User manual MICROMEGA CD-20

[. . . ] MONITOR: Direct access to TAPE or PRO ON mode. MUTE: To mute the amplifier and to set the Balance. HEADPHONE: To switch on the Headphone output and switch off the speakers. A headphone logo appears on the left side of the volume indication. [. . . ] - In order to select your choice of input use successive depressions of the key. The display will indicate the name of the selected source from the following list: PHO – AN1 – AN2 – AN3 – AN4 – iPod. VOLUME The setup of volume is achieved with the rotary control located in the centre of the front panel. The display will indicate a level between -80dB and 0 dB. Note: The rotary control allows access to different speeds of volume adjustment. If you turn slowly it will increment in single steps. Fast rotation increases the speed of the steps. This will allow you to move to the desired volume with great ease. LISTENING TO HEADPHONES (HEADPHONE) 2. 1 MODE Your amplifier is equipped with a SUB-OUT output. You can connect an active subwoofer to this output. The level of this output is set by the main volume control of the unit. If you have an audio-video processor like AP-180, a SUB-IN input is available just above the SUB-OUT connector. Connect the SUB-OUT of your audio-video processor to the SUB-IN of your amplifier. When in Stereo mode your amplifier will control the level of your active subwoofer while when in PRO-ON mode the audio-video processor will take control over your active subwoofer. Your amplifier will then indicate: PHO, CD, FM, iPod. SPECIAL NAMES (CD, FM) In the list of available names, two names CD and FM are different than the other ones. If an analog input has been named CD, a short pressure on the CD key of the Micromega system remote control handset will set your Micromega CD player out of standby if it was, set also your amplifier out of standby if it was and set your amplifier automatically on the CD input. It is exactly the same with any input named FM and the FM key of the Micromega system remote control handset. IDOK INPUT Your amplifier is equipped with a DB9 female connector located at the left end side of the rear panel. This connector is used to attach it a Micromega iDok. This optional unit allows you to charge your iPod or your iPhone and to control them using the Micromega system remote control handset. On another end, as soon as your amplifier will have detected the presence of an iPod or an iPhone, it will automatically select the iDok analog input and the front panel iPod input will be disconnected. CONTROL VIA RS-232INTERFACE It is necessary to confirm your choice by a second depression on the MON/PRO key. Press once again the MON/PRO key to return to normal operation. If you go to standby mode (Pressure on the STANDBY key) or if a power failure happens while your unit was set in PRO ON mode, the unit will revert automatically into PRO ON mode when going out of standby or when power comes back again. MUTING (MUTE) - Press this key when you want to put the amplifier into MUTE mode. [. . . ] 0. 02 Ω / 1 kHz Power Bandwidth (30 W / 4Ω / -3dB)…………………………………………………………………………………………………. ………. . 10 Hz - 100kHz Input Sensitivity /Impedance : AN1, AN2, AN3, AN4, iPod. …………………………………………………………………………………………………. ………. . . …… 280 mV / 47 kΩ PHONO ……………………………. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 mV / 47 kΩ Impedance / Gain Tape Output ………. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 600 Ω / -6dB Distortion THD (20 Hz / 20 kHz) ……. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . …. . . . . . . . . . . . . . . . . . . …. [. . . ]