE DE CHOC ELECTRIQUE -- NE PAS OUVRIR
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
INSERT ALL THE WAY IN TO THE "SECOND CLICK"
TIP OUT TO EFFECTS DEVICE RING RETURN FROM EFFECTS
REPLACE WITH THE SAME TYPE FUSE AND RATING. DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
POWER
DIRECT OUT WITH SIGNAL INTERRUPTION TO MASTER
FOR USE AS AN EFFECTS LOOP (TIP = SEND, RING = RETURN)
CONCEIVED AND DESIGNED BY MACKIE DESIGNS INC · WOODINVILLE · WA · USA · MADE IN CHINA ·FABRIQUE AU CHINE · COPYRIGHT ©2001 · THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGNS INC. : "MACKIE", "EMAC", AND THE "RUNNING MAN" FIGURE · PATENT PENDING
ON
100 240 VAC, 50/60 Hz, 30 WATTS
1
MIC
2
MIC
3
MIC
4
MIC
5/6
MIC
7/8
MIC
9/10
11/12
L
STEREO AUX RETURN
AUX SEND
R 1
MON
MAIN OUT
LEFT RIGHT
1
(MONO)
2
2
EFX
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
LINE IN
LINE IN
LINE IN
LINE IN
(MONO) LINE IN
L
(MONO) LINE IN
L
(MONO) LINE IN
L
(MONO) LINE IN
L
CD/TAPE IN L
TAPE OUT L
EFX FOOT SWITCH
BAL/UNBAL
INSERT
INSERT
INSERT
INSERT
R
R
R
R
R
R
PHONES
LEVEL SET
MIC U
1
+50
LEVEL SET
MIC U
2
+50
LEVEL SET
MIC U
3
+50
LEVEL SET
MIC U
4
+50
LEVEL SET
MIC U
5/6
+40
LEVEL SET
MIC U
7/8
+40
LEVEL SET
9/10
U
LEVEL SET
11/12
U
POWER
DFX·12
12 CHANNEL INTEGRATED LIVE SOUND MIXER +12 +12
PHANTOM POWER +48V
MIN
-20dB
+30dB
MIN
-20dB
+30dB
MIN
-20dB
+30dB
MIN
-20dB
+30dB
MIN
-20dB
+20dB
MIN
-20dB
+20dB
-20dB
+20dB
-20dB
+20dB
GAIN
LOW CUT
75 Hz
GAIN
LOW CUT
75 Hz
GAIN
LOW CUT
75 Hz
GAIN
LOW CUT
75 Hz
GAIN
GAIN
GAIN
GAIN
0 0
U
EQ
HI
12k
U
EQ
HI
12k
U
EQ
HI
12k
U
EQ
HI
12k
U
EQ
HI
12k
U
EQ
HI
12k
U
EQ
HI
12k
U
EQ
HI
12k
LEFT RIGHT
CLIP
16 12
-15
+15 U
-15
+15 U
-15
+15 U
-15
+15 U
-15
+15 U
-15
+15 U
-15
+15 U
-15
+15 U
12
LOW
80Hz
12
60 250
MAIN AUX 1
LOW
80Hz
LOW
80Hz
LOW
80Hz
LOW
80Hz
1K
3. 5K
BYPASS
12K
NORM
8 4
LOW
80Hz
LOW
80Hz
LOW
80Hz
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
EQ
0 4
AUX
U
O O
AUX
U
O O
AUX
U
O O
AUX
U
O O
AUX
U
O O
AUX
U
O O
AUX
U
O O
AUX
U
O O
DIGITAL STEREO EFFECTS PROCESSOR
U
O O
BYPASS LEVEL SET
DELAY 1 DELAY 2 DELAY 3 DELAY 4 CHORUS FLANGE PHASER SPRING
8 12 16 20 24 30
0 = +4dBu
1
MON
+6
1
MON
+6
1
MON
+6
1
MON
+6
1
MON
+6
1
MON
+6
1
MON
+6
1
MON
+6
REVERSE GATE CATHEDRAL LG. [. . . ] There is no boost or cut at the center detent position. Frequencies of 80 Hz and below represents the punch in bass drums, bass guitar, fat synth patches, and high-testosterone male singers. While adding boost, also engaging the LOW CUT (18) switch can create an audible low frequency boost without boosting stage rumble, mic-handling clunks, and breath pops.
+15 +10 +5
0
LOW
5
10 15
20Hz
100Hz
1kHz
10kHz 20kHz
Mono Channel
12
AUXILIARIES
AUX 1/MON allows you to create a separate mono mix which can be used to feed stage monitors. AUX 2/EFX allows you to create another mono mix to feed the EMAC internal effects, and any external effects processor you have. The channel AUX knobs adjust how much of each channel is added to each aux mix. The adjustment ranges from off, through unity, and on up to 6 dB of extra gain. The stereo channel AUX knobs control a mono sum of the channel's stereo signals. For example, on the DFX·12, channel 9 (L) and 10 (R) mix together to feed that the channel 9/10 AUX knobs. The master AUX SEND (38, 41) knobs adjust the overall aux output levels. These are more than mere effects and monitor sends: they can be used to generate separate mixes for recording or "mix-minuses" for broadcast.
the center position, the left and right channel signals pass through to the main mix unaffected. If PAN is turned left, the right channel is attenuated; if turned right, the left side is attenuated.
