User manual NAIM NAC 42-5

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Manual abstract: user guide NAIM NAC 42-5

Detailed instructions for use are in the User's Guide.

[. . . ] This is important for safety as well as performance. One end of each cable is marked with a band to establish its correct orientation. The band always marks the end that connects to the signal source. Loudspeaker leads are also very important. [. . . ] The corresponding front panel input buttons can similarly be used to select or de-select the phono socket inputs. The appropriate input button indicator will flash three times on selection of the phono option and once on selection of the DIN option. To exit from program mode press and hold the prog key on the remote until the record select indicators are restored and the volume indicator stops flashing. 12 NAC 282 10. 4 av integration (unity gain) The NAC 282 unity gain function enables an audio-visual processor to be integrated such that the processor's volume control takes over command of signals connected to selected NAC 282 inputs. Unity gain can be selected only on the AV input. To select unity gain, first switch the NAC 282 into program mode as previously described. The front panel source mute button will illuminate if unity gain is selected. If it is not enabled it can be switched on by pressing the source mute button twice. Deselect unity gain by again pressing the source mute button. Unity gain options only become operational on exiting from program mode by pressing and holding the handset prog key. Note: The unity gain feature must be used with care. It effectively by-passes the NAC 282 volume and balance controls leaving any signal connected to a unity gain input to be passed to the power amplifier and speakers at full volume. Additionally, if the AV input is selected while unity gain is enabled the volume and balance handset functions will be disabled and their indicators will turn off. Program mode is indicated by a flashing indicator on the volume control. If no function is operated within five minutes of entering program mode the NAC 202 will return to normal mode automatically. Once in program mode press and hold the remote handset 1 button to select or de-select the phono socket input for CD, and the remote handset 6 button to select or de-select the phono socket input for AUX 2. The corresponding front panel input buttons can similarly be used to select or deselect the phono socket inputs. The appropriate input button indicator will flash three times on selection of the phono option and once on selection of the DIN option. To exit from program mode press and hold the prog key on the remote until the volume indicator stops flashing. With auto switching enabled, pressing the source mono button will reveal the inputs selected for auto switching by their button indicators illuminating for a short time. Repeated operation of the source mono button will sequentially select each combination of CD, Tuner, AV inputs, and auto switching disabled (CD, Tuner and AV button indicators off). When the desired inputs selected for auto switching are indicated, stop pressing the source mono button. The remote handset mono (Flash) or mon (Narcom 3) key can also be used to set up automatic source switching. Automatic input switching only becomes operational on exiting from program mode by pressing and holding the handset prog key. Note: In a few cases some further equipment configuration may be required for auto switching to operate correctly on the AV input. [. . . ] To delete a track, press and hold the prog key until the prog indicator in the CD display illuminates then delete the track or tracks using the numeric keypad followed each time by a further operation of the prog key. During deletion the track number indicated in the player display will be followed by either C or ---- or no display. C indicates that the track is already deleted, ---- indicates that the track can be deleted while a space indicates that there is no more memory available. The play order can be reviewed by pressing prog while the player is either stopped or playing. [. . . ]

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