User manual NADY SPM-6300

[. . . ] MIXERS OWNER'S MANUAL SPM-6300 6 Channel Stereo Powered Mixer SPM-6300 6-Channel Stereo Powered Mixer Congratulations on your choice of the NADY SPM-6300 Stereo Powered Mixer -- you have purchased one of the finest stereo powered mixing units on the market today. This unit was developed using the expertise of professional sound engineers and working musicians. You will find that your new SPM-6300 has superior performance and greater flexibility than any other stereo powered mixers in its price range. Please read this manual carefully to get the most out of your new unit. [. . . ] Turn to the left to reduce stage rumble, hum, or to improve a mushy sound. Cutting the Treble and Bass controls, then pushing up the subsequent volume control is equivalent to a mid range boost. (5) EFFECT CONTROL The Effect control adjusts the signal level sent by each channel to the internal Echo Effects DSP (Digital Sound Processor). The Effect controls are post Channel EQ and the signal level sent to the EFF bus will not be affected by the channel volume settings. This control also adjusts the level of the un-effected signal sent to the Effect Send (13) output. (6) MONITOR VOLUME The Monitor Volume control adjusts the channel signal level sent to the Monitor Master Volume (16) when the Power Amp Selector Switch (18) is set to Monitor-Main. This control can be adjusted to set the desired monitor mix. The Monitor Volume control is not active when the selector switch is set to Left-Right. (7) LEFT-RIGHT / MAIN VOLUME The Left-Right Volume control adjusts the channel signal level sent to the master L-R/Main Volume control (15). This control can be adjusted to set the desired level for the channel in the mix. (5) (6) (7) (2) (1) 5 FRONT CONTROLS AND CONNECTIONS (16) (12) (9) (15) (14) (10) (8) (11) (13) (17) (18) 6 FRONT CONTROLS AND CONNECTIONS MASTER SECTION (8) POWER ON/OFF SWITCH & LED This switch turns the unit on and off and the LED indicator will light when the unit is on. (9) ECHO EFFECT This control adjusts the feedback/decay time of the internal Echo Effects DSP. Set this control slightly above minimum to emulate room reverbs and adjust towards maximum for hall and stadium decay reverbs. (10) AUX INPUT The 1/4" Aux input jack can be used to add line level audio signals to the master mix. This signal level is affected by the Aux/Tape control (12), L-R/Main Volume (15), Monitor Volume (16) and 5-Band EQ's (18). (11) TAPE INPUT The Left and Right Tape Input RCA jacks allow cassette recorders, CD players, or MP3 players to be added to the master mix output. These signal levels are affected by the Aux/Tape control (12), L-R/Main Volume (15), Monitor Volume (16) and 5-Band EQ's (17). (12) AUX/TAPE VOLUME This volume control adjusts the signal level in the master mix of the Aux and Tape inputs. It is pre L-R/Main Volume (15), Monitor Volume (16) and 5-Band EQ's (17). (13) EFFECTS SEND & RETURN The Effect Send 1/4" jack provides a mono mixed signal output from each input channel to an external effects unit, external amplifier, or recording device. The audio mix is adjusted by the EFF control of each channel. The signal output is not effected by the internal reverb. The Effects Return input jack can be used to return the signal into the SPM-6300 or it can be used as another auxiliary input for line level devices. [. . . ] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MIXER SECTION S/N Ratio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -75dB Noise Floor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]