LEVEL SET
11/12
U
24. MUTE
When you engage a channel's MUTE switch, its signal disappears from the main mix, tape, AUX 1, AUX 2 and headphones. The only exception is the INSERT (4) outputs.
-20dB
+20dB
GAIN
U
EQ
HI
12k
25. FADER
This fader is the master level control for the channel's signal. Subtle adjustment of the channels' fader positions is the key to a finelytuned mix. Typically (providing the GAIN (16) control is set correctly) the fader position will be positioned somewhere between 0 dB ("U") and 30 dB. If you have a fader set all the way up, that's usually a sign that your GAIN is set too low. Conversely, if the fader is set way down, your GAIN may be set too high.
-15 +15 U
LOW
80Hz
-15
+15
AUX
U
O O
1
MON
+6
U
O O
2
EFX
21. AUX 1/MON
AUX 1 is designed for feeding a separate monitor mix to the musicians on stage, via the AUX 1 SEND (7) output jack. The signal is tapped off before the channel EQ section, and before the channel fader. Only the channel GAIN, MUTE and LOW CUT will affect the output to your monitors.
+6
"U" = UNITY GAIN
Mackie mixers have a "U" mark on almost every level control. This stands for "unity gain, " meaning there is no change in signal level. [. . . ] · If the POWER LED is blinking, switch the mixer off for a few seconds, and disconnect all connections except the linecord. Switch it back on, and if the LED continues to blink, the mixer may need repair.
20
APPENDIX B: Technical Info
Specifications DFX·6, DFX·12
Mixer Section
Frequency Response
Mic Input to any Main output (GAIN at 0 dB): +0, 1 dB, 16 Hz to 30 kHz
Maximum Voltage Gain
Mic Input to Insert Output: Tape Output: Main Output: Aux Send: Line Input to Insert Output: Tape Output: Main Output: Aux Send: Stereo Line Input to Tape Output: Main Output: Aux Send: Tape Input to Main Output: Effects Return to Main Output: 50 dB 60 dB 76 dB 85 dB 30 dB 40 dB 56 dB 66 dB 20 dB 40 dB 50 dB 22 dB 22 dB
Distortion
THD and SMPTE IMD; 20Hz to 20kHz Mic Input to Main Output: < 0. 05% @ +4 dBu output
Noise
20Hz to 20kHz BW (150 source impedance) Equivalent Input Noise (EIN): 127 dBu Residual Output Noise: Main, Monitor, & Effects outputs Channel & Master levels off 95 dBu
Input Impedance
Mic Input: 3 k, balanced Line Input: 40 k, balanced Insert Input, Stereo Line Input, Tape Input, and Effects Returns: 10 k, unbalanced
Common Mode Rejection Ratio (CMRR)
60 dB @ 1kHz, Gain @ unity
Crosstalk
Adjacent Inputs or Input to Output: 90 dB @ 1kHz Fader Off 90 dB @ 1kHz Mute Switch and Break Switch Mute 80 dB @ 1kHz
Output Impedance
Main Output, Insert Output, Tape Output, and Effects Sends: 150
Digital Effects
Resolution: Number of Presets: 16-bit, 2-channel 16
Input Level Trim Control Range
0 to +50 dB
Channel Level Set LED (Sensitivity)
0 dBu (normal operating level)
Phantom Power
+48V DC on mono channels
VU Meters
Main L/R 12 segments: Clip (+16), +12, +8, +4, 0, 4, 8, 12, 16, 20, 24, and 30
Equalization
Low Cut: 75 Hz, 18 dB/octave Channel EQ: High ±15 dB @ 12kHz Low ±15 dB @ 80Hz Stereo Graphic EQ (5 bands): Q = 1. 414, ISO octave centers ±12 dB @ 60, 250, 1k, 3. 5 k, 12 kHz
AC Power Requirements
100 240 VAC, 50/60 Hz, 30 watts (Capable of operation from 85% to 110% of rated line voltage. )
Mixer Rated Output
Main, Aux, & EFX: +4 dBu Maximum Rated Output: +20 dBu
Disclaimer
Since we are always striving to make our products better by incorporating new and improved materials, components, and manufacturing methods, we reserve the right to change these specifications at any time without notice. "Mackie. , " the "Running Man" figure, "DFX, " and "EMAC" are trademarks or registered trademarks of Mackie Designs Inc. All other brand names mentioned are trademarks or registered trademarks of their respective holders, and are hereby acknowledged.
Maximum Input Levels
Mic Input: 28 dBu, Gain @ +50 dB +18 dBu, Gain @ +6 dB Line Input: 8 dBu, Gain @ +30 dB +38 dBu, Gain @ 15 dB Insert Input, Stereo Line Input, Tape Input, and Effects Return: +20 dBu
©2002 Mackie Designs Inc. [. . . ]