User manual PEAVEY DETONATOR JX

[. . . ] Refer servicing to qualified service personnel. WARNING: To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture. Before using this appliance, read the operating guide for further warnings. Este símbolo tiene el propósito, de alertar al usuario de la presencia de "(voltaje) peligroso" sin aislamiento dentro de la caja del producto y que puede tener una magnitud suficiente como para constituir riesgo de descarga eléctrica. Este símbolo tiene el propósito de alertar al usario de la presencia de instruccones importantes sobre la operación y mantenimiento en la información que viene con el producto. [. . . ] NOTE: Many of the benefits that the DETONATOR JX offers require careful initial setup. This can all be quickly undone by curious fingers on a panel full of neat-looking knobs and switches. When you plan and install this product, make sure that it is installed where the operator can hear the sound system but where it is protected from unauthorized "experts. " And remember, your job is not complete until these settings have been marked and recorded on paper with copies at the mix console and in a safe location. You may also wish to use adhesive arrows, such as those available from Peavey, on the control surface to indicate preferred settings. The Automatic Mix (AutomixTM) Channels (1­4) are designed primarily for spoken word. Of those four inputs, two have a priority feature that can be used. The priority feature tells the DETONATOR JX to favor this mic in the mix if other automix mics also are receiving sound. This feature is very useful when a speaker wearing a wireless mic walks close to a stationary mic such as at a pulpit. By giving the wireless mic priority, the pulpit mic is automatically turned down minimizing the interference caused by both mics picking up the same source (a swishing or hollow sound). Connect mics needing priority to channels 1 and 2 and other primary speaking or fixed mics to 3 and 4. Automatic Mixing Channels: 1­4 PRIORITY CHANNELS: wireless mics CHANNELS 3­4: pulpit mics 15 IMPORTANT The DETONATOR JXTM has two additional buses that allow mics to be grouped for noise reduction and compression. Try to group mics together on adjacent inputs that will be used together. (Please refer to the Glossary later in this guide for an explanation of unfamiliar terms. ) Monitor 2 can then be used for floor or spot monitors. The key things to remember about monitors: Get the sound to the people as directly as possible. (running everything through speakers 30 feet away is difficult and adds more "noise" to the room but this can work for applications like voice foldback to the choir) Try to keep sound from the monitors out of the microphones. Speakers directed into the rear of directional mics can help. (This can be difficult, but do the best you can. ) Minimize the need for monitors by careful positioning of people and instruments. IMPORTANT 16 Start with a good mix on the main sound system and add only the mics that are needed to the monitors. Try to keep the levels low. OTHER OUTPUTS: Aux Out REC Out Other outputs Record (REC) output. This output is a stereo output intended for recording or broadcast. A switch is provided to engage the AUTO-LEVEL circuit to reduce the dynamic range of the recording. This output can be used for sending audio to other places, such as the narthex, cry room, nursery etc. A switch is provided to engage the AUTO-LEVEL circuit to reduce dynamic range. NOTE: AUTO-LEVEL reduces the variation in volume between loud and soft. [. . . ] Connector(s) Main L/R, Mon Bal. /Unbal. 1 /4" Phone (Unbal. ) XLR: Pin 1 Gnd. , Pin 2 (+), Pin 3 (-) Aux EFX Record Headphone 600 600 600 8 +4 dBu +4 dBu +4 dBu +22 dBu +22 dBu +22 dBu Bal. Unbal. 1 /4", Phone: Tip (+), Ring (-), Shield (Gnd) 1 /4" phone RCA 0 dBu +22 dBu (No Load) 1 /4" TRS: Tip Left, Ring Right, Sleeve Gnd. 0 dBu = 0. 775 V RMS 29 Hum & Noise Output Master L/R Mono Residual Noise -100 dBu -85 dBu -80 dBu Left/Right -100 dBu -85 dBu -80 dBu (Hum & Noise measurements: 22 Hz to 22 kHz BW) S/N Ratio (Ref. +4 dBu) 104 dB 89 dB 84 dBu 104 dB 89 dB 84 dBu Test Conditions All faders down Master fader nominal, All channels muted All controls nominal, mic gain min. All faders down Master Fader Nominal, Ch. [. . . ]