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PANASONIC AG-MX70 (2205 ko)
Manual abstract: user guide PANASONIC AG-MX70
Detailed instructions for use are in the User's Guide.
[. . . ] Digital AV Mixer
AG-
P
Before attempting to connect, operate or adjust this product, please read these instructions completely.
CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). REFER TO SERVICING TO QUALIFIED SERVICE PERSONNEL.
FCC Note: This device complies with Part 15 of the FCC Rules. To assure continued compliance follow the attached installation instructions and do not make any unauthorized modifications. This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part 15 of the FCC Rules. [. . . ] [On] or [Off] is selected for [Audio] fading using the rotary 3 control. [After] or [Pre] is selected for [Phone] fading using the rotary 4 control. At [After], the sound is heard with the fading effect applied to the images; at [Pre], it is heard with no fading effect applied to the images. The default setting is [After].
R1 R2 R3 R4 R5
Fade
To Black Black White Blue
Audio On On Off
Phone After After Pre
<Note> Only one of three settings--namely, DSK memory, title key or star/heart key--can be selected. The key selected last takes precedence, and the previously selected key is canceled. When the pattern is changed to MIX (56), the title key or heart/star key is to be canceled. During title DSK, the heart/star key cannot be used.
48
[Audio Effects] settings
Pos. X 128 Y 128 Z 196
00E
1-8 Aux1 Aux2
Event
10:00F 3015
Pan Off IN Ch L Low On EQ Mid Voice Change M Level 0 Off Ch Off AB
R4 R2 R3
ME Time
Pattern
Wht
Balance 0 High 0 0 0. 5 5
INT
Audio Effects
1
EQ
Freq Q 1. 01KHz Pitch Up Level
Mute
R1
R5
[Audio Effects] is opened using Audio Effects or the ON button. Audio effects can be set for each input. Select the input from [1] (crosspoint 1), [2] (crosspoint 2), [3] (crosspoint 3), [4] (crosspoint 4), [5] (crosspoint 5), [6] (crosspoint 6), [7] (crosspoint 7), [8] (crosspoint 8), [AUX1] or [AUX2] using the rotary 1 control. Select the item from [PAN], [EQ] (equalizer), [EQ Mid] equalizer midrange, [Voice] (voice changer) or [Mute] using the rotary 2 control.
[PAN] setting
Set [On] or [Off] using the rotary 3 control. Select the input channel to be used using the rotary 4 control. Set the output balance using the rotary 5 control. The default setting is 0.
R1 R2 R3 R4 R5
PAN 1 On Off Off
IN Ch L L R L+R
Balance 0 L7 - 0 - R7
49
[Audio Effects] settings
[EQ] equalizer setting
This is used to set the equalizers. Set [On] or [Off] for all equalizers using the rotary 3 control. The [L Level] bass level can be set in 2 dB intervals to any value from 14 dB to 0 to +14 dB using the rotary 5 control. The [H Level] treble level can be set in 2 dB intervals to any value from 14 dB to 0 to +14 dB using the rotary 4 control. The default setting is [0].
R1 R2 R3 R4 R5
EQ 1 On Off On
L Level 0 14 - +14
H Level 0 14 - +14
[EQ Mid] equalizer midrange setting
The [M Level] midrange level can be set in 2 dB intervals to any value from 14 dB to 0 to +14 dB using the rotary 3 control. The midrange frequency can be set to any value from 100 Hz to 10. 2 kHz using the rotary 4 control. Select [0. 5], [1], [2] or [5] for Q using the rotary 5 control. The default setting is [0. 5].
R1 R2 R3 R4 R5
EQ 1 MId
M Level 0 14 - +14
Freq Q 1. 01KHz 100 Hz 10. 2 KHz 0. 5 1 2 5
0. 5
[Voice Change] (voice changer) setting
This is used to set the voice changer. Set [On] or [Off] using the rotary 3 control. [. . . ] Follow the procedure below to install it. <Note> Always consult your dealer or authorized service center regarding installation of the AG-YA70 in the AG-MX70.
1)
Turn off the power of the AG-MX70, remove the ten screws from the bottom panel, and detach the top part including the LCD. Refrain from using any force to pull the top part away from the bottom part since the two parts are still connected by cables. (Refer to the figure on page 101. ) Remove the 20 screws, and remove the shield plate. [. . . ]
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