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S i n c e i t s i n t r o d u c t i o n , t h e M i n o l t a H i - m a t i c7 s h a s b e e n h a i l e d a s t h e m o s t v e r s a t i l e u t o m a t i c a
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t a k i n g e a s i e r , m o r e f o o l p r o o f t h a n e v e r b e f o r e p o s s i b l e . F o r e x a m p l e , t h e a c c u r a t ee l e c t r i c e y e i n t h e M i n o l t a H i - m a t i c 7 s i s b a s e do n t h e p a t e n t e d" C L C " ( C o n t r a s tL i g h t C o m p e n s a t o r ) systemto provide unsurpassed exposureaccuracy, even in high contrast situations. I n a d d i t i o n , y o u r n e w M i n o l t a H i - m a t i c 7 s h a s m a n y o t h e r o u t s t a n d i n g e a t u r e sn o t f o u n d o n f a n y o t h e r 3 5 m m c a m e r a . r e a d y t o m a k e p h o t o g r a p h yt r u l y " a s e a s y a s p r e s s i n g b u t t o n " . [. . . ] ) proper exposure
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H o w t o U s et h e M i n o l t a H i - m a t i c7 s M a n u a l l y F o r u n u s u a lc o n d i t i o n so r f o r s p e c i a le f f e c t sa n d t e c h n i q u e sy o u m a y w a n t t o o p e r a t et h e c a m e r a , m a r r u a l l y e l e c t i n gh e s h u t t e rs p e e da n d a o e r t u r ey o u r s e l. f s t 1 ) M o v e t h e " A " m a r k sa w a yf r o m t h e , ' a r r o w , , b y p r e s s i n gh e A U T O r e l e a s e u t t o n ( o n t h e t b r i g h t s i d eo f t h e l e n s ) n d t u r n i n gt h e s h u t t e r a s p e e d i n g T h e n , t u r n t h e d i a p h r a g mi n g . r r 2 ) Y o u a r e n o w i n c o m p l e t ec o m m a n d o f t h e c a m e r a( j u s t a s w i t h a n y f i n e 3 b m m c a m e r a ) and can set any shutter speed or aperture opening ombination ou wish. c y
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E v e n a f t e r d i s e n g a g i n gh e a u t o m a t i c s y s t e m t y o u c a n , i f y o u w i s h , u s ei t a s a n i n d e p e n d e n t exposure meter. When using the Minolta H i - m a t i c7 s t h i s w a y , a i m a t y o u r s u b j e c t a n d , w a t c h t h e p o i n t t o w h i c h t h e i n d i c a t o rn e e d l e m o v e so n t h e E V s c a l e . S e t t h i s E V n u m b e r i n t h e E V w i n d o w o n t h e l e n sb a r r e l . W h e n u s i n gt h e e x p o s u r e e t e r :
1) P r e s st h e A U T O r e l e a s eb u t t o n a n d s e t a n y s h u t t e rs p e e dy o u w i s h . 2 ) R e a dt h e E V f i g u r e i n d i c a t e d y t h e n e e d l e n b i t h e v i e w f i n d e r . T h e n s e t t h e f i g u r ei n t h e E V w i n d o w , b y t u r n i n gt h e d i a p h r a g mi n g . r 3 ) Y o u m a y a l s os e t t h e a p e r t u r eo p e n i n gf i r s t a n d t h e n m o v e t h e s h u t t e r s p e e dr i n g t o o b t a i n t h e c o r r e c tE V n u m b e r .
1 ) W h e n b e i n g u s e d s e m i - a u [ o r n a t i c a l l y , t h e e x p o s u r e m e t e r o p e r a t e s o v e r a r a n g e f r o m E V 5 . 7 t o 1 2) When uslngthe self-timer utilize this exposure rnetlrod. 3 ) l f y o u s e t t h e a p e r t u r e o p e n i n g f i r s t , y o u c a n n o t s e t !h e s h u t t e r s p e e d r i n g t o a n i n t e r r n e d i a t es p e e d L e t w e e n c l i c k - s t o p p o s it r o n s .
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A good picture dependson many factors . one of which is the proper holding of the camera. lf your g r i p i s u n s t e a d y t h e m o v e m e n to f t h e c a m e r ac a n r u i n y o u r p h o t o g r a p h . , I t i s a g o o d i d e at o p r a c t i c eh o l d i n g t h e c a m e r a( e i t h e rh o r i z o n t a l l yo r v e r t i c a l l y ) .
Holding the CameraHorizontally T h i s p o s i t i o na s s u r e y o u o f a b e i t e r g r i p s w i t h l e s sc h a n c eo f m o v i n g t h e c a m e r a s a you can hold it firmly with both hands. y P r e s s o u r e l b o w st i g h t t o y o u r b o d y a n d r e l e a ste e s h u t t e rg e n t l y i n o r d e r t o a v o i d h o movement f the camera. I t i s b e s t t o f o c u sw i t h t h e r i g h t e y e f o r s s e q u e n c e h o o t i n g i n o r d e r t o p r e v e n tt h e film advance lever from coming into c o n t a c tw i t h v o u r f a c e .
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Holding the CameraVertically I n t h i s p o s i t i o n t h e s h u t t e rr e l e a s e u t t o n b may be pressed ith either the thumb or w index f inger. Use whichever is more c o n v e n i e nfto r y o u .
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W h e n v i e w i n gy o u r s u b j e c tt h r o u g h t h e c a m e r a ' s v i e w fi n d e r , y o u c a n s e e a " b r i g h t f r a m e " s u r r o u n d i n gt h e v i s u a l field. The area within this frame is o w h a t w i || a p p e a r n t h e f i lm .
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When focusing at long distance
A s y o u f o c u s , y o u w i l l a c t u a l l ys e e t h e f r a m e l i n e sm o v i n g . T h i s p r o v i d e s u t o m a t i cc o m p e n s a t i o no r a f lax and gives you a correctedfield of vtston. T h e b r i g h t f r a m e l i n e s p r e v e n ty o u f r o m i n a d v e r t e n t l y " c u t t i n g o f f " t h e h e a d o r l e g so f y o u r subject. W h e n f o c u s i n ga t s h o r t d i s t a n c e i?a f ::::------l
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L o o k t h r o u g h t h e v i e w f i n d e rw i t h y o u r e y e a t t h e c e n t e ro f t h e e y e p i e c e . [. . . ] W h e n a l l b u t t h e f i l m l e a d e ri s c o m p l e t e l y r e w o u n d a n d o f f t h e c a m e r a ' ss p o o l , t h e r e d s i g n a li n t h e F i l m L o a d W i n d o w w i l l disappear. After one or two more turns, you will f e e l a s l i g h t r e s i s t a n c e . T h i s m e a n st h a t t h e f i l m , i n c l u d i n ge a d e rh a sl e f t t h e s p o o l l , and iscompletely ewound. r
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T h e p r o g r a m m e ds h u t t e r i n t h e M i n o l t a H i m a t i c 7 s i s d e s i g n e dt o s e l e c t t h e o p t i m u m shutter speed/aperturecombination autoo on matically. . . depending the brightness f the subject. [. . . ]
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