User manual PEAVEY DETONATOR

[. . . ] Refer servicing to qualified service personnel. WARNING: To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture. Before using this appliance, read the operating guide for further warnings. Este símbolo tiene el propósito, de alertar al usuario de la presencia de "(voltaje) peligroso" sin aislamiento dentro de la caja del producto y que puede tener una magnitud suficiente como para constituir riesgo de descarga eléctrica. Este símbolo tiene el propósito de alertar al usario de la presencia de instruccones importantes sobre la operación y mantenimiento en la información que viene con el producto. [. . . ] This feature is very useful when a speaker wearing a wireless mic walks close to a stationary mic such as at a pulpit. By giving the wireless mic priority, the pulpit mic is automatically turned down minimizing the interference caused by both mics picking up the same source (a swishing or hollow sound). Connect mics needing priority to channels 1 and 2 and other primary speaking or fixed mics to 3 and 4. Automatic Mixing Channels: 1­4 PRIORITY CHANNELS: wireless mics CHANNELS 3­4: pulpit mics 15 IMPORTANT The S-14 has two additional buses that allow mics to be grouped for noise reduction and compression. Try to group mics together on adjacent inputs that will be used together. Singing mics, particularly hand held mics, should be assigned to the SOLO group since it has a filter to reduce rumble and handling noise. Instruments are best routed to the CHOIR group. Input channel 10 can be assigned to the choir group or REC. When set to REC, it will go to the Record and Auxiliary outputs only. This feature can add sound from the room (congregation singing and response) to the REC (recording) and AUX (auxiliary) outputs. The addition of some ambient sound can enhance the recording, broadcast, or sound to other parts of the building. The ambience mic must be connected to input 10 to use this feature. Try to keep the levels low. 16 Other outputs Record (REC) output. This output is a stereo output intended for recording or broadcast. A switch is provided to engage the AUTO-LEVEL circuit to reduce the dynamic range of the recording. This output can be used for sending audio to other places, such as the narthex, cry room, nursery etc. A switch is provided to engage the AUTO-LEVEL circuit to reduce dynamic range. NOTE: AUTO-LEVEL reduces the variation in volume between loud and soft. Although the variation in volume (dynamic range) is an important part of the service, it can make listening in other rooms, the nursery, cry room, narthex, at home or in the car more difficult. The AUTO-LEVEL automatically reduces the dynamic range to make listening in these environments easier. OTHER OUTPUTS: Aux Out REC Out DETONATOR ONLY The DETONATOR is identical to the S-14 except for the addition of a dual 500 Watt power amplifier. In planning the installation using the S-14AP you will need to consider how those amplifiers will be used. The power amplifier mode switch on the rear of the units sets the amplifiers as stereo Left/Right outputs or one amplifier for the main system and the second for Monitor 1. Gain to 0 S-14 Setup Procedure: Now that you have read the section on planning your installation and you have connected the mixer to your system, it is time to start adjusting the mixer for proper operation. Again, the written procedure appears to be long, but you will be rewarded with better sound and easier operation. [. . . ] Unbal. 1 /4", Phone: Tip (+), Ring (-), Shield (Gnd) 1 /4" phone RCA 0 dBu +22 dBu (No Load) 1 /4" TRS: Tip Left, Ring Right, Sleeve Gnd. 0 dBu = 0. 775 V RMS 29 Hum & Noise Output Master L/R Mono Residual Noise -100 dBu -85 dBu -80 dBu Left/Right -100 dBu -85 dBu -80 dBu (Hum & Noise measurements: 22 Hz to 22 kHz BW) S/N Ratio (Ref. +4 dBu) 104 dB 89 dB 84 dBu 104 dB 89 dB 84 dBu Test Conditions All faders down Master fader nominal, All channels muted All controls nominal, mic gain min. All faders down Master Fader Nominal, Ch. Muted All controls nominal, mic gain min. Hum & Noise: -97 dB below rated output Gain Mic input gain adjustment range: Mic input to any output: Stereo Channel in to any output: Frequency Response Mic input to L/R output: 0 dB to 57 dB 74 dB (max. [. . . ]