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Manual abstract: user guide PEAVEY CEX-4LDATASHEET
Detailed instructions for use are in the User's Guide.
[. . . ] Users will recognize the quality of the microphone immediately by its distinctive studio sound. [. . . ] The frequency response of the cardioid characteristic is very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a switchable highpass filter, interference through subsonic and low frequencies are reduced remarkably. As such, this switch cuts the low frequency response reducing the proximity effect. Box 2898, Meridian, Mississippi 39301-2898.
Studio ProTM M1
Amplitude Response
20 10 dB 0 -10 -20 500 1k 2k Frequency (Hz) Figure 1. Frequency Response Studio Pro M1 Front to Back 20 50 100 200 5k 10k 20k
Amplitude Response
20 10 dB 0 -10 -20 500 1k 2k Frequency (Hz) Figure 2. Frequency Response Studio Pro M1 On-axis and Low cut 20 50 100 200 5k 10k 20k
Amplitude Response
20 10 dB 0 -10 -20 500 1k 2k 5k Frequency (Hz) Figure 3. Frequency Response Studio Pro M1 On-axis and -10 dB Pad 20 50 100 200 10k 20k
SPECIFICATIONS
Studio ProTM M1
0 30
o o
o
0 -30
o
o
0 -30
o
o
30
o o
o
30
o o
o
-30
o
60
-60
60
-60
60
-60
o
90
o
-90
o
90
o
-90
o
90
o
-90
o
125 Hz
250 Hz
500 Hz
0 30
o o
o
0 -30
o
o
0 -30
o
o
30
o o
o
30
o o
o
-30
o
60
-60
60
-60
60
-60
o
90
o
-90
o
90
o
-90
o
90
o
-90
o
1 kHz
2. 5 kHz
5 kHz
0 30
o o
o
-30
o
60
-60
o
90
o
-90
o
10 kHz
Features and specifications subject to change without notice. [. . . ] Frequency Response Studio Pro M1 On-axis and -10 dB Pad 20 50 100 200 10k 20k
SPECIFICATIONS
Studio ProTM M1
0 30
o o
o
0 -30
o
o
0 -30
o
o
30
o o
o
30
o o
o
-30
o
60
-60
60
-60
60
-60
o
90
o
-90
o
90
o
-90
o
90
o
-90
o
125 Hz
250 Hz
500 Hz
0 30
o o
o
0 -30
o
o
0 -30
o
o
30
o o
o
30
o o
o
-30
o
60
-60
60
-60
60
-60
o
90
o
-90
o
90
o
-90
o
90
o
-90
o
1 kHz
2. 5 kHz
5 kHz
0 30
o o
o
-30
o
60
-60
o
90
o
-90
o
10 kHz
Features and specifications subject to change without notice. [. . . ]
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