User manual RANE MLM 42

[. . . ] Instead, turn down the LEVEL of one or more of the Input channels. The Output Overload indicator should remain off. The OUTPUT MIC/LINE switch changes the balanced XLR and TRS Outputs to either LINE-level or MIC-level. Be aware of what sort of signal your mixer or amplifier wants to see before you scare yourself. [. . . ] An Output Overload condition is corrected by turning down one or more of the Input LEVELs. 6 OUTPUT LEVEL control determines the level going to all four Outputs. When the yellow LED is lit, the MLM 42 is ready to go. Manual- REAR PANEL DESCRIPTION OUTPUT A EFFECTS RETURN SEND MLM 42 POWER MADE IN U. S. A. ACN 001 345 482 4 B 750mA CLASS 2 EQUIPMENT BALANCED LINE MIC UNBALANCED UNBALANCED LINE B A L A N C E D OR MIC 3 GAIN ON PHANTOM POWER LINE 4 5 6 7 8 1 2 3 1 INPUTS 1 through 4 feature MIC-level XLR and LINE-level ¼" TRS connectors. Use only one of these Inputs for each channel. A mono ¼" TS plug may be inserted into the LINE input if necessary, but better results come from a balanced TRS plug. See the RaneNote, "Sound System Interconnection" included with this manual. 2 PHANTOM POWER switch provides 15 volts to condenser microphones plugged in the MIC Input. 3 GAIN trim control sets the inital gain of the Input so the front panel LEVEL control has the most latitude without distortion. When the XLR MIC Input is used, the range of the GAIN is 12 to 50 dB and Phantom Power may be selected. When the TRS LINE Input is used, the range of the GAIN is 0 to 12 dB and Phantom Power is disabled. 4 Remote POWER supply input and chassis ground screw. The unit is supplied from the factory with an RS 1 remote power supply suitable for connection to this input jack. The power requirements call for an 18 volt AC center-tapped transformer only. Never use a power supply with your unit other than the one supplied or a replacement approved by Rane Corporation. Using any other type of supply may damage the unit and void the warranty. The #6-32 screw above can be used for chassis grounding. 5 ¼" TRS and XLR Balanced OUTPUT jacks are provided for convenience. Both connectors may be used simulaneously. 6 OUTPUT LINE / MIC switch changes both balanced XLR and ¼" TRS Outputs to either LINE-level or MIC-level. [. . . ] The DRY/WET pan control allows the user to control how much processed verses unprocessed signal appears in the final output mix. An alternative use for the EFFECTS loop is for Expand Output and Expand Input. For example, if you wish to use two mixers, the SEND Output of the first mixer can drive the RETURN Input of the second mixer. The relative mix level of mixer one versus mixer two is determined by the DRY/WET pan control of the second mixer. [. . . ]