User manual PIONEER MJ-L77

[. . . ] The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. This product contains a laser diode of higher class than 1. To ensure continued safety, do not remove any covers or attempt to gain access to the inside of the product. refer all servicing to qualified personnel. [. . . ] If the tape was recorded using Dolby NR, then Dolby NR should be switched on for best results. Access to many of the less commonly used functions of the XC­ L77 is via a menu system. Each component (CD player, tuner, tape deck, auxiliary, and this MD recorder) has it's own set of menu options, but access to all of them is from the MENU button. Pressing MENU displays the first menu option for the component you're currently using. You can display the next option by pressing >, or the previous one by pressing $. The menus wrap around, so once you get to the end of the list, pressing > again takes you back to the first item. to select the menu option currently displayed , press the SET button. This often takes you to a further sub-menu, which may simply consist of two settings (such as turning something on or off), or may have more choices. Either way, choose between different options with the $ and > buttons, and select one by pressing SET. If you make a mistake while in the menu system, simply press & to cancel and exit. Playback features accessed via the menu button are: PROGRAM - Specify the track order of a disc (page 23) RANDOM - The recorder plays the tracks in a random order (page 26) REPEAT - Set the current track or disc to repeat play (page 24) Recording features accessed via the MENU button are: AUTO MARK - Specify when a new track should be started (page 27) INPUT SELECT - Select either analog­ or digital-input recording (page 29) RECORD MODE - Specify regular stereo, or long-play mono recording (page 28) Editing features accessed via the MENU button are: ALL ERASE - Delete all tracks on a disc (page 43) COMBINE - Join two tracks together into one new track (page 39) DISC NAME - Give a disc a name that will show up when you load the disc (page 35) DIVIDE - Split a single track into two separate tracks (page 38) MOVE - Give a track on the disc a new track number (page 40) PROGRAM MOVE - Reorder tracks according to the program play order (page 42) This mode lets you program a sequence (a playlist) of up to 24 tracks to play. Tracks can appear more than once in the playlist, or can be left out entirely. The playlist applies only to the MD in the player at the time. Once you eject the disc, (or switch the power off), the playlist is lost. This menu option is only available when the disc is stopped. Remember: switch between menu options using the $ and > buttons; select the option by pressing SET. 2 Select a track to add to the playlist using the $ and > buttons For example, to add track 3, press > three times. or , to add the last but one track , press $ twice. Track 3 programmed as the first item in the playlist This display appears briefly after pressing SET - Delete a track from the disc (page 43) TRACK NAME - Give a track a name that will show up when the track is played (page 37) UNDO - Undo the last edit operation (page 45) If you make a mistake, press CANCEL to delete the last (most recent) track programmed. 5 When you're happy with the playlist, press MENU. the playlist can be up to 24 tracks long. Display shows the number of tracks in the playlist and the total running time You can only check the playlist order when the disc is stopped. [. . . ] If the problems persists, contact your nearest Pioneer-authoriorized service center and have them check over the unit. The TOC is full (this may occur after repeated recording and editing operations). The remaining recording time doesn't increase even after erasing some short tracks. Execute the all-track erase command and record the disc from the beginning. [. . . ]