User manual NAD C 356BEE

[. . . ] ® Owner’s Manual Stereo Integrated Amplifier C 356BEE РУССКИЙ SVENSKA NEDERLANDS DEUTSCH ITALIANO ESPAÑOL FRANÇAIS ENGLISH IMPORTANT SAFETY INSTRUCTIONS ENGLISH FRANÇAIS ESPAÑOL ITALIANO DEUTSCH NEDERLANDS SVENSKA РУССКИЙ SAVE THESE INSTRUCTIONS FOR LATER USE. FOLLOW ALL WARNINGS AND INSTRUCTIONS MARKED ON THE AUDIO EQUIPMENT. 1 Read instructions - All the safety and operating instructions should be read before the product is operated. 2 Retain instructions - The safety and operating instructions should be retained for future reference. [. . . ] NOTE If an optional Modular Design Construction (MDC) module is installed, the DISC input socket is disabled and the MDC source is selected as the active input. 8 AUX INPUT: Input for additional line level input signals such as another CD player. Use a twin RCA-to-RCA lead to connect these sockets to the left and right analog output of the auxiliary device. 8 IDENTIFICATION OF CONTROLS REAR PANEL 9 TAPE 2 IN/OUT: Connections for analog recording and playback to a tape recorder of any type. Using twin RCA-to-RCA leads, connect the left and right “Audio Output” of the tape recorder to the TAPE 2 IN sockets for playback. Connect the left and right “Audio Input” of the tape recorder to the TAPE 2 OUT sockets for recording. 10 TAPE MONITOR IN/OUT: Connections for analog recording and playback to a secondary tape recorder of any type. Using twin RCA-to-RCA leads, connect the left and right “Audio Output” of the tape recorder to the TAPE MONITOR IN sockets for playback and tape monitoring. Connect the left and right “Audio Input” of the tape recorder to the TAPE MONITOR OUT sockets for recording. TO MAKE A RECORDING When any source is selected, its signal is also fed directly to any tape recorder connected to the TAPE 2 OUT or TAPE MONITOR OUT for recording. TAPE TO TAPE COPYING You can copy between two tape recorders connected to your C 356BEE. Put the source tape in the recorder connected to TAPE 2 and the blank tape into the recorder connected to TAPE MONITOR. By selecting TAPE 2 input you can now record from TAPE 2 to TAPE MONITOR and monitor the signal coming from the original tape. NOTE There will be no TAPE 2 output when TAPE 2 is the selected source input. This prevents feedback through the recording component thereby preventing possible damage to your speakers. The same applies to TAPE MONITOR IN/OUT. 11 PRE OUT 1: The PRE OUT 1 sockets can be used to drive an additional power amplifier. Use a twin RCA-to-RCA lead to connect the left and right “Audio Input” of the Power amplifier or processor to the PRE OUT 1 sockets. Always turn the C 356BEE and associated external power amplifiers OFF before connecting or disconnecting anything to the PRE OUT 1 sockets. The PRE OUT 1 output signal will be affected by the C 356BEE’s volume and tone control settings. 12 PRE OUT 2: Connections to an external power amplifier or processor, such as a surround-sound decoder. In normal use, this should be connected to the MAIN IN sockets with the links supplied. To connect your C 356BEE to an external processor or amplifier, remove first these links. [. . . ] After C 356BEE has cooled down, turn back ON. Restart again the C 356BEE by switching ON the rear panel POWER switch and then pressing the front panel STANDBY button or remote control’s [ON] button. • Ensure the overall loudspeaker impedance is not below 4 ohms. • Overall impedance of loudspeakers too low. 14 REFERENCE SPECIFICATIONS PREAMPLIFIER SECTION LINE LEVEL INPUT, PRE OUT THD1 20 Hz – 20 kHz, CCIF IMD, SMPTE IMD, DIM 100 Signal-to-Noise Ratio Channel separation -1 kHz 10 kHz Input impedance (R and C) Maximum input signal Output impedance - Pre out Tape out Input sensitivity Frequency response Maximum voltage output -IHF load 600 ohms load TONE CONTROLS Treble Bass <0. 005 % at 2 V out >106 dB (IHF; A-weighted, ref. 500 mV out, unity gain) >114 dB (A-weighted, ref. [. . . ]