User manual NERO WAVE EDITOR QUICKSTART GUIDE

[. . . ] Quickstart Wave Editor ahead Contents 1 Instructions in brief 1. 1 1. 2 1. 3 1. 4 1 Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 How this information is organized . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Notes for the user . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Important terms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 2 About Wave Editor 2. 1 2. 2 3 Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Structure of the program. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 2. 2. 1 Workspace. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 3 Settings 3. 1 3. 2 6 Selecting the input and output devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Setting the editor options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 3. 2. 1 Changing the language used . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 3. 2. 2 Setting the display features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 3. 2. 3 Specifying the directories used . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 3. 2. 4 Audio output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 4 View 4. 1 4. 2 4. 3 10 Specifying the view. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 How the audio files can be represented. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 4. 3. 1 Vertical zoom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 4. 3. 2 Horizontal zoom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 5 Audio files 5. 1 5. 2 5. 3 5. 4 5. 5 5. 6 14 Loading and playing back audio files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Selecting sections of audio files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 5. 2. 1 Saving the selection as a new audio file. . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Inserting an audio file . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Recording a new audio file . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Converting an audio file. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Editing audio files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 5. 6. 1 Muting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 5. 6. 2 Normalization. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 5. 6. 3 Changing volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 5. 6. 4 Fading in and out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 6 Recording gramophone records 6. 1 6. 2 23 Preparation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Quickstart - Wave Editor Contents · i 7 Effects 7. 1 26 7. 2 7. 3 7. 4 7. 5 7. 6 7. 7 7. 8 7. 9 Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 7. 1. 1 Saving the effect settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 7. 1. 2 Loading the effect settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 7. 1. 3 Deleting the effect settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Transposing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Dynamics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Time correction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Chorus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Reverberation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 8 Enhancement 8. 1 8. 2 8. 3 8. 4 8. 5 33 Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 High frequency rebirth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 DC Offset Correction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Noise Reduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Noise Analysis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 9 Index 38 Quickstart - Wave Editor Contents · ii 1 Instructions in brief 1. 1 Introduction These brief instructions are aimed at putting you in the position where you can quickly create your own audio files or to edit existing ones. Because this is a sizeable and powerful program, only the main points are dealt with here and some parts of the program are not explained in detail (or at all). You can find more detailed information on Wave Editor in the online help feature that you can call up at any time (press the F1 key). You can also find the latest information on Wave Editor at the www. nero. com Internet site. 1. 2 How this information is organized These instructions contain practical examples of how to create and edit audio files as well as details for reference. [. . . ] In the 'Volume' menu, select the 'Fade In' or 'Fade Out' command and select the effect you require. Quickstart - Wave Editor Audio files · 22 6 Recording gramophone records 6. 1 Preparation There are many ways of reproducing the sound of records on a computer; the following example only describes the basic procedure for doing this. The signal received from the record player's magnetic sampling system cannot be directly fed into the soundcard's line-in input, as the signal is frequencydistorted for technical reasons. A so-called 'frequency corrector preamplifier' between the sampling system and the soundcard is needed in order to correct the frequency response. This is most easily performed using the amplifier's phono input. cables to connect the individual components Sometimes leakage pickups (humming) can arise when the soundcard is linked to the amplifier. The humming is caused when two devices that have already been grounded (earthed) are connected with one audio cable. A by-pass power filter or transformer can solve the problem. Sometimes it is simply enough if the devices are connected to different power sources. Connect the record player to the amplifier. Clean the record. Quickstart - Wave Editor Recording gramophone records · 23 6. 2 Recording 1. Start Wave Editor: Start > programs > ahead Nero > Nero Wave Editor. In the 'File' menu, select the 'New' command. In the 'Audio' menu, select the 'Record' command and determine the desired sampling rate and sampling resolution. To so this, click on the dropdown button and highlight the desired list box. For a recording that is to be written on a CD, a sampling rate of 44100 Hz and a sampling resolution of 16 bit are recommended. Click on the 'OK' button to take over these settings. The recording console will appear. button to start recording, then place the stylus on the record. Click on the You will see the recording time and the level control display in the recording console while you are recording. If the level is too loud or too quiet, you can change it. Open the volume control and move the slider of the 'line' section in the desired direction. At the end of a track, click on the 'OK' button to stop recording. The audio file recorded will appear in the display area. Quickstart - Wave Editor Recording gramophone records · 24 7. Click on the button check the recording. You can best monitor the recording if you wear headphones. 8. [. . . ] With this command, you do not have any selection choices and it is not possible to check the result of optimization in advance. 8. 4 Noise Reduction Noise reduction improves recordings where noise disturbs the sound of the audio file by removing undesired noises (background noise, buzzing, etc. ) in a particular bandwidth. In the 'Enhancement' menu, select the 'Noise Reduction' command. 3. Select a presetting by clicking on the dropdown button and highlighting the desired list box field or set the subtraction profile, by placing the mouse cursor on that part of the green line that you wish to alter, ­ a white square will appear at the place where you click the mouse ­ and drag the square to the position desired. Click on the button to play back the audio file with the changes stated. [. . . ]