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Detailed instructions for use are in the User's Guide.
[. . . ] 2. 4K INPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1/4" jack (unbalanced) INPUT LEVEL (max, nominal) . . . . . . -30dBv / >+20dBv INPUT IMPEDANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] This unit was developed using the expertise of professional sound engineers and working musicians. You will find that your new NADY AUDIO TD-1 has superior performance and greater flexibility than any other tube distortion pedal in its price range. Please read this manual carefully to get the most out of your new unit. Thanks for selecting NADY AUDIO as your choice for a tube distortion pedal.
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Introduction
Nady's original TD-1 tube overdrive was marketed in the mid 1980's and was one of the earliest tube distortion pedals. The new, updated TD-1 combining classic tube overdrive warmth and tonality with the latest advanced EQ and Tone control options, the TD-1 is capable of delivering almost any sound. Its rich harmonics, unlimited tonal range, and unequalled definition make any amp sound great. · Real tube tone from the classic 12AX7A twin triode tube -- each carefully selected for optimum tonality and absence of noise, microphonics, and other artifacts that can detract from your sound · State-of-the-art 3-stage variable tube drive design for widest range of overdrive options, from mild growl and crunch to singing sustain and controlled feedback · Advanced EQ section carefully designed for all contemporary styles -- blues, jazz, country, R & B, and all types of rock -- with specially tailored high and mid-low 3-stage variable shelving and boosting options, plus a variable presence control for the ultimate tone-shaping possibilities · Compact enough for a pedal board · Rugged 14-gauge steel housing and heavyduty bypass footswitch for years of trouble-free performance
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Controls and Connections
1) LEVEL The Level control adjusts the overall signal output level. 2) DRIVE The Drive control adjusts the amount of distortion. It's able to drive the tube with over 70dB of gain. The distortion input gain can also be adjusted using the DRIVE GAIN switch. 3) DRIVE GAIN This switch selects the boost of the input gain and amount of overall distortion. HIGH +22dB, MED +10dB, LOW 0dB 4) HIGH This control adjusts the treble frequencies of the signal post distortion. It boosts/cuts by +/- 15dB @ 10KHz from mid position (12:00). 5) HIGH END This switch boosts/cuts the brightness/treble (10KHz) of the tone post distortion. HIGH +5dB, MED 0dB, LOW 10dB 6) LOW This control adjusts the low/mid tones of the signal post distortion. It boosts/cuts by +/-15dB @ 100Hz from mid position (12:00). 7) MID BOOST This switch boosts the midrange frequencies (270Hz-700Hz)of the signal for a fatter sound. HIGH +12dB, MED +6dB, LOW 0dB 8) PRESENCE This control adjusts the hi-treble frequencies of the signal. [. . . ] Remove all screws - 8 screws from the bottom panel, 2 screws from each side panel. Remove Input side panel by pulling directly off. Remove top panel by pulling directly up. [. . . ]
